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Nordic TV

Mini-review: Mammon 1×1 (More 4/NRK)

In the UK: Fridays, 9pm, More 4
In Norway: Aired on NRK, Norway in January

Channel 4’s recent French acquisition Les Revenants was a surprising success for the channel, getting 1.5m viewers on a Sunday night when more high-profile US acquisition Hostages was pulling in less then 800k on a Saturday. Clearly flush with excitement for the potential of all things foreign and looking to the equal success for BBC4 of its Scandinavian acquisitions The Killing, The Bridge and Borgen, Channel 4 has now acquired Norwegian drama Mammon for its BBC4 equivalent, More 4.

Mammon follows journalist Peter Verås (Jon Øigarden), who works for Norway’s most respected newspaper, as he uncovers evidence of a financial fraud involving the country’s political and financial elite – evidence that points to his own brother. He makes the fatal decision to pursue the story, which leads to his brother’s suicide. Verås presses on, but the closer he gets to the truth, the more dangerous it becomes for him and his family.

Closer in tone to The Bridge and even Those Who Kill than to The Killing, Mammon is something of a bizarre beast. It doesn’t feel realistic at all, whether it’s in simple mundane details like a newspaper publishing a potentially hugely libellous story on the say-so of a journalist with a single anonymous source or the truly strange events that take place towards the end of the episode (spoiler: the hero being bequeathed diving gear by his brother, five years after his death, and being told to be at a certain place at a certain time, which he duly does, only for a car to plummet off a cliff and into the lake in which he’s swimming). Its set of characters is equally odd, with Verås’s news editor looking like he’ll pass out at any moment from poor lifestyle choices and suspects that he’s pursuing menacing him with a golf club.

But that oddness does make it more interesting than more conventional dramas in the same way as The Bridge’s did. There’s no one as compelling as Saga Noren, of course – indeed, the female characters are particularly non-descript and this is particularly macho and manly as Nordic Noir goes – and the conspiracy angle does worryingly take it into Salamander territory, but there is at least potential in Mammon.

US TV

Mini-review: Surviving Jack 1×1 (Fox)

Surviving Jack

In the US: Thursdays, 9.30/8.30c, Fox

Forget 60s nostalgia. Forget 70s nostalgia. Forget even 80s nostalgia. Apparently, 1991 nostalgia is where it’s at.

Based on Justin Halpern’s autobiography, I Suck At Girls, Surviving Jack sees a 1991 family getting to grips with changing parenting roles when mom (Rachael Harris) goes to law school, forcing the ex-military doctor father (Christopher Meloni) to have to deal with being more nurturing with his two kids (Connor Buckley, Claudia Lee).

Strangely, Surviving Jack’s 1991 is pretty identical to 2014, the only difference being a lack of Internet, apparently, so I’m not quite sure what the nostalgia is for. But if you ignore that supposed hook, the show’s actually surprisingly good. While a lot of the first episode revolves around Buckley’s trying to deal with the fact that girls now seem to like him but he has no idea what to do about that, it’s quite a nuanced piece. Harris is as reliable as always but Meloni does surprisingly well as a slightly more sensitive Major Dad (see? That’s the kind of 1991 nostalgia we should be getting). It’s all a very male-centric piece, but for once, the men aren’t total dicks, and there’s plenty of laughs in the show.

Definitely one to try.

The BarrometerA Barrometer rating of 3

Third-episode verdict: Crisis (NBC)

In the US: Sundays, 10/9c, NBC

Three episodes into Crisis and we’ve been through highs and lows. This isn’t because of all the poor like rich kids who have been abducted in order to force their VIP parents to do various things at the behest of the bad guys; it’s because the show has been quite variable.

What saved the first episode from being simply CBS’s Hostages but with more kids and less budget was a degree of intelligence and a slight political edge. As well as showing – within dramatic limits – that the producers had actually thought about how it would be possible for people to kidnap a whole bunch of important kids then evade detection in this surveillance age, Crisis to some extent has had us side with the baddies in wanting to watch the entitled suffer.

To a certain extent this was necessary, since the heroes themselves (Rachael Taylor and Lance Gross) weren’t exactly that interesting. The two episodes since have wisely chosen to focus on the various guest parents of the week (Gillian Anderson, Faran Tahir, Melinda McGraw*) as they’ve been forced to do things by the kidnappers. Indeed, the show has in some ways become 24, but as if Jack Bauer were really dull and only capable of running around a lot and waving his gun and each episode involved him hunting down car salesmen and civil servants.

What kept the show’s head above the water for all this was a degree of intelligence. When it forgot to be intelligent and instead went for downright stupid – the second episode, which saw (spoiler alert) a CIA safe house inside the Pakistani embassy – it became a regular, vanilla, unwatchable NBC action show. Fortunately, episode three restored not only the Occupy Wall Street mentality of the first episode as well as that intelligence, although obviously not to such an extent that you’d truly believe any of this could really happen: highlight of episode three was our black hero being stopped by a black security guard after a black female baddie called to say she’d seen a black man with a gun and she was frightened. It was a sly but complicated musing on racism in the middle of some action that you probably wouldn’t get on CBS.

There are still obviously problems with the plot, the dullness of the heroes and the sheer logistics of it all – if the chief baddie was inspired to take the rich people down because of all their wealth and the fact he couldn’t pay his mortgage, where did he get the cash for this not exactly cheap scheme? And why aren’t his comrades more clued into his motivations? But there’s enough of a spark in each episode that while it’s not exactly perfect, there’s usually something surprising or new that it’ll probably be worth watching the rest of the series.

Barrometer rating: 3
Rob’s prediction: Will last a season but probably not more than that

* I’m enough of an X-Files nerd that I’m chuffed that the First Lady of Crisis is Melinda McGraw, who played Scully’s sister on The X-Files, so I’m hoping for a scene or two featuring both McGraw and Anderson

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