News: Ant-Man trailer, Covert Affairs cancelled, two new ABC Family shows, Felix Faust on Constantine + more

Film casting

Trailers

  • Teaser trailer for Peyton Reed’s Ant-Man, with Paul Rudd, Michael Douglas, Evangeline Lilly et al
  • Trailer for Andrew Niccol’s Good Kill, with Ethan Hawke
  • Trailer for The Lazarus Effect, with Olivia Wilde, Donald Glover et al
  • Trailer for David O Russell’s Accidental Love with Jessica Biel, Jake Gyllenhaal, Tracy Morgan et al

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Weekly Wonder Woman

Weekly Wonder Woman: Injustice: Gods Among Us: Year Three #14

Injustice: Gods Among Us

Well, I’m back after the Christmas break and there’s been a whole load of comics released over that time, including Wonder Woman, Sensation Comics Featuring Wonder Woman and Superman/Wonder Woman, that I wasn’t able to cover. However, for the sake of my sanity, rather than try to review them all now, I’ll try to do a load of 2-for-1s and review each in combination with its following issue, whenever that happens to be.

That means that this week, I’ve only one comic to cast my glance over, namely Injustice: Gods Among Us: Year Three. If you recall, this is the alternative DC universe that sees Superman take a strange turn following Lois Lane’s death and try to rid the world of evil by imposing a quasi-fascist regime. In this, he’s supported by some other superheroes, opposed by others. The result? Lots of former friends and enemies kicking and even killing each other in preparation for the ‘Injustice: Gods Among Us’ video game, where lots of former friends and enemies kick and even kill each other.

Over the past few issues of ‘Year Three’, the Injustice alternative universe has taken a slight turn for the odder, since it’s the year the magic-based superheroes step into action. And right now, thanks to John Constantine and an unnamed ally, Superman has fallen into a deep, deep sleep where he’s in an alternative to the alternative universe, in which Lois Lane is still alive and Bruce Wayne has killed the Joker and turned himself him.

This issue, we see how things have evolved after a few decades in Superman’s dream world. He and Lois have a grown-up daughter called Lara; and Bruce Wayne is out of jail and grown a moustache. And Wonder Woman? She’s secretary general of the United Nations and married – you’ll never guess to whom.

Secretary General Wonder Woman

Wonder Woman and Batman are married

Yes, she’s only gone and married Bruce Wayne.

It’s a slightly questionable issue, as per most of Injustice: Gods Among Us, with Superman’s dream world apparently one in which he never commits his own crimes and instead gets his best friend to do it for him and then go to jail. It’s also one where he thinks Batman would be happier with Diana than with Selina Kyle and hasn’t noticed that Wonder Woman (in both the regular Injustice and nu52 universes) would be happier with him. But at least everyone’s happy in it for a change.

Trivia lovers will note that Superman is now wearing his Kingdom Come costume – that’s the future alternative DC universe in which Superman and Wonder Woman end up getting married and having a child, and which is currently being referenced in Superman/Wonder Woman. Is this important? I don’t know.

Those same trivia lovers will also note that while Lara is, of course, Superman’s mum’s name, it was also the name of Superman and Wonder Woman’s daughter in Frank Miller’s Batman: The Dark Knight Strikes Again. In that series, Lara was keen that Superman take over the world, whereas here, she’s the opposite.

Again, I have no idea if there are deliberate messages here or mere shout-outs, but the issue should please both the Clois and Briana fans, anyway, even if it’s all a dream.

Rating: 3/5

Disclaimer: Owing to the small fortune it would take to buy every single DC comic each week, this is not a guaranteed rundown of all the comics that feature Wonder Woman. If you know of any I’ve missed, email me or leave a comment below and I’ll cover them the following week

News: HBO renews Girls, Amazon abandons The After, The Prisoner audio plays + more

Doctor Who

Film casting

Trailers

  • Clip from Alex Garland’s Ex Machina
  • Trailer for Big Game, starring Samuel L Jackson

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What have you been watching? Including Y Gwyll/Hinterland, Doctor Who, Ground Floor and The Legend of Hercules

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Yes, I’m back. Hopefully, you’ll have noticed already, if not, let this be my notice to you. So what have you been watching this Christmas? For me, not a lot of tele, although after the jump, I’ll be running through the likes of Doctor Who, Ground Floor, The Librarians, Mulaney, State of Affairs and Y Gwyll/Hinterland – I’ve already reviewed Galavant and Marco Polo elsewhere, in case those float your boat.

No, as is traditional over the Christmas period, it’s been all about the movies.

Despicable Me (2010)/Despicable Me 2 (2013) – iTunes
Evil villain dedicates his life to evil, only to find himself saving the day when an even worse evil turns up. If that sounds very similar to Megamind, that’s because it is and Despicable Me at least is decidedly inferior to that movie. However, many of the elements from the first movie that were more of an annoyance in Despicable Me – the three girls the evil ‘Gru’ adopts and his small yellow minions – come into their own in the far superior second movie, with the minions in particular turning into some very entertaining French-speaking oddities that are now warranting their own spin-off movie. Still not as good as Megamind, but more suitable for a younger audience and not without considerable charms.

