General thoughts about and weirdnesses of last week’s television

As mentioned in my asides, I didn’t have much time for blogging last week. Sorry about that. But here’s a round-up of a few of my TV thoughts:

Survivors
Pretty rubbish. Couldn’t even be bothered to watch episode two. Interestingly, probably the only instance of a TV show adapted from the novelisation of an older TV show, and there was the name-switch of a couple of characters to fake out the seven people who could remember the original series/novel and who lived/died.

But still very tedious, with no really interesting characters and no real sense of disaster or tragedy. “Oh my God, I’ve had to burn the body of my dead husband. Right, anyone for chips?”

To a certain extent, the problem is with the format, since although it’s got a great starting point – almost everyone in the world dies so how will the survivors manage to eke out an existence? – invariably it descends into decisions about crop rotation, government structures and population stabilisation systems that somehow manage to avoid discussing or depicting sex since it’s mainstream BBC.

But the original series still managed to make the characters interesting so clearly not everything can be blamed on Terry Nation.

Knight Rider
We’ve stopped watching it. It really is very, very bad.

Odd BBC2 links
We were watching Top Gear yesterday when up pops a trailer for Louis Theroux’s programme following the police in Philadelphia. Two things:

  1. Theroux needs a different act if he’s going to do serious journalism. To policeman: “What would have happened if he’d drawn that gun?” “He’d have been shot.” “Who by?” Erm… Are you mental?
  2. The BBC2 announcer then said “It’s just like an episode of The Wire“. So now we’re trailing BBC2 programmes with references to a show that’s only on FX and gets about 36,000 viewers. That’s a bit niche, isn’t it?

24: Redemption
God. Hasn’t television moved on since the last series of
24. That felt ridiculously antediluvian. Can 24 only thrive when there’s a Republican presidency – discuss?

Heroes
Getting bored now, mainly because Ali Larter isn’t in it enough, but also because of all the ridiculous personality switches, the fact there are so few characters who act like grown-ups, general inconsistencies, lack of logic, etc. Sigh. Roll on volume four (hopefully) although some of the spoilers I’ve heard don’t fill me with much enthusiasm. How would you fix the show?

Dexter
Told you you have to wait for a while to see if it gets good. Always around the seven or eighth episode.

The Unit
Why aren’t more people watching it? It’s brilliant.

The IT Crowd
Thank God it’s back. Officially the only comedy show in which Matt Berry and Richard Ayoade have ever appeared in that’s funny. Katherine Parkinson’s great – and a redhead again. Yey! And that magician was great. If only bluffball.co.uk were a real site…

Thanksgiving
Is all good television banned on Thanksgiving in the US?

For older visitors to the blog

I had a look at it, but it didn’t amuse me an awful lot. But, hey, I’m neither a baby boomer nor an actor, the target demographics of new web comedy series 50 To Death. Maybe it’ll float your boat more:

New York City, November 30, 2008 – Three New York actors — Norm Golden, Joan Barber, and Jon Freda — have teamed up with director Jason “JSOK” Sokoloff to create a new comedy web series, 50 To Death about the life and times of three boomers trying their best to live life to its fullest.

Luke Crowe, National Casting Editor of Backstage Magazine, sums it up: “Like a wistful, comedic cross between Larry David’s brilliant Curb Your Enthusiasm and Woody Allen’s Stardust Memories and Manhattan, 50 to Death may eventually prove to be a must-watch series for actors and Baby Boomers everywhere.”

The pilot episode Norm’s Thesis lays the groundwork for the series. The 50toDeath.com web site also sports a snazzy draggable Flash interface with new webisodes debuting every three weeks.

Golden, Barber, and Freda are all members of AEA, SAG, and AFTRA, with extensive resumes spanning theatre, film, television, and commercials. Golden is an experienced director and acting coach who had a career as a high school and college theatre teacher; Barber is a Broadway performer and a popular voice teacher; Freda is an actor, writer and licensed psychologist; and Sokoloff is an experienced director from the NYU graduate film program who has done stand-up comedy and art direction, as well as film production and marketing.

News

Monday’s sitcom stars and Fame news

Radio Times front cover

Doctor Who

Film

  • Benderspink acquires rights to The Straw Men
  • Fame instructors to include Debbie Allen, Kelsey Grammer, Megan Mullally and Bebe Neuwirth

British TV

US TV

  • Rome to make it to the big screen?
  • Steve Buscemi to star in Martin Scorsese’s Boardwalk Empire with Kelly Macdonald?