Airwolf
Classic TV

Nostalgia corner: Airwolf (1984-87)

The 1970s was a time of great change for the US. It had fought and lost a war in Vietnam; it had seen one of its presidents forced to resign to avoid impeachment; and its decade-long detente with the Soviet Union was perceived in the wake of the Soviet invasion of Afghanistan to have failed and to have been a ‘long con’ by the opposing superpower.

The election of Ronald Reagan as president in 1980 was a turning moment for the US. Backed by the newly emboldened Christian right, Reagan seemed to bring back the US’s self-esteem. Casting the Soviet Union as ‘the evil empire’, he redefined the US as the ‘leader of the free world’, a beacon of liberty and human rights founded on rugged individualism rather than big government, and backed by a technology-enhanced and financially boosted military. On top of that, the arrival of the microchip in the 1970s began to revolutionise technology and, in particular, computers, touching on more or less every industry, from manufacturing all the way through to music, and it was this ‘white heat of technology’ that helped Reagan to cement this philosophy in practice and demonstrate American superiority.

How the entertainment industry reacted to the new official American outlook varied. Movies, still full of an independent spirit but sensing the shift in perspective, began to embrace technology and the new sentiments. TV shows, however, under attack for the perceived effect of violence on children, retreated more into fantasy rather than face up to the new Cold War and American military might straight on.

Airwolf

Airwolf is coming…

But there was one TV show that embraced all these trends whole heartedly, becoming perhaps the epitome of the Reaganite philosophy. It was also one of the best US TV shows of the early 1980s.

Created by a former US marine and Christian Republican, with a central, rugged, individualist Vietnam veteran as hero, full of religious symbolism and military technology, and with the oppressors of the Soviet Union and its allies firmly cast as the enemy, Airwolf was coming.

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US TV

Review: Man Seeking Woman 1×1 (US: FXX)

Man Seeking Woman

In the US: Wednesdays, 10:30pm, FXX

Being newly single after a long-term relationship is wretched. After months or years being with someone, suddenly you’re all by yourself again. Soon, you’re discovering that the world’s moved on without you – everyone decent is now in a relationship and how people date and are expected to act on dates has changed since you were last ‘on the market’. Imagine both the misery… and the potential for comedy.

Indeed, for most TV networks, just that scenario would be sufficient. But FX and new spin-off channel FXX are rapidly shaping up to be the producers of some of the most innovative programming on US TV, even compared to premium cable channels such as HBO and Showtime. While it’s best if we overlook Marriage, You’re The Worst was the uncontested, very edgy winner of last year’s romcom wars and Tyrant, The Strain, The Bridge (US) and The Americans have all at least tried to do something different and equally edgy in their own ways.

Now we have Man Seeking Woman, developed by showrunner Simon Rich from his collection of short stories The Last Girlfriend on Earth. The show has little to do with the book itself, being a continuous storyline about what happens when twentysomething nerd Josh Greenberg (Jay Baruchel of She’s Out of My League fame) splits up from his girlfriend Maggie (Maya Erskine from Amazon’s Betas) and re-enters the dating scene, although at times it does feel like a collection of sketches thrust together rather than a thematically cohesive whole.

What makes Man Seeking Woman different is that rather than being a series of simple encounters between Baruchel and various women, the show instead highlights how wretched each scenario is using the power of fantasy made real. Worried that your blind date is going to turn out to be less than pulchritudinous? Guess what. She’s a troll. Really – she’s come from the forests of Sweden and eats out of dumpsters. Think that your ex’s new boyfriend is likely to be the worst human alive? Turns out he’s Adolf Hitler who’s faked his own death. What’s he going to make of the fact you’re Jewish, I wonder.

Each of these is played entirely seriously, with no one blinking an eyelid at their improbability – and the fact that Baruchel always ends up having to apologise for his bad behaviour (“I’m not the one you have to apologise to.” “I’m sorry, Hitler” “I don’t think he can hear you.”). Much of the joy of the show is the bizarre directions it goes in that quite often precisely sum up a feeling not previously verbalised but universally recognisable.

