The Wednesday Play (on Tuesday): Westinghouse Desilu Playhouse – The Time Element (1958)

As we’ve seen in previous Wednesday Plays, anthology and play strands have often resulted in spin-off series: The Play For Today gave us shows including Gangsters; Armchair Theatre gave us Callan, The Sweeney et al; Dramarama gave us Dodger, Bonzo and The Rest; and so on. But oddly enough, anthology series could spin-off from other anthology series, too – sometimes even the most famous ones.

In 1958, the mouthful-tastic Westinghouse Desilu Playhouse was just starting out. Between 1951 and 1957, husband and wife team Lucille Ball and Desi Arnaz had been the stars of TV in I Love Lucy, but they were looking to expand their Desilu production company’s output with an anthology series of drama, comedy and music. They convinced CBS to buy their show and managed to get Westinghouse to switch its sponsorship away from Westinghouse Studio One in the process, resulting in CBS cancelling that show.

Looking for some prestigious material with which to christen the new show, producer Bert Granet started trawling through CBS’s vaults, where he found a buried script called The Time Element, written by one Rod Serling. Serling had become a popular and critically respected TV playwright in the 1950s, but CBS had been unwilling to produce the script so had shelved it. However, Granet thought the script would boost his show and put it into production.

The play, set years after the end of World War II, features a man named Peter Jenson (William Bendix) who visits a psychoanalyst, Dr Gillespie (Martin Balsam). Jenson tells him about a recurring dream in which he tries to warn people about the “sneak attack” on Pearl Harbor before it happens, but the warnings are disregarded. Jenson believes the events of the dream are real and each night he travels back to 1941.

Suffice it to say, there’s a twist ending.

The Time Element, which was introduced by Desi Arnaz, debuted on November 24 1958 to an ‘overwhelmingly delighted’ audience of television viewers and critics alike. “The humor and sincerity of Mr Serling’s dialogue made The Time Element consistently entertaining,” offered Jack Gould of The New York Times. Over 6,000 letters of praise flooded Granet’s offices.

Convinced that a series based on such stories could succeed, CBS again began talks with Serling about the possibilities of producing a similar anthology series, one bookended by a narrator, full of fantasy and science-fiction stories, often with twists in their tails, and to be called… The Twilight Zone. Where Is Everybody? was accepted as the pilot episode and the project was officially announced to the public in early 1959. The rest is history.

The Time Element was not aired on television again until it was shown as part of a 1996 all-night sneak preview of the then-new cable channel TVLand. Thankfully, it’s this week’s Wednesday Play (on Tuesday) and you can watch it below.

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Weekly Wonder Woman

Weekly Wonder Woman: Action Comics #50, DC Comics: Bombshells #34, The Legend of Wonder Woman #18, Wonder Woman ’77 #18

Although Wonder Woman is once again occupying parts of the UK during filming – this time, King’s Cross station in London – it’s a slightly less hectic pace in comics for the Amazon queen, with only four appearances this week.

After the jump, the fight against Baroness von Gunther, her rainbow death seahorse and her octopus of doom continues in DC Comics: Bombshells, while rotoscoped Lynda Carter Wonder Woman has to deal with a cult full of aliens over in Wonder Woman ’77. Meanwhile, Diana and Superman continue their interminable fight against Vandal Savage and family in Action Comics #50, while in The Legend of Wonder Woman, the day has finally arrived when not only does Diana become Wonder Woman, but Etta Candy gets to say ‘Woo woo!’

Continue reading “Weekly Wonder Woman: Action Comics #50, DC Comics: Bombshells #34, The Legend of Wonder Woman #18, Wonder Woman ’77 #18”

What have you been watching? Including Flaked, The Intern, Lucifer and Billions

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever*. 

As you might have noticed, things are hotting up in the tele stakes. In the past week, I’ve reviewed the first episodes of:

But that’s by no means all the new shows. In the next few days, I’m hoping to give Underground (US: WGN America) a look over, as well as – assuming it’s not cancelled before then, given its ratings – Of Kings And Prophets (US: ABC), which sees one ‘Ray Winstone’ playing King Saul of Israel, who has to deal with some bloke called ‘David’. Careful – no spoilers, please.

