The Wednesday Play (on Thursday): Fable (1965)

South Africa turned upside down

Sometimes, plays can be used to illustrate a societal or political problem, through allegory or even fable. Sometimes, though, they can be too subtle for their own.

Fable, John Hopkins’ 1965 The Wednesday Play, was actually a rather daring piece – a commentary on race relations in the UK and South Africa that inverts the two countries’ societies to imagine a British racial apartheid, but one in which whites are the brutally oppressed, blacks the authoritarians running the system. Narrated by Keith Barron, the play contrasts the experiences of an oppressed white couple, Joan (Eileen Atkins) and Len (Ronald Lacey), with the middle-class, black, liberal writer Mark (Thomas Baptiste) living under house arrest with his wife Francesca (Barbara Assoon). As well as showing by analogy just how poorly black people were then treated by white people, it also castigated the efforts of white liberals in South Africa to challenge the regime, arguing that they showed little interest in doing anything except being self-righteous.

The play, which was also interspersed with stills and documentary footage of conflicts in South Africa, Vietnam and elsewhere, was powerful enough that its broadcast was initially postponed by several weeks because of fears that it would raise racial tensions in a forthcoming by-election in Leyton, East London, that involved a candidate who had previously lost his seat following a notoriously racist campaign in Birmingham. 

Disappointingly, however, the audience at the time didn’t quite understand Hopkins’ message. “I got a letter from a viewer which said ‘I really enjoyed that play. Boy, you showed them what would happen if they came to power, if they had the authority.’ He didn’t even need to specify who ‘they’ were.”

You can watch the play below, although unfortunately, this copy is from BBC4’s 2005 ‘TV on trial’ season, so involves a certain amount of on-screen ‘grafitti’. 


  • Rob Buckley

    I’m Rob Buckley, a journalist who writes for UK media magazines that most people have never heard of although you might have heard me on the podcast Lockdown Land or Radio 5 Live’s Saturday Edition or Afternoon Edition. I’ve edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for TV producers magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it “web site for urban hedonists” The Tribe. Since going freelance, I've contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network, TV Scoop and The Custard TV.

    View all posts