But in common with You’re The Worst, it’s slightly male gaze – as the title suggests, this is man seeking woman, not woman seeking man, and the idea, for example, that a woman travelling late on a Friday night on the Chicago L by herself would be delighted to have a guy obviously following her and then would give him her business card is very much an extreme male fantasy. But to a certain extent the show knows it – wait till you see how that encounter plays out – and sometimes turns its gaze on Baruchel, pointing out that while his date may be a troll, it’s not like he goes to the gym much, is it?

The show also tries to get by too much purely on the strengths of its fantasy scenarios, with Baruchel’s character not especially likeable and his best friend (Eric André from Don’t Trust The B—-) the kind of guy who calls women ‘gash’. You’re not really invested in the characters, so much as seeing what the next fantasy sketch is.

Man Seeking Woman works best as a sort of longer form, romcom version of Portlandia, rather than as a sitcom per se. But it’s intermittently very funny, incisive and imaginative, so definitely worth a try.

News: Canadian Lovejoy and Beowulf, Torchwood returns on radio, Benched cancelled, Broad City renewed + more

Doctor Who

Canadian TV

  • Omnifilm developing: Blood Magick, Pacific Spirit, Beowulf, Homegrown Terrorist, Corrective Measures and The Last Spike

UK TV

New UK TV shows

  • Trailer for BBC Two’s The Eichmann Show, with Martin Freeman, Anthony LaPaglia et al

US TV

US TV show casting

New US TV shows

New US TV show casting

The Wednesday Play: Armchair Theatre – The Criminals (1958)

I’ve not got much time for an introduction to this, so just a quick summary for this 1958 episode of ITV’s Armchair Theatre, The Criminals, in which a bunch of respectable men at the New Year’s Eve party of a small construction company are forced to take part in a bank robbery by a ruthless crook (Stanley Baker, the star of Zulu) who has intimate knowledge of their private lives. Co-written by noted Doctor Who writer Malcolm Hulke, it also starred Peter Swanwick (The Prisoner) and Allan Cuthbertson (Edge of Darkness) with a minor appearance by Angus Lennie.

It’s this week’s Wednesday Play and you can watch it below – as always, if you like it, please buy it!

Schitts Creek
Canadian TV

Review: Schitt’s Creek 1×1-1×2 (Canada: CBC; UK: Netflix)

In Canada: Tuesdays, 9pm ET, CBC
In the UK: Available on Netflix 

Every time a new Canadian comedy comes along, like some demented TV-watching dog hopefully expecting the return of its owners, I look up, wag my tail and grin.

“Maybe this is it. Maybe this is the one. Maybe this is the funny one.”

Now, it’s not like these are totally unfounded hopes. After all, Satisfaction was a moderately funny comedy that could have been even better with a cast that knew how to act.

But that was something of a needle in an Insecurity/Seed/Working The Engels/18 To Life/Men With Brooms/Hiccups haystack. Because on the whole, Canadian sitcoms, particularly those on the CBC, suck like Dracula in a dorm room after 10 years on a diet of sparkling water and crackers.

Nevertheless, my tail started awaggling away when I heard that Schitt’s Creek was coming. Look at the risky title! Even before it aired, Canadians were umming and ahhing about that: “When grown adults think the height of witticism is some sort of wordplay on crudity I tend to yawn.” This was going to be daring, by Canadian standards.

But more so, look at the cast: Eugene Levy from American Pie, Catherine O’Hara from SCTV and Home Alone as a rich couple who buy a small, dead-end rural town joke, but end up having to move there when all their assets are seized by the tax inspectors. It’ll be the new Arrested Development, won’t it?

And the reviews! Look at the reviews: “CBC may end up getting the last laugh by having the strongest homegrown sitcom this country has had since, well, that show about not much going on that just recently made a movie.”

That’s right! Schitt’s Creek might be the strongest home grown sitcom since… that other thing he’s talking about that’s probably Corner Gas!

Look out. Here it comes. Here it comes!

Oh crap. It’s rubbish. That’s me fooled again, then.

Here’s a trailer.

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