The BarrometerA Barrometer rating of 3

Third-episode verdict: Stitchers (US: ABC Family)

In the US: Tuesdays, 9/8c, ABC Family

Three episodes into Stitchers, ABC Family’s VR5 20th anniversary tribute show in which an emotionally cut-off young female techie learns to connect with others through a virtual reality technology, and we’re getting the measure of quite a silly, stupid but enjoyable show.

The first episode introduced us to the ‘stitchers’ programme, a covert government programme run by nerds that enables the ‘differently brained’ Monica Potter-alike Emma Ishta enter the memories of dead people and solve their murders by putting on a catsuit and lounging in a giant fishtank. Yes, you’re right – that is silly. But the show knows it and plays with it.

Since then, the show has gone through the traditional second episode retooling, with the producers retconning away so that they could add new members to the team, come up with a reason for Ishta to keep on ‘stitching’, make her boss (Salli Richardson-Whitfield) a bit more duplicitous and so on. It was all a bit forced and ridiculous, but we’re talking about a show where people communicate with the dead while quoting Batman and Galaxy Quest at each other, so it’s all pretty much par for the course.

Episode three was perhaps the most thoughtful episode so far, but as with Scorpion, which only really works once it’s exceeded a certain level of extreme lunacy, that meant it was the show’s weakest so far. It didn’t help that it was clearly a script commissioned before the retooling, which meant that the new additions to the team just sat around twiddling their thumbs like they were still stuck in the first episode. Or that Ishta’s strengths are in quirky, antisocial glibness rather than deep and meaningful. Or having the painful ‘girls v boys’ music argument. Or that the best nerd quote the show had to offer was ‘Thunderbirds are go’.

All the same, this is not a show that’s trying to be The Wire. It’s trying to be a bit of silly, escapist, summer fun, where epic nerds run around swapping TV quotes, discussing Settlers of Catan while solving crimes, and having silly little romantic relationships, with just enough of a series arc to distract you from the tedium of the pseudo-procedural A-plots of each episode.

And at that, Stitchers works just fine.

Barrometer rating: 3
Rob’s prediction: A bit touch and go whether it’ll last more than a season, but will probably turn out to be this year’s guilty summer viewing pleasure for many

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The Weekly Play

The Wednesday Play: Vampires (1979)

Given the sad passing of Sir Christopher Lee this week, it seems appropriate that this week’s The Wednesday Play should be Vampires, a 1979 BBC Play For Today, about the power of horror movies to affect the imagination. One of the slot’s best remembered plays, it nevertheless features mainly untrained, child actors and was written by an unknown, Liverpool writer Dixie Williams. 

One of only two film productions BBC Pebble Mill could afford to make that year, Vampires tells the story of three boys who stay up late to watch Lee’s career-launching role – Hammer classic Dracula: Prince of Darkness. Suitably entranced, they soon end up playing at being vampires, but down the local cemetery, they become convinced that a lone man dressed in black is a real-life vampire. As the play progresses, increasingly spookier and macabre events transpire and the play continues to suggest that maybe they’re not wrong and that vampires are the least of their worries…

Directed by John Goldschmidt, who was best known for his documentaries at the time and who gives the play a distinctly matter-of-fact approach to its supernatural subject, Vampires also includes moments of great fun, including a schoolboy discussion of the difference between horror and science-fiction that invokes The Quatermass Experiment, as well as more traditional Play For Today themes, including the difficulty of bringing up kids when you’re a poor, working class mother living in Liverpool in the late 70s.

And it’s your Wednesday Play. Enjoy!

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The BarrometerA Barrometer rating of 2

Third-episode verdict: Westside (New Zealand: TV3)

In New Zealand: Sundays, 8.30pm, TV3

Without having watched Outrageous Fortune, it’s getting increasingly harder to work out Westside, TV3’s 1970s-set prequel to the most popular drama in New Zealand history that isn’t called Shortland Street. Telling the story of OF’s safecracking grandpa Ted West when he was still young, vibrant and married to his still-alive wife Rita, does it feel like Outrageous Fortune 30 years earlier?

Dunno.

Is it true to the characters of the original show?

Dunno.

Does it tie into and sort out all kinds of plot threads from the original show?

Dunno.

Are its Shakespearean episode titles as good as the originals’?

Does it really matter?

To be honest, though, it might be a two-edged sword, knowing Outrageous Fortune well while watching this. There are sub-plots and plot threads from the first couple of episodes that I thought might be interesting for Westside to explore in later episodes. Except having looked them up, it turns out they were all answered in the original show. And having now looked them up, I know there’s going to be a sad ending, too.

So in retrospect, I was probably better off not knowing about Outrageous Fortune, instead getting to enjoy a fun Bonnie and Clyde meets Life on Mars down under comedy crime caper, with a swaggering, smart and likeable young buck of a semi-ethical criminal, his scheming, adulterous but apparently equally good-hearted wife, his dopey gang and their equally dopey relationships with other criminal gangs of various ethnic origins.

My first recommendation for anyone who never watched the original show is therefore to not look up anything about the original show, at least until this season is over. Let it stand on its own two feet, because it does this very well.

After a very decent start to the show, the second episode was a slight come down, losing some of the fun, while bravely making most of our heroes casual racists in a 1970s-stylee. Rita’s scheming was nevertheless good to watch and we got our first Almighty Johnsons cameo (Eve Gordon) – here’s hoping for more to come.

Episode three saw a return to the fun of the first episode, as well as a continuation of the darker themes, with 1970s attitudes to domestic violence coming under the spotlight, as well as New Zealanders’ then attitudes to other islanders. Thankfully, this was all a lot more tasteful than Australia’s Jonah From Tonga.

It’s hard to dislike and very easy to like Westside. It could do with tightening up here and there, and there are a couple of duff actors in the supporting cast, but the leads are great, the setting is marvellous and the plots strong. It may be a prequel but it feels like it has the potential to run and run (and I’m sure that’s the intention, too). Just don’t spoil it for yourself by reading what happens 30 years later.

Barrometer rating: 2
Rob’s prediction: Could run for multiple seasons