Audio and radio play reviews

Review: The Companion Chronicles – The Blue Tooth

The Blue ToothAs a notorious Liz Shaw fan, I was looking forward to this entry in the Companion Chronicles range. One of the more adult companions (in a good way), she was one of the main elements of a short-lived strategy to make Doctor Who less childish, way back in season seven. However, she never got so much as a leaving scene when she was replaced by Jo Grant and hasn’t yet appeared in any of the Big Finish range. So it was good to hear she would be featuring in this brief set of audio books.

The Blue Tooth sees Liz returning to Cambridge to meet an old friend. In true Who style, it all goes very wrong when an outer space monster intrudes – no less a beastie than the Cybermen, in fact. And it opens with a promise: to reveal why Liz decided to leave the Doctor.

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Audio and radio play reviews

Review: The Companion Chronicles – Fear of the Daleks

Cover of Fear of the DaleksSkipping neatly over various generations of companions, we move from Vicki to Zoe for the second of the Companion Chronicles, slightly dramatised audio books in which former Doctor Who companions recount missing tales of their youthful exploits with the Doctor.

There’s a slight problem with creating tales for older companions. Do you write the stories in in the same style as the stories of the time, or adapt to changes in taste, audience, etc? With the former, you risk losing the audience through lack of pace, simplistic plot devices, et al; with the latter, you can end up losing the charm of the original stories, while making them look stupid.

Fear of the Daleks tries to have the best of both worlds by marrying modern-day writing with 1960’s style stories. Unfortunately, it fails just horribly.

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Audio and radio play reviews

Review: The Companion Chronicles – Frostfire

FrostfireNot wishing to be tasteless or anything, but it can’t have escaped your notice that a lot of the Doctors Who are dead now. Numbers one to three have passed on; number four is a tad on the eccentric side. Many of their companions live on, however.

Something of a dilemma for Big Finish, no? Being Doctor Who fans of the first order, they’ve got the collecting instinct, and getting those companions into the Big Finish range would be just great. Even better than Top Trumps, in fact.

Now, they’ve already had a fair stab at this. Carole Ann Ford’s played an alternative version of the Doctor’s granddaughter, Susan, alongside an alternative Doctor in a couple of the Doctor Who Unbound range; Anneke Wills, William Russell, Caroline John, Katy Manning and others have all played new characters in other Big Finish plays; and most of Tombo’s assistants have turned up in ranges of their own (Gallifrey and the Sarah Jane Smith series to be precise).

But with the slight exception of those Unbound plays and The Kingmaker, Big Finish’s producers have stopped short of getting other actors to play the Doctor. So what to do?

Cunning plan. How about creating audio books instead of plays, with the original companions pretending to be telling stories to other people? You don’t need the Doctor anymore and you get to make the companion the centre of the story.

Plus it’s cheap.

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Audio and radio play reviews

Review: Doctor Who – Circular Time

Circular TimeUgh. Ugh. Ugh. I’ve been tarnished. I’ve had to listen to something by Paul Cornell again.

Okay. I’m feeling better now. Actually, the experience wasn’t that bad. Circular Time is definitely one of the better plays of late, despite the Cornellian clouds of pretension looming around every word. In fact, it’s four plays, one for each season.

I’ve no idea why they decided to set the play around the four seasons. I guess you could argue that each play represents different aspects of the age of the characters, with Spring youthful and adventurous, Summer not quite so high spirited (but what? I’m not sure. More religious?), Autumn more mature and Winter the gradual settling down and winding down of life. But it’s more of a gimmick than anything too insightful.

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Audio and radio play reviews

Review: Doctor Who – No More Lies

Immortal BelovedYou know a play is going to start off badly when the station announcer warns you not to be confused that it starts in the middle of a story. Don’t worry, you won’t haven’t missed anything, she promises, clearly worried the audience isn’t used to difficult concepts or standard Big Finish plot techniques.

She was right, though. It was confusing.

Surprisingly, despite already starting with the second half of an adventure, No More Lies is still a play of two halves. The first one is very stupid and very science-fictiony; the second is a far more emotional, far less stupid affair. In fact, if they’d lopped off that first half (which, of course, was also a second half), it would have been a very good play indeed.

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