News: The Walshes cancelled, Ian McShane to recur on Ray Donovan, Simon Pegg to co-write Star Trek + more

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  • Megan Mullally, Jenna Fischer, Paterson Joseph et al join Sky’s Apocalypse Slough

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  • Kerry Condon and Toby Leonard Moore join Showtime’s Billions

The Wednesday Play: Play For Today – The General’s Day (1972)

William Trevor is widely regarded as one of the greatest contemporary writers of short stories in the English language. Nominated for the Booker Prize five times and winner of the Whitbread Prize three times, he was awarded an honorary CBE in 1977, made a Companion of Literature in 1994, and was given an honorary KBE for his services to literature in 2002.

Although most of his work has been literary, between 1965 and 1978, he wrote many plays for both the BBC and ITV, including the famous O Fat White Woman, which was adapted from a short story in 1971 for the BBC’s Play For Today. The following year, he wrote The General’s Day, which starred Annette Crosbie (One Foot In The Grave), Dandy Nichols (In Sickness and Health) and, in one of his last ever roles, Alastair Sim (Scrooge, the St Trinian’s movies and Ealing comedies). Sim plays the general of the title, General Suffolk, who wants to get rid of his housekeeper (Nichols) as he’s persuaded a much younger school teacher (Crosbie) to move in with him.

It’s a bittersweet piece, demonstrating Trevor’s typically acute observations of the human condition, and it’s today’s Wednesday Play.

News: Rob Lowe joins Apocalypse Slough, green light for Fox’s Luther and Frankenstein adaptations + more

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Review: 12 Monkeys 1×1-1×2 (US/UK: Syfy)


In the US: Fridays, 9/8c, Syfy
In the UK: Acquired by Syfy UK. Begins 9pm, 27 February 

For quite some time now, Syfy has been coasting. Gone are the halcyon days when Battlestar Galactica was the toast of the town. Indeed, with a schedule intermittently packed with wrestling, reality shows and knowingly bad B-movies, it was possible to surmise that Syfy had changed its name from the Scifi channel not just for trademarking purposes but so it could avoid having to show sci-fi, with what little it did airbeing anaemic-to-poor knock-offs (Alphas) or imports (Continuum, Being Human, Bitten). 

However, for the past couple of years, Syfy has been trying to raise its game in original programming. Sometimes, the quality’s been awful (Dominion, Z Nation), sometimes it’s been okay (Defiance, Helix), but so far, nothing’s been great.

12 Monkeys doesn’t quite change that track record, but given what’s gone before it, it’s surprisingly good. The film, 12 Monkeys, was a Terry Gilliam classic, itself based on the Chris Marker’s 1962 ‘photo-roman’ La Jetée, in which a time traveller from the future comes back to the modern day to prevent armageddon. However, time paradoxes mean that the story has more than a twist or two.

Gilliam’s 12 Monkeys, as well as being a movie rather than a series of photos, adds many plots and sub-plots to Marker’s story, portraying a virus-devastated future from which Bruce Willis returns to find out the source of the virus and prevent the future from happening. Along the way, he meets a doctor (Madeleine Stowe), with whom he falls in love and convinces he’s from the future, and a psychiatric institute inmate (Brad Pitt), who is the head of ‘the Army of the 12 Monkeys’, the likely cause of the virus. And again, as with La Jetée, there are plenty of timey-wimey twists.

This new TV version moves things on slightly and straightens out some of the twists. Our new hero is Aaron Stanford – best known as Pyro in X-Men 2 but also doing serviceable secret agent turns in both Nikita and Traveler – and he’s come from 2043 to find out the source of a viral outbreak that’s set to happen in 2017. Why him? Because in the future, the few remaining survivors of the virus find not only a time machine that can ‘splinter’ someone back in time but also a message from a CDC doctor, Amanda Schull (Louis’ helper in Suits), saying that he is the one who must help stop the virus from getting out. Will he convince her of what’s going to happen? Will he be able to find who’s really behind the viral outbreak? And how many time paradoxes will he encounter along the way

Here’s a trailer.

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