It’s “What have you been watching?”, my chance to tell you each week what movies and TV I’ve been watching recently and your chance to recommend anything you’ve been watching. TMINE recommends has all the reviews of all the TV shows TMINE has ever recommended, but for a complete list of TMINE’s reviews of (good, bad and insipid) TV shows and movies, there’s the definitive TV Reviews A-Z and Film Reviews A-Z.
The wave of new US shows is dying down at last, so WHYBW has returned to its usual day of Tuesday. In the past week, I’ve reviewed the whole of season 1 of Mindhunter(Netflix), as well as the first episodes of Valor (US: The CW) and Ghost Wars (US: Syfy; UK: Netflix), and passed third-episode verdicts on SEAL Team (US: CBS) and Wisdom of the Crowd(US: CBS).
There have been a couple of other new shows, though. The reboot of Dynasty (US: The CW; UK: Netflix) has just started, but you can work out for yourselves if you like that, since I’m not touching it. However, I will be reviewing Superstition (US: Syfy) tomorrow, you lucky people, as well as passing a third-episode verdict on The Gifted (US: Fox; UK: Fox UK).
Now I did promise you all a review of Alias Grace (Canada: CBC; UK: Netflix). However, I got about 15 minutes into the episode, before the various attempts at Irish and American accents proved so grating that I couldn’t get any further. Sorry about that. Hopefully you can get over it to enjoy this somewhat cheap looking adaptation.
After the jump, the usual regulars: The Brave, Great News, Marvel’s Inhumans, Me, Myself and I, Professor T, Star Trek: Discovery and Will & Grace. We’ll also be talking about the return of both Mr Robot and Travelers, as well as the final ever episodes of Halt and Catch Fire. I couldn’t be bothered watching any more Valor though.
The theme to Halloween by John Carpenter is one of the most iconic movie themes out there. It’s simple and repetitive, but then so’s John Williams’ Jaws, so let’s be too judgey. Plus Carpenter makes it work, just as he does with all his other soundtracks.
That doesn’t mean other people can’t take a different slant on it. Take Trent Reznor and Atticus Ross, who have produced some truly great tunes and soundtracks of their own. Ross even made me believe Outcast might be better than it actually was, simply through his soundtrack. Reznor, of course, is Nine Inch Nails.
And now they’ve done their own version of the theme, just in time for Halloween. How thought
Serial killers have been such a part of modern culture (and life) for so long, it’s hard to remember that we weren’t always aware of them or even that we never always used to call them ‘serial killers’. There were, of course, the Manson murders and Son of Sam killings, but the point at which we really started to feature them in popular culture can be traced back – more or less – to one man: Thomas Harris. It was his book and the subsequent movie Silence of the Lambs that introduced the world to Hannibal Lecter and the fictional serial killer.
Silence of the Lambs was actually Harris’ third book, the first being Black Sunday, which was about terrorism and was itself turned into a movie. To research it, Harris visited the FBI’s Behavioral Science Unit in Quantico, where he learnt about serial killers and how the FBI was trying to catch them. It was this research that formed the basis of both Silence of the Lambs and his second book, Red Dragon, which was filmed as Manhunter.
Manhunter
Manhunter sees former FBI adviser Will Graham (William Petersen) brought back from medical leave to apprehend a serial killer known as ‘the Tooth Fairy’. However, he can only do this by adopting the mindset of a serial killer, something he does by visiting one of the killers he caught and who invalided him out of the profession: Hannibal Lecter.
The movie was heavily auteured by the then Miami Vice supremo Michael Mann, and reflects many of his then obsessions, ranging from the fashions and MTV-friendly soundtrack through to its love of police procedure. But it’s its superb cinematography, the central performances (particularly Brian Cox as Lecter) and the film’s mimesis that ensure it remains to this day my favourite film.
Manhunter is less well known than Silence of the Lambs, but it is arguably as important since it was the first movie to detail three things:
The importance of scientific forensics in capturing criminals
The idea of psychologically profiling serial killers – working out how they think in order to capture them
The idea that thinking like a criminal can ultimately make you just like them
The first gave us the likes of CSI (also starring Petersen), the second Profiler, Millennium et al, the last Luther and its ilk.
Se7en
The serial killer craze is still with us, of course, but it arguably reached its zenith in terms of popularity and quality with Se7en, a modern film classic and the movie directorial debut of David Fincher, who would go on to direct Fight Club, The Game, The Social Network and other greats. He’s one of my favourite film directors and Se7en is my second favourite film.
As auteured as Manhunter, Se7en obviously has many things in common with its predecessor, but its biggest difference is its direction and cinematography. Fincher’s meticulously precise, calculated direction is the opposite of Mann’s flash. Everything moves at a slow measured pace, with minimal action, whereas Manhunter has frequent moments of adrenalin-rushing excitement. Mann (with the help of cinematographer Dante Spinotti) is all pastels and primary colours; Fincher’s love of black meant that he actually worked with cinematographer Darius Khondji to create a ‘silver retention‘ print of the movie to emphasis different levels of shade.
The two movies are both very similar yet hugely different.
And now, Mindhunter
As well as his movies, Fincher can also be credited with another important contribution to popular culture: the transformation of Netflix from a simple DVD library and streaming service into a prestige online TV network. For it was he who exec produced and largely directed the first season of House of Cards, Netflix’s debut in original programming. Had it been directed by a lesser person, it’s likely that Netflix would be thought of in very different ways right now and might not be anything like as successful.
Now for his latest Netflix project we have the answer to a question I never thought would ever be answered: what would have happened if the man who directed my second favourite film had directed my favourite film, too? Because we now have Mindhunter.
