In the US: Sunday-Thursday, 10/9c, Syfy
In the UK: Acquired by Netflix
Sometimes, two TV shows turn up at the same time and you wonder why. Are the networks stealing from each other? Are they tying into a trend? Or is it simply coincidence?
In the case of YouTube Premium’s Origin and Syfy (US)’s Nightflyers, I’m going to assume that it’s just coincidence that they’ve turned up within the space of a fortnight of each other. I mean two expensive-looking sci-fi/horror shows set on spaceships that slowly see their international, largely British casts slashed away by something gruesome? That’s not a trend. And why would you steal that idea?
Equally, Nightflyers is based on a novella written by George RR Martin (Beauty and the Beast, Game of Thrones) in 1981 and Origin is essentially Paul WS Anderson ripping off his own Event Horizon and Alien Vs Predator, so it’s not like there’s any real inter-show plagiarism going on. But there’s still a lot more in common than I’ve already mentioned, suggesting either a paucity of ideas in the world or a general consensus we’re heading towards a future dystopian nightmare.
Nightflyers
Nightflyers is a generally superior affair compared to Origin that sees the world 50-odd years from now generally going to pot thanks to disease outbreaks and the like. Fortunately, there are spaceships and, equally interestingly, aliens, who might be able to help save us from self-destruction. At least, we think there are aliens, since a spaceship has popped into our solar system. However, despite our bombarding it with signals and probes from afar, the aliens haven’t said so much as a dicky bird in response and are merrily getting on with their lives instead.
Eoin Macken (Merlin, The Night Shift) therefore suggests sending a spaceship off to meet them, the only one within range and ready being the Nightflyer. He populates it with various futuristic sci-fi people: Jodie Turner-Smith (The LastShip), who’s been genetically engineered for space travel; Maya Eshet, who communicates with the ship’s computer cybernetically; xenobiologist Angus Sampson (Shut Eye) and psychologist Gretchen Mol (Life on Mars, Chance).
However, there’s already a ship’s crew, including engineer Brían F. O’Byrne (The Last Ship, The Magicians, Brotherhood) and captain David Ajala (Falling Water), who for reasons best known to himself only appears as a hologram. Said crew isn’t too chuffed by the new arrivals and having their mission changed; they’re even less chuffed by having a “L-1 Teke” on board (EastEnders‘s Sam Strike) – a telepath who can make you think whatever he wants you to think, whether you like it or not, unless Mol administers him some suppressing drugs. But since the alien spaceship is giving off TK energy, it seems a good idea to take along someone who might be able to communicate with them.
Well, seemed, anyway. Because its not long after Strike turns up that everyone starts having nasty visions. And seeing as the first episode starts with a flashforward to Mol warning no one to rescue the Nightflyer and then slashing her throat, it seems it’s all going to go pear-shaped at some point. But why?
Every Friday, TMINE lets you know when the latest TV shows from around the world will air in the UK
Like Christmas, Thanksgiving in the US seems to last about a fortnight, killing all work within its vicinity. As a result, there have been no new acquisitions this week and even premiere dates have been thin on the ground.
However, Walter Presents does have two new German thrillers and although these aren’t definite premiere dates, the best guess is that both of them are going to be available from next Friday (December 7), so I thought I’d tell you about them now before it’s too late. In both cases, these were Wednesday movies on the TV channel Das Erste that have been split into two episodes for Walter’s benefit.
No sign yet of a rescheduled premiere date for Das Boot, by the way. Looks like Sky Atlantic are going to wait until it’s finished airing in Germany before showing it here.
Premiere dates
Auf kurze Distanz (Point Blank)
An undercover agent (Tom Schilling) suffers from inner conflict as he is supposed to betray his friend who is part of the Serbian sports betting mafia in Berlin.
Dead Man Working (Deadly Money)
Despite already having an English title, Walter has decided to rename this banking thriller Deadly Money. When a top banker falls from a roof at the pinnacle of his career, a bitter battle erupts between his employer and his widow.
