The BarrometerA Barrometer rating of 5

Third-episode verdict: Orphan Black (Space/BBC America)

In Canada: Saturdays, 9e/6p, Space
In the US: Saturdays, 9/8c, BBC America

What ho! Time to revisit the verisimilitude vacuum that is Orphan Black, which I believe is supposed to be the US and Canada’s revenge for Brits and Aussies getting all the leads in proper TV shows, but which merely ends up showing why that’s the case. Here we have a couple of Canadians, whose attempts at English accents have got worse over the space of just three episodes to now resemble those in Mary Poppins, pretending to be brother and sister ‘street kids’, the sister assuming the life of a woman physically identical to her in order to get some cash, escape her drug-dealer boyfriend and, eventually, escape from someone who’s trying to kill her. Along the way, she discovers that there are more women who look just like her and before you can say “Really? It took you three episodes to get to that point when it was in the trailer and it was obvious in the first episode?”, she discovers she’s a clone. Whose clone, why she was cloned, how she was cloned and why all her fellow clones are being killed off, we’ve still yet to find out.

Well, you guys still watching will, because I’m giving up at this point. It’s not just the terrible accents, I should point out here, which are now like fingernails on blackboards. It’s not just the attempts at English slang (“I’ll kick the shite out of you.” Are you northern now, love?). And if I were 18 and had never seen a sci-fi conspiracy theory thriller before, either on TV or at the movies, I might be of a different mind.

But watching ‘street’ kids who would probably have been stabbed to death years ago in real life, outsmarting even cops they now work alongside, while a never-ending, unconvincing parade of new clones is shoved across the screen is just not my thing. Again, if I was 18, I’d probably think this was brilliant. Maybe not, but I might. But having already seen much better, more exciting, less stupid, funnier and better shows, some even involving clones and conspiracy theories (Timeslip and A For Andromeda. Hell, even The Island was better, the first half about 1,000 times better. Clone, however, was worse, I’ll give you that), this feels like a great big witless waste of time.

I don’t care about the characters; I’m not interested in them either: central clone Sarah is dumb, her other clones are just annoying, and the evil one is ridiculous; her brother, Felix, was comic relief for all one episode, before becoming the guy who gets the plot told to or runs around getting into trouble. None of the supporting characters work and are all too stupid to live. And the central clone conspiracy is being dragged out for so long that I can’t tell if it’s interesting or not. There aren’t even hints, beyond the existence of the clones. It might turn out to be the most interesting conspiracy theory ever, but at the moment, we’re only just being told there are clones and heaven knows how long it will take to spin out whatever gossamer-thin premise the writers have planned. In terms of tension and intellectual stimulation, “How did they do that shot with those clones?” is as far as it goes. And when you’re more interested in the details of the SFX than the plot, you know the show is ungripping to say the least.

So I’m dropping it. If you’re 18 or so, do feel free to carry on watching, though.

Barrometer rating: 5
Rob’s prediction: I’d like to say it’ll be cancelled before the season is out, by suspect it’ll go on and on, particularly if there’s a cliffhanger at the end of the season  

Tuesday’s “Da Vinci’s Demons begins well, Heather Graham joins Californication and Supernatural characters return” news

Film casting

UK TV

US TV

US TV casting

UK TV

Review: Doctor Who – 7×9 – Cold War

Doctor Who - Cold War

In the UK: Saturday, 6.15pm, 13th April 2013, BBC1/BBC1 HD. Available on the iPlayer
In the US: Saturday, 8pm/7c, 13th April 2013, BBC America

Mark Gatiss is a fanboy. This will probably come as a surprise to you only if you’ve never heard of Mark Gatiss before. Otherwise, this should be known to you.

A member of the League of Gentlemen (a troop of horror-story loving fanboys), Gatiss first appeared in the realm of Doctor Who writing some of Virgin’s range of New Adventures books that emerged following the cancellation of the original series. Then, after writing and starring in some of the Liz Shaw spin-off P.R.O.B.E. stories, and some of the Big Finish Doctor Who and Sapphire and Steel audio ranges (he’s an S&S fanboy, too), he came to write some Doctor Who TV episodes: The Unquiet Dead, The Idiot’s Lantern, Victory of the Daleks and Night Terrors. He’s also written fiction that pastiches 19th century fiction, hosted and contributed to documentaries on some of his favourite fanboy subjects (Nigel Kneale, Hammer horror), adapted and starred in HG Wells’ The First Men In the Moon and being a Sherlock Holmes fanboy, too, it should come as no surprise by now for you to hear that he’s one of the show runners and writers for Sherlock.

A fanboy, then. Clear?

The biggest problem facing fanboys in general and Mark Gatiss in particular is originality. It’s all right when you have something to adapt and something to riff on, but actually coming up with good new ideas is actually terribly hard for the fanboy. It’s no surprise therefore that whenever Gatiss writes anything, it’s usually slight variations on an existing, familiar story