I still haven’t got round to watching Netflix’s Love, but I did manage to watch a couple of episodes of…:

Flaked (Netflix)
Will Arnett is Chip, a furniture store owner in Venice Beach, California, who spends a lot of his time:

  1. Hanging around at AA meetings
  2. Cycling everywhere, because he’s been banned from driving, having killed someone while on drugs
  3. Having sex with/fancying much younger women on popular types of mattresses
  4. Lying about pretty much everything

And that’s about it, really. Just as Master of None didn’t have much plot and was really just a series of character moments, so Flaked is really a character study of a complete tosser who screws over everyone he meets, albeit in very small ways, for his own selfish needs. There also aren’t many jokes, either.

Despite that, it’s actually quite watchable, in part thanks to Arnett, in part because it’s smarter than this otherwise standard ‘edgy’ comedy format would suggest. The Venice Beach location is different from the usual standard settings for sitcoms, too.

There’s also a certain knowingness about the show similar to Arrested Development‘s (perhaps because of exec producer Mitch Hurwitz) that makes it less of a male fantasy: Arnett may be sleeping with hot young women a lot, but his unattractive male friends aren’t, and even Arnett is finding it all a bit empty and pointless, having nothing culturally in common with the woman he professes to love. 

I’ll try to watch the remaining episodes this week – Daredevil season two is on the way, very soon, so I’m going to need to clear the decks – and let you know how the rest of it goes. If you can’t wait, don’t go into it expecting big laughs. Instead, just expect to enjoy a lot of Will Arnett hanging out with a bunch of people and having a little sex.

I haven’t managed to watch any more episodes of Ófærð (Trapped), unfortunately, but after the jump, the regulars, including a couple of season finales and some double-episode rundowns: 11.22.63, American Crime, Billions, DC’s Legends of Tomorrow, The Doctor Blake Mysteries, Limitless, Lucifer, The Magicians, Man Seeking Woman, Okkupert (Occupied), Second Chance, Stan Lee’s Lucky Man and Vikings. At least one of the recommended shows is being demoted – can you guess which one?

But first, a movie:

The Intern (2015) (iTunes)
Four things in the credits made me think this was going to be absolute unwatchable: the title, which in combination with Anne Hathaway’s presence, made we think I was going to be getting The Devil Wears Prada 2; writer/director Nancy Meyers, whose It’s Complicated was so unimaginably bad and dull, I nearly fell asleep in the cinema; and Robert De Niro, who has been working purely for the cash for what feels like decades now.

However, I needn’t have been worried, since it seems like everyone involved induced everyone else to raise their games. De Niro looks like he’s actually putting some effort in as the 70-year-old retired widower who takes an internship at an Internet start-up to give himself something to do and ends up becoming friends with CEO Hathaway. Hathaway is likable and believable as the perfectionist workaholic businesswomen, while Meyers (who, in case we forget, also wrote Private Benjamin, Irreconcilable Differences, Jumpin’ Jack Flash, Baby Boom, Father of the Bride and The Holiday) turns in a surprisingly authentic look at both twentysomethings and seventysomethings in modern business.

The first half of the movie is better than the second, with my lovely wife (who set up and runs her own company) finding a lot to identify with, but the second half adds an unnecessary dramatic twist that ruins a lot of the good, frequently (unpreachy) feminist work the first half develops. De Niro’s romance with in-house masseuse Rene Russo doesn’t quite work and a lot of plots are developed but ultimately go nowhere. The firm’s grasp of business isn’t totally top notch either, such as the question of why Hathaway’s firm needs a new CEO, rather than a halfway competent COO for Hathaway to delegate to.

Nevertheless, frequently moving, frequently funny, with a good range of characters and surprisingly smart, The Intern is that rare breed of movie: one aimed at adults that is entertaining, enjoyable but untaxing. I also think it speaks to my age that I identified far more with De Niro than with any of the 20something man-boys he works with.

  • If you’re wondering where all the references to Locate TV have got to this week, turns out they’re shutting down on Wednesday. Can’t say I’m totally surprised, given the effort v reward potential of the idea, but it’s a shame all the same.

Continue reading “What have you been watching? Including Flaked, The Intern, Lucifer and Billions”

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