The Weekly Play

The Wednesday Play: The Black Stuff (1980), The Muscle Market (1981) and Boys From The Blackstuff (1982)

The Black Stuff

There have been few TV plays as influential or as seminal as The Black Stuff, Alan Bleasdale’s 1980 Play for Today which led to possibly the most famous anti-Thatcher serial of them all, Boys From The Blackstuff, which ranked seventh in the BFI TV 100 of the 20th century. Yet ironically, the play concerning a group of Liverpudlian tarmac layers on a job near Middlesbrough (‘the black stuff’ being tarmac), was actually written in 1978, a year before Margaret Thatcher became prime minister.

This original play was a reaction to Britain’s declining economic fortunes under Labour, with 1.5 million people unemployed – a 40-year high – at the time of its writing. The play featured the now-famous characters of Yosser (Bernard Hill), Loggo (Alan Igbon), Chrissie (Michael Angelis), George (Peter Kerrigan) and Dixie (Tom Georgson) coming across a group of gypsies who offer them a ‘side job’ while they’re on their properly contracted job. The gang reluctantly agree and after that, it all goes downhill…

The acclaim for the play led to the commissioning in 1981 of a play about the gang’s boss, Danny, played by Peter Postlewaite, called The Muscle Market. That was swiftly followed by the 1982 Boys From The Black Stuff, by which point unemployment had reached 3 million. Each episode focused a different member of the gang, now unemployed or in a different job. Best remembered for Yosser’s catchphrases “Gizza’ job” and “I can do that”, the serial showed how unemployment was destroying lives and how little support there was for those without work. As well as Hill and others, it launched the career of Julie Walters, who played Chrissie’s wife.

Since BBC Worldwide sucks, they won’t let me embed the video below, but head straight on over to YouTube to watch the full thing; I can at least embed The Muscle Market and the episodes of the serial itself below. As always, if you enjoy it, buy it on DVD (unfortunately, The Meat Market isn’t available on DVD).

Wednesday’s “Karl Urban goes back to TV, Alfred Molina goes back to comedy and Sherlock goes for a 4th season” news

Film

  • Sony to adapt 70s sitcom Good Times

Film casting

Canadian TV

UK TV

US TV

US TV casting

New US TV shows

  • Sundance orders The Descendants [subscription required]
  • TBS developing Clipsters, Showtime working on servants comedy

New US TV show casting

  • James Spader to star in NBC’s The Blacklist
  • Karl Urban and Minka Kelly to star in Fox’s Human
  • Kristen Schaal to replace Mandy Moore on ABC’s Pulling remake
  • Louise Lombard to star in The CW’s The Selection
  • Tom Berenger to star in Fox’s Gang Related
  • Ann Cusack joins NBC’s Girlfriend in a Coma, John Billingsley joins CBS’s Intelligence
  • Alfred Molina to star in NBC’s Assistance
  • Kate Walsh to star in NBC’s Bad Judge?
  • Skeet Ulrich to star in CBS’s Anatomy of Violence
  • Kristoffer Polaha joins CBS’s Backstrom, Kelly Hu joins The CW’s The 100
  • Jason Jones joins ABC’s Divorce: A Love Story, Ryan Eggold joins NBC’s The Blacklist, Anna Wood joins CBS’s Reckless + other pilot casting
  • Stephen Lang to star in ABC’s Reckless (yes, there are two of them)
  • Christina Cole to star in CBS’s Second Sight, Kerry Bishe joins AMC’s Halt & Catch Fire
  • Michael Huisman to star in NBC’s The Sixth Gun
  • Stella Maeve to star in The CW’s Company Town, Heather Lind to star in AMC’s Turn
  • Casting on NBC’s Holding Patterns, Believe and Rand Ravich drama
  • Casting on The CW’s Reign and The 100
The Weekly Play

I’m off! Plus two Wednesday Plays: Vote Vote Vote For Nigel Barton and Stand Up, Nigel Barton (1965)

The Venetian in Las Vegas

I’m off to Las Vegas. Yes, I am, for I was married there 10 years ago on Sunday and we’re going back there to celebrate. I doubt there’ll be any 1960s-style cowboys-cum-sherrifs to see while I’m there – although there should be some gondoliers – but I’ll be off until next Wednesday at least, when some attempt at normal service might resume.

Until then, have loads of fun without me, watch good tele, chat among yourselves (and if you’re just lurking, feel free to introduce yourself to the other commenters – they’re all very nice people) and guard the blog against interlopers.

If you can’t find any good tele, here are two of Dennis Potter’s classic The Wednesday Plays for you to enjoy: Vote Vote Vote For Nigel Barton and its sequel, Stand Up, Nigel Barton, which aired just a week later in 1965. As always, if you like them, buy them!

TTFN!

French TV

Review: Engrenages (Spiral) 4×7-4×8 (France: Canal+; UK: BBC Four)

In France: Last autumn
In the UK: Saturday 2 March, 9pm, BBC Four

Prepare yourself for much wailing and gnashing of teeth: I’m away for a week, so I won’t be able to review episodes 9 and 10 until next Thursday or so, I suspect. Of course, given these reviews are only getting as many as one comment each, maybe you’ll all live somehow. Let’s see how many comments this gets by the time I return, anyway.

Either way, let’s look at the two episodes that have just aired, in which Gilou proves that yes, he can be very smart, provided it’s criminal activity rather than police work, Karlsson proves that she’s great at defending everyone except herself – at least, when Pierre’s around – and Laure proves that Spiral will remember past continuity references and characters eventually, even if takes a year or two.

Welcome back, Sami!

Continue reading “Review: Engrenages (Spiral) 4×7-4×8 (France: Canal+; UK: BBC Four)”

US TV

Mini-review: Golden Boy 1×1 (CBS)

Golden Boy

In the US: Tuesdays, 10/9c, CBS

Not really worth a full-on review, since it’s so perfectly generic, I could recycle practically any other review I’ve ever written of a CBS cop drama and it would say more or less the same thing.

The basic idea is that the Robert Kennedy-alike Walter William Clark Jr (Theo James, who could see dead people in Sky Living’s horror show Bedlam) will become the youngest police commissioner in New York City history seven years from now, and when he’s interviewed about how he got to the top so quickly, we see in flashback the events that transpired along the way.

And it’s incredibly, incredibly generic. We have the slobby black partner a couple of years from retirement (Chi McBridge) and the ambitious backstabbing detective who’s intent on sabotaging Clark Jr’s obviously inevitable career trajectory (Kevin Alejandro from Southland). We have a token female detective who’s somewhere on the moral spectrum between those two. We have a wayward sister for our hero to look after.

All of which might be excusable if there were decent plots. But for a Golden Boy, he ain’t half stupid. There is literally no obvious insight that he can’t make, no obvious act of backstabbing that he won’t miss. The show should more probably be called Earnest Boy, because this isn’t a political animal like Robert Kennedy in the making (which someone who rose that quickly up the career ladder would really need to be).

So although, as with all CBS dramas, it is competently made, has a decent degree of verisimilitude and looks great, ignore it.