Classic TV

Nostalgia corner: The Third Man (1959-63)

The Third Man

It’s tempting, these days, just as the likes of Agents of SHIELD, Hannibal and Bates Motel are gracing our screens (or about to), to think that the idea of spinning off a TV series from a popular movie is a new phenomenon. But just as the likes of Dick Barton and Bernard Quatermass were moving from radio and the small screen to the big screen in the 40s and 50s, so, too, were popular movie characters making the transition to TV.

So after the jump, let’s talk about Harry Lime aka The Third Man.

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The BarrometerA Barrometer rating of 5

Fourth-episode verdict: Save Me (NBC)

In the US: Thursdays, 8/7c, NBC

Some things are beyond saving. Ordinarily, I’d have given up on Save Me somewhere after or even during its first episode. But Alex Breckenridge is in it, I like Alex Breckenridge, so I thought I’d give it a little longer.

Oops. That was a mistake.

If you consider Christian Rock – Rock n Roll with all the good things taken out and replaced with cringeworthy, God-praising lyrics – then what we have in Save Me is Christian Comedy. In it, Anne Heche pretends to be a former sinning party girl/mother, although her ‘sins’ are really only the kind of things that Ned Flanders would blush at (oh no! She smoked pot!), who mysteriously becomes a prophet of God after choking to death on a sandwich. She throws her sinning ways away, mysteriously acquiring a miraculous self-awareness that would have come in handier before, and then proceeds to go around fixing both her life and the lives of her friends, family and neighbours with the occasional bit of cryptic advice from God in her head or through children’s versions of the Bible.

And it’s unbearable. It thinks it’s funny, it thinks it’s righteous, and it’s neither. It’s the equivalent of a pastor who likes a tipple or two cracking jokes in a sermon he’s found on the Internet. Its ‘revelations’ are less insightful than those you’d find in a fortune cookie, with such stunning profundity as “inviting your former friends round to dinner might make them friendlier”.

What’s worse is that Breckenridge, who’s credited as a co-star and is possibly the only member of the cast with comic talent (except maybe Michael Landes, although he’s not been well served by the scripts), has been in a coma for three episodes. Presumably the idea of Landes’ character having a mistress was just a little too edgy and interesting for the show.

Don’t mistake the mistake I made. Don’t watch it.

Barrometer rating: 5
Rob’s prediction: Wouldn’t have been cancelled by now if it weren’t the summer. Definitely no second season

Thursday’s “Continuum and Endeavour renewed, William Shatner: live and Rod Serling’s final screenplay” news

Film casting

Trailers

  • Trailer for Getaway with Ethan Hawke and Selena Gomez
  • Trailer for Paranoia with Liam Hemsworth, Harrison Ford, Amber Heard and Gary Oldman

Canadian TV

UK TV

US TV

US TV casting

New US TV show casting

The BarrometerA Barrometer rating of 3

Third-episode verdict: Family Tree (HBO/BBC2)

In the US: Sundays, 10.30pm, HBO
In the UK: Will air on BBC2 this year

Time to look back at the first three episodes of Spinal Tap-creator Christopher Guest’s gentle new comedy for HBO and BBC2, Family Tree, in which Chris O’Dowd attempts with the help and hindrance of friends and relatives (Michael McKean and Nina Conti and Monkey) to trace his family tree. And very gentle it’s been. Partly (or even largely) improvised, so far we’ve wandered around Britain, meeting English eccentrics of all shapes and sizes, looked at old photos and artefacts, and not laughing very much. There’s been the odd chuckle or two, but that’s about it.

Episode three at least was a slightly more amusing affair, mainly thanks to Conti finally being allowed to let Monkey off his leash so to speak. But this also led to some cringe comedy at a Greek wedding, making most of the final moments of the episode pretty unwatchable. O’Dowd’s side-kick (Tom Bennett) is also pretty hit and miss, heading towards cringe comedy a lot of the time, but not the painful kind at least.

There are a few storylines puttering away beneath the surface that could have potential in the long run and since we should finally be off to America with the next episode there is potential for the show to finally unleash itself. But at the moment, it’s more novel than funny, a series of observations and characters that you won’t have seen before, although maybe that’s for a reason.

Barrometer rating: 3
Rob’s prediction: If it lasts more than a season, it’ll purely because of Christopher Guest’s star pull

The Weekly Play

The Wednesday Play: Diane (1975)

As you’ve probably noticed from previous weeks’ entries in this strand, such as Scum, Contact and Penda’s Fen, director Alan Clarke was responsible for many of British TV’s finest – and toughest – plays. BBC2 Playhouse‘s Diane, starring the then 20-year-old Janine Duvitski (Waiting For God, Abigail’s Party) whom Clarke more or less plucked straight out of drama school to play the 13-year-old protagonist, is one of Clarke’s toughest, dealing with incest on a council estate. 

Written by ‘David Agnew’ (actually Clarke using a BBC pseudonym after re-rewriting Anthony Read’s initial script), it’s harrowing, subtle but still humane, and still packs a punch.