Frozen (2013) – iTunes
Late to the show as always, I finally got round to watching the most popular animated movie in history. And actually, it’s not bad and its ending is pleasingly different from virtually all other Disney movies, with a story that’s more about the value of sisterhood than finding true love. It’s also got a couple of catchy songs that despite the occasional dodgy lyric (‘frozen fractal’ – oh dear God) you’ll find yourself quoting the best bits of at random points during the day and Kristen Bell turns out to be quite a good singer/voice actress. It’s just annoying that after a slightly uninspiring start, along the way, the whole thing feels like it’s been directed with the aim of having a stage show on ice spin-off, with some scenes even shot exactly like a West End musical rather than a film. But it’s survived a couple of re-watches already, so it must be a good ‘un, I reckon.

The Legend of Hercules (2014) – Netflix
Surprisingly, of the two Hercules movies released last year, this turns out to be far the superior to the Dwayne Johnson version and is faithful enough to both call him Alcides for most of the movie, rather than Herakles/Hercules, and to have a decent recreation of Tiryns based on the discoveries at Mycenae. It stars Kellan Lutz (Syrup, Twilight) as Alcides, who has to deal with both his evil god-rejecting mortal dad Amphitryon (Scott Adkins) and the revelation that his true dad is Zeus, king of the gods. While the movie eschews the conventional Labours bar the Nemean Lion in favour of new plots, it’s not to its credit that it messes around with the natures of Amphitryon, Alcmene and Iphicles in quite the way it does; neither is the strange middle section where the film decides it wants to be Spartacus so much it actually brings in Spartacus himself (Liam McIntyre) and sticks him and Hercules into a gladiatorial arena to fight baddies, more than a millennium before the gladiatorial arenas for thousands of spectators existed. But while it does stray, it does so in interesting ways. No one’s walking away with any acting or writing awards, but if you’re going to watch a Hercules movie, this is the best one.

Maleficent (2014) – iTunes
Disney does a Wicked with the wicked witch of Sleeping Beauty (Angelina Jolie), giving us the inside track on why she became evil and whether things were quite as one-sided as other movies might have suggested. Oddly, a much better film when dealing with the younger, pre-Jolie Maleficent and the whole thing boils down to ‘some boy done me wrong’, but innovative and enjoyable despite the relentless Disney co-branding.

Non-stop (2014) – Amazon Instant Video
Essentially an Agatha Christie locked room mystery, with one passenger on a plane killing off the others, one at a time, unless he or she is paid a big sum of money. Only air marshall Liam Neeson can find out who it is – by punching and shooting people a lot. Quite a taut and nuanced post-9/11 thriller that’s only slightly stupid at first but which turns into absolute bobbins once the identity of the killer is revealed. Nevertheless, there are worse action thrillers out there, a lot of them starring Liam Neeson, too.

Continue reading “What have you been watching? Including Y Gwyll/Hinterland, Doctor Who, Ground Floor and The Legend of Hercules”

US TV

Mini-review: Galavant 1×1-1×2 (US: ABC)

Galavant

In the US: Sundays, 8pm ET/7pm CT, ABC

It’s the usual story: boy and girl meet, boy and girl fall in love, boy and girl sing songs together, evil king abducts girl, boy comes to rescue her, singing a song, girl decides she prefers being with the rich and famous evil king, who sings a song of triumph, boy decides to become a ne’er-do-well and drink his life away – before being given the chance of revenge against the rotter who stole his girl.

I imagine if you work at Disney, a lot of the time you’ll want to send the whole thing up. And as you can tell from the above précis of ABC’s new musical comedy, Galavant, the show’s producers Dan Fogelman, Alan Menken and Glenn Slater have finally got their wish, after working on Disney’s Tangled together. Trouble is, it’s the kind of thing you should probably leave behind at the Christmas party, rather than stick into an eight episode limited series.

Galavant is certainly a show that thinks it’s funny. To its credit, it often is as well, particularly those scenes involving Psych’s Timothy Omundson who plays the evil king and/or Vinny Jones, who plays his evil henchman. It’s just nowhere near as funny as it should be, let alone as funny as Enchanted, which is pretty much the gold standard for fairy tale pastiches.

To be sure, no one’s cutting any corners. It’s filmed in the UK – unless I’m going crazy, there are even locations used in Robin of Sherwood on display. The cast is mainly British, the exceptions being Omundson and Australian Mallory Jansen, as the gold-digging heroine – apparently there are now so many Brits pretending to be Americans in the US, the US has run out of Brits to play Brits so, as with Matador, it’s time to draw on the Aussies to help out. The songs are written by Slater and Menken, who wrote the Oscar-nominated ‘I See The Light’. And Fogelman doesn’t short-change on the plot, which is actually series-long and multi-layered.

But the show tries to get by merely on subversion and injection of age-inappropriate content. Sometimes this works, giving adults something to laugh about with the juxtaposition of fairy tales and sex, modern language interspersed with more genteel phrasing or characters revealing plot twists in song that other characters then pick up on. The idea of the drunken, selfish handsome prince and the amoral heroine also works well.

However, that’s more or less it and once you’ve seen those tricks all a few times, you’ll want something different, but the show doesn’t really have anything else to offer. So while the joke hit rate is decently high for a network comedy, by the end of each double-episode, you’re going to be feeling a little undernourished by the paucity of variety on the menu.

Probably best watched only as a musical accompaniment to Once Upon A Time, but nevertheless has the potential to get better.