Yes, there’s even more to David Lynch’s Dune than you first thought – here’s 21 deleted scenes

So I’ll come clean and admit that David Lynch’s Dune is one of my favourite movies. It’s also one of the ones I can quote from the most, but I won’t subject you to that – I think you’d rather endure the Box than that.

As you might expect from such a huge book, it is also a long movie, very long for 1984 when it was released, coming in at 2h11. It could have been even longer, though, but producer Raffaella de Laurentiis had a clear strategy for stopping David Lynch from going too long: “For every day you run over budget, she told Lynch, a page will be ripped from the script. At random.”

Even so, Lynch filmed a lot more Dune than went into his first cut. Much of that extra material then got saved up and restored, complete with additional narration, for an extended Sci-fi channel version – which Lynch asked be credited to someone other than him, as he didn’t approve.

But that still wasn’t all the footage that Lynch filmed. Oh no. There was plenty, plenty more. And for fans of the book, some of those deleted scenes were actually very important moments: everything from Paul marrying Irulan and the death of Thufir Hawat through the funeral of Jamis all the way to the creation of the Water of Life by a baby sand worm.

But life is good. YouTube is kind. And you can watch all 21 additional scenes in the play list below*.

The spice must flow.

* Some of them you can see in the Extended version.

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What have you been watching? Including Cara Fi, The Comeback, Neville’s Island, Robocop (2014), Constantine and The Fall

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

First, I’ll apologise in advance for the typos: I’m just heading out the door to watch The Imitation Game.

Anwyay, we’re nearing Thanksgiving and the Christmas season (aka ‘December’) which means that viewing options are starting to drop off, new shows are few and far between, and old shows are giving us their mid-season finales. But I have watched a couple of new things, including State of Affairs, which I’ve reviewed elsewhere.

Cara Fi (UK: S4C)
A dying Welsh village puts the faces of its single men on the sides of milk cartons to attract women there. Starring Dave Coaches (Steffan Rhodri) from Gavin & Stacey, it’s pretty gentle, not especially romantic comedy with a sad basis in reality. I wouldn’t necessarily recommend it, but it’s a different change of pace from the usual fare and it clips along decently enough.

The Comeback (US: HBO; UK: Sky Atlantic)
Lisa Kudrow plays a fading, once semi-famous actress, trying to use reality TV to make a comeback, only to discover that she might get a second chance, playing a thinly veiled pastiche version of herself in a sitcom. Technically the show’s second season, it’s first season airing in 2005, and since then, most of its young stars (Kellan Lutz, Malin Akerman) have gone on to better things, although Akerman makes a cameo in the first episode, Lutz lined up for a later appearance. However, as with the first season, this is such an insider TV show that even though I’ve been writing about TV and US TV for the best part of two decades, even I found it a bit niche. More damningly, I didn’t laugh once. Fans says the show’s simply ahead of the curve, in which case I’ll probably find it funny in 10 years’ time, but seeing as most of it is cringe comedy and laughing at people who’ve fallen on hard times, maybe not.

I’ve also watched a movie:

Robocop (2014)
Remake of the 1980s ‘classic’, this hits neither the original’s lows nor its highs, loses virtually all the satire, and ditches Nancy Allen’s tough female partner for Omar from The Wire. Nevertheless, the story of a murdered cop turned into a cybernetic police officer for a privatised police force does actually do some interesting and different things, looking at the concepts of free will, the nature of perception, media manipulation, the disabled, prosthetics, and the tensions between altruistic science and those funding it. It’s certainly not memorable and will probably be forgotten about soon enough, but it’s nevertheless a pretty decent film that would probably be a lot more noticeable and notable were it not for the original.

And I’ve been to the theatre, too.

Neville’s Island (Duke of York’s)
Four Northern middle managers (Neil Morrissey, Adrian Edmondson, Miles Jupp, Robert Webb) go the wrong way on an outward bounds course and end up stuck on an island in the Lake District. How will they get on together? Will they escape? And will any of them go mad and attack the others? I’m not saying, but it’s a fun play which ultimately doesn’t say a whole lot, but is entertaining nevertheless, with some good performances. It also features one of the best sets I’ve ever seen – or smelt. Seriously, that’s some moist piney goodness they’ve got going on there.

After the jump, I’ll be running through: Arrow, Constantine, Elementary, The Fall, The Flash, Forever, Gotham, Gracepoint, Marvel’s Agents of SHIELD, The Newsroom and Scorpion.

Continue reading “What have you been watching? Including Cara Fi, The Comeback, Neville’s Island, Robocop (2014), Constantine and The Fall”

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Nostalgia Corner: MacGyver (1985-92)

MacGyver

There are few TV shows that have actually changed the English language, but ABC’s MacGyver gave us not only a new verb, but inspired virtually an entire generation of viewers to start carrying around Swiss Army Knives.

Starring Richard Dean Anderson as the eponymous Angus MacGyver, the show was created by three men: Lee David Zlotoff, one of the producers of Remington Steele; Emmy-award winning director John Rich; and Henry Winkler – the Fonz on Happy Days. It saw Anderson’s former Vietnam bomb disposal expert turned secret agent working first for the US government’s Department of External Services and then for the private sector Phoenix Foundation, investigating all manner of dangerous subjects both professionally and personally.

So far, so ordinary. What then set MacGyver apart from other action heroes?

  1. His mullet.
  2. The intensely catchy theme tune.
  3. But most importantly, in contrast to the usual US action hero stereotype, MacGyver not only refused to use a gun, he used his mind instead. Give MacGyver a dilemma to solve or sticky situation to get out of, not only would he likely remember a related situation from his childhood, he’d use his vast knowledge of science and technology to improvise a solution, whether it was something basic like putting an egg into a perforated radiator to temporarily plug the holes or something more advanced like building a laser.

Here, let the title sequence give you all three of these things in a concentrated burst:

Continue reading “Nostalgia Corner: MacGyver (1985-92)”