News: Brandon Routh is the Atom, Sam Waterston is Martin Sheen’s boyfriend, five Doctor Who scripts leaked + more

Doctor Who

Film casting

  • Trailer for Reach Me with Sylvester Stallone, Kelsey Grammer, Kyra Sedgwick et al
  • New trailer for David Fincher’s Gone Girl, with Ben Affleck, Rosamund Pike, Neil Patrick Harris et al

Internet TV

US TV

US TV show casting

New US TV show casting

Weekly Wonder Woman

Weekly Wonder Woman: Scooby Doo Team-Up #9, Superman Unchained #7, Batman-Superman #12

Last week saw three ventures by Wonder Woman into other DC titles.

Superman Unchained #7

The first was Superman Unchained #7, a title supposedly free of Wonder Woman and largely concerned with matters Superman and able friend Lois Lane. However, such were its rubbish readership numbers the creators’ long-established creative intentions, it’s being finished in a few issues’ time and this month, Wonder Woman showed up, presumably in an effort to boost the readership as part of the creators’ long-established creative intentions.

Now, it’s fair to say it doesn’t look like writer Scott Snyder was dead keen on this, given that:

  1. She doesn’t get any dialogue at all
  2. She’s largely there to twat the bad guy with a coin to save Batman and then get twatted with a dinosaur by the bad guy.

No, really.

Wonder Woman twats Wraith with a giant coin

Wraith hits Wonder Woman with a dinosaur

So it wasn’t the finest of Wonder Woman’s hours.

Equally, over in Batman-Superman, we got to see (alternative universe) Wonder Woman being killed again in a flashback to Earth 2 #1. However, this time the event is witnessed by our universe’s Superman, who gets to mourn the death of his ‘love’, as well as his own.

Superman sees Wonder Woman die

Again, not a great Wonder Woman moment, albeit one to set off a few squees worldwide.

So instead, if you wanted to get a proper dose of Wonder Woman last week, you needed to head to a very unlikely source: Scooby-Doo Team-Up #9.

No, really.

More after the jump.

Scooby Doo Team-Up #9

Continue reading “Weekly Wonder Woman: Scooby Doo Team-Up #9, Superman Unchained #7, Batman-Superman #12”

US TV

Review: Taxi Brooklyn 1×1-1×2 (NBC/TF1)

Taxi Brooklyn

In France: Aired in May on TF1
In the US: Wednesdays, 10/9c, NBC

Take a look at that title. Go on. Take a look: Taxi Brooklyn. What does that even mean? It’s two words just stuck together, isn’t it?

Indeed, never has an international co-production so obviously signalled both its complete inability to understand an international market, or that it’s really hoping that people will want to watch it if it just sticks random things together. The latter, so far, has been French TV channel’s TF1’s implicit aim with first Jo and then Crossing Lines and now, pretty much explicitly, with Taxi Brooklyn.

So here are the random things stuck together:

  • Luc Besson’s Taxi series, France’s most successful movie franchise ever, the first of which got remade with Queen Latifah and Jimmy Fallon in 2004.
  • Olivier Megaton, director of Taken 2 and Transporter 3
  • French actor Jacky Ido, who you may remember from Inglorious Basterds or even from the first series of Spiral/Engrenages where he played ‘Personne’.
  • Brooklyn
  • A necessity to do everything in English

These aren’t just the pieces of some long-lost jigsaw puzzle sitting at the back of your cupboard – these are the pieces from someone else’s jigsaw that have mysteriously got mixed in with three others you have no recollection of ever even asking for.

Putting it all together was clearly an impossible challenge and the writers therefore obviously decided not to even bother trying to make it look like a show that’s supposed to hang together coherently. The plot – if it can be described as such – is thus utterly ridiculous.

Caitlin “Cat” Sullivan (Chyler Leigh) is a tough cop, so no one wants to partner with her. She’s also a terrible driver, so she gets her driving privileges revoked. How’s she going to solve crimes and do her job on public transport? What a dilemma!

But when she arrests a French taxi driver speed demon, Leo Romba (Ido), who’s been forced at gunpoint to act as a getaway driver in a bank robbery, serendipity has clearly struck. Ido agrees to help her solve the crime – and to drive her around – if she’ll clear his name. And since he was arrested and put in jail back in France so had to enter the US illegally, Sullivan agrees to help him with the US immigration authorities if he’ll continue to drive her around on future cases.

Forced, much? Absolutely. Excitement? Laughs? Not at all.

Because despite Megaton’s presence on the pilot, as well as supporting cast that includes Jennifer Esposito (Samantha Who?, Blue Bloods), Ally Walker (Universal Soldier, Profiler) and José Zúñiga (Law & Order, CSI), the show is unredeemed by excitement comedy, good characters or logic. Zut alors!

Here’s a trailer.

Continue reading “Review: Taxi Brooklyn 1×1-1×2 (NBC/TF1)”

The BarrometerA Barrometer rating of 2

Third-episode verdict: The Last Ship (TNT)

In the US: Sundays, 9/8c, TNT

So let’s lay our cards on the table: TNT’s The Last Ship is not the best TV programme ever made. It’s a show in which a lone US naval warship is the world’s last best hope to prevent humanity’s extinction, following a global pandemic that’s already wiped out 50-80% of the world’s population – how could it be?

Add on dialogue that drips patriotism/jingoism at every turn, perfunctory/insulting characterisation and a cast that’s largely ‘adequate’ – even Adam Baldwin – and, last but not least, has Michael Bay as a producer, and again it’s obvious this isn’t going to be winning any writing awards, at least.

But I can still say, without any hesitation, that it is absolutely the best original TNT show of the past decade. Because even putting to one side the fact that for me, killer virus + naval action = awesome, The Last Ship is packed from start to finish with full-on naval and land warfare, great action scenes, genuine tension and adrenaline rushes from start to finish.

Indeed, unlike other shows which tend to pack their pilot episodes full of fun, run out of budget and fill the rest of their seasons with talking, the Michael Bay connection seems to be working well for The Last Ship, since if anything, the hardware demonstrations and fights seem to have increased in number not decreased since the first episode. What the show’s producers cleverly seems to have done is realised that:

  1. Ships and naval warfare are great
  2. But you need enemies to fight if any weapons are ever going to be used
  3. But unless you’re fighting aliens, you’re going to need a world-changing event for naval warfare to take place regularly between human beings and countries.

So far, beyond the obvious biological warfare of the virus itself, we’ve had helicopter battles, land battles, nuclear strikes, torpedoes, 5” shells, sniping, stealth warfare, terrorists, RPGs and a whole lot more, some of it CGI, obviously (I don’t think TNT have the budget for a nuclear war), but a surprising amount done with real ships on the sea and in exotic locales. Characters have died and been wounded, and there’s been real peril. Because it’s the end of the world and it’s every ship for itself.

It’s not been 100% authentic – launching a torpedo at almost point blank range and not getting any waves? I don’t think so – and there’s not a huge amount of veracity to the behaviour of those on any of the ships we’ve seen so far. The dialogue of the British characters has also clearly been written by Americans (we don’t need to say ‘the Queen of England’. If we’re talking about a Queen, it’s implicit that the Queen of the United Kingdom of Great Britain and Northern Ireland – i.e. our Queen – is the one we’re thinking of, unless we say otherwise).

But who cares? Halt and Catch Fire is great, brilliantly written drama but is it fun? No. The Last Ship is not brilliantly written, but hell is it ever fun, and it’s now the show I look forward to the most every week.

Barrometer rating: 2
Rob’s prediction: Should get at least another season, maybe more