It’s time to head to the provinces, because This Country is getting a special preview screening this month in its home town of Cirencester. Tickets are free and will be allocated by random draw, with 70% of the tickets going to local postcodes and 30% going to the rest of the UK. Deadline for applications: 10am, Friday, January 10
BAFTA award-winning comedy This Country returns to the Cotswolds for a one-off sneak preview screening of the new BBC Three series on Thursday 23 January.
Held in Daisy and Charlie Cooper’s home town of Cirencester you can be the first to see an exclusive preview of the first two episodes followed by a Q&A with the brother and sister stars, producer Simon Mayhew-Archer and director Tom George.
Apply below for your chance to see what Kerry and Kurtan have been up to before everyone else and get an exclusive insight into the making of the show!
Tuesday, 21 January 2020 7:15pm The Barbican Centre, Frobisher Auditorium 1, Silk St, Barbican, London EC2Y 8DS
In January, the BAFTA Television Lecture will be delivered by award-winning broadcaster, wildlife and natural world conservationist, photographer and writer Chris Packham CBE.
Award-winning wildlife and natural world broadcaster, conservationist, photographer and writer Chris Packham CBE will deliver the prestigious BAFTA Television Lecture where he will share his personal view on creative excellence in television and his vision for the future.
Chris Packham’s career as a wildlife expert and natural world broadcaster has spanned more than 30 year. As a broadcaster, Packham has presented many popular natural history programmes, beginning his onscreen career in 1986 when he was a presenter on the multi BAFTA-winning series The Really Wild Show.
More recently, Packham fronted popular BBC factual series Springwatch (2009-2018), which was awarded the BAFTA Special Award in 2011. He also embarked on a groundbreaking expedition to the Arctic for BBC Two’s Operation Iceberg (2012), which won the BAFTA for Factual Series at the 2013 British Academy Television Awards.
Packham’s other TV credits include Autumnwatch (2008-2019), The Burrowers (2013), Inside the Animal Mind(2014), The Wonder of Animals (2014), Weird Wonders of the World (2015-16) andBlue Planet Live (2019).
Chris Packham was also awarded the Wildscreen Panda Award for Outstanding Achievement in 2016 in recognition of his significant contribution to wildlife filmmaking, conservation and the public’s understanding of the environment.
More recently, Packham explained what it was like to live with Aspergers in the BBC documentaryChris Packham: Aspergers and Me, which won two BAFTAs in 2018 and which was also nominated for Single Documentary at BAFTA’s Television Awards in the same year.
Packham was appointed a CBE in the 2019 New Year Honours for services to nature conservation.
We will be running a guest list, which will open 30 minutes ahead of the event. We will not be checking people in ahead of this time and there will be no waiting area available by the auditorium. Early arrivals can enjoy the Barbican’s public spaces.
The event will be unallocated seating. If you have any access needs or requirements, please email us at [email protected].
Hello and welcome to 2020. Assuming you’ve survived the Kaiju…
…the invasion of time-repeating insects…
… and fire-breathing dragons…
…and aren’t simply watching boxing robots on pay per view…
…you’ll be raring to watch (and hopefully read about) some good TV. Hopefully, you’ve come to the right place then.
Since TMINE has been feasting itself on vegan Christmas alternatives for the past two weeks – and if you think you can’t get fat on vegan food, think again – don’t be surprised to hear that a lot of TV has been watched at the same time. As a result, and given the general quietness of January work-wise, the TMINE reviewing schedule is going to be quite jam-packed this week…
I haven’t seen it yet – probably a job for tonight – but the BBC’s Dracula did at least have some interesting billboard advertising.
The question is – how many people saw it at night, rather than during the day? I can’t imagine it made much sense during daytime, so is it a nifty idea that only works on time-lapse YouTube videos and during awards seasons?