What TV’s on at the BFI in February? Including Nuts In May, Penda’s Fen, Artemis 81 and Leap In The Dark

Time to look at what the BFI is showing in February. Yes, February. I never got my January guide, and since it’s now January and the February guide turned up yesterday, let’s just do February. I’ll be ahead of schedule for a change then.

February’s actually not got a huge amount of TV, but what there is is largely TV plays – and good ‘uns, too. As well as Dexter Press Gang Fletcher introducing Nuts In May, we also have a season of David Rudkin’s TV plays. Who’s Rudkin? Well, he wrote about 90% of the pagan dramas in TMINE’s guide to religion, including Penda’s Fen and Artemis 81, both of which get an airing in the season (although since the BFI describes the latter as ‘one of the medium’s greatest productions’, I’m not entirely sure they’ve actually watched it yet). 

But as well as those, Rudkin’s The Living Grave is also being shown. This was part of a somewhat odd, supernatural anthology series that aired on BBC Two called Leap In The Dark. This ran for 20 episodes in four series, over a period of eight years from 1973 to 1980, and featured work from Rudkin, as well as Fay Weldon and Alan Garner among others. Each episode featured a different incident of the paranormal, some in the modern day, but most set in other time periods.

So far, so ordinary, you might think. What’s odd about Leap In the Dark is that all these incidents were real events – indeed, the first series consisted only of documentaries, while the later series are technically docudramas, rather than dramas. Rushkin’s The Living Grave is about a young woman who regresses under hypnosis to the 1700s, with Rushkin’s play recreating both the hypnosis sessions and the 1700s. And it’s this week’s Wednesday’s Play.

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Weekly Wonder Woman

Weekly Wonder Woman: a stonking 15 comics featuring Wonder Woman

Well, blimey. I’m gone for what? Two weeks? And DC unleashes a deluge of new Wonder Woman comics the likes of which we’ve never seen before.

On the one hand, I’m happy. Things were looking bleak at the end of last year (although my belief that Wonder Woman ’77 had stopped turns out to be incorrect – it’s just taking a long break), but it seems that DC Comics has come up with a cunning plan: all it needs to do is publish twice as many comics every month and sales will double.

Simple, huh?

All the same, and despite the fact that end-of-year schedules can only mean one thing – annuals – there were rather a lot of Wonder Woman titles released in the past two weeks. And since I also took it upon myself to see if I’d missed any Wondy-related comics in the past month or so, I now have a combined total of 15 issues to get through this WWW. That means work. I don’t like work. I’m happy, but I have to work – what a quandry.

So forgive me if rather than doing full-on reviews, I simply highlight a few interesting facts about each issue. I might actually get to go to bed tonight, if I do.

Don’t worry, normal service will resume next Monday – assuming Dan DiDio doesn’t release another 15 titles this week – but if you have any questions about an issue, ask me in the comments section.

So, after this Wonder Woman movie T-shirt, brace yourselves for – deep breath – Aquaman #46-47, Dark Knight III #2, Injustice Gods Among Us Year 5 #3, Justice League of America #6, Justice League #47, Sinestro #18, Superman Annual #3, Superman-Wonder Woman #24, Superman-Wonder Woman Annual #2, The Legend of Wonder Woman #8, Titans Hunt #1-3 and, finally, Wonder Woman #47

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  • Victoria Justice and Ryan McCartan to star in Fox’s The Rocky Horror Picture Show ‘reimagining’
  • Derek Wilson promoted to regular on AMC’s Preacher
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Preview: Idiotsitter 1×1 (US: Comedy Central)


In the US: Thursdays, 10.30/9.30c, Comedy Central. Starts January 14

So here’s something you probably already know: women have friends. Some of them even have best friends. They have great laughs together, nourish each other’s soul, yadda yadda. 

However, TV history isn’t exactly replete with female friendships, particularly not ones written by women and especially not as the central relationships of TV shows. You may be able to think of an Ethel and Lucy or two, but until recently, TV hasn’t considered them worth writing about.

Now we have a whole new generation of actresses and comediennes, mostly in the US, creating and starring in TV shows with their female friends. Idiotsitters is just such a show, created by and starring Jillian Bell and Charlotte Newhouse, as two ill-matched soon-to-be best friends.

And just like Doll and EmBest Friends Forever and Playing House, it’s utterly tedious and unfunny to anyone who isn’t the show’s two leads/creators/writers or who has a similar relationship with her own best friend (“Yes, that’s just like us! Isn’t it? Isn’t it?! I must text her about it… Hey she’s watching it TOO!!! Jinx!”).

The story is that Newhouse is a Harvard-educated academic who desperately needs a job, so goes for an interview as a babysitter. There she discovers that she’ll actually be looking after the grown-up daughter of two very rich, very eccentric people, said daughter (Bell) being that strangely insulated kind of offspring of rich people who’s so cut off from the real world, she comes across as being either a complete idiot or having learning disabilities. She might actually even have learning disabilities, so nuanced is Bell’s performance. All Newhouse has to do is keep her out of trouble. 

You can imagine how that goes. Imagine the funny situations. Imagine the laughs as they quote Dirty Dancing and baby-talk to one another. Imagine the belly aching as Bell encourages Newhouse to break her hand for her to explain to the cops why she broke her probation or as Newhouse discovers she was given a date rape drug during a party.

Struggling? Well, maybe you just don’t have that kind of relationship with your best friend. Or perhaps you’ve seen a genuinely funny comedy at some time during your life on this Earth.

There are people who already find this funny. It was, after all, a web series before getting a broadcast commission, so clearly had one or two viewers at least. I can’t imagine they were all Bell and Newhouse’s friends and families either.

But this is not a show with universal appeal, shall we say? It’s clear that Bell and Newhouse are having a whole lot of fun together. Perhaps that’s part of the problem – there’s clearly no genuine tension between the ill-matched couple, no real dislike, no real despair on Newhouse’s part at the situation in which she’s landed up in, no real suggestion of malice by anyone. Instead, it’s like watching two tweens playing dressing up and play-acting. 

And maybe that’s the lesson for us all – never make a TV comedy with someone you’re already friends with, since you’re always going to be enjoying it more than the audience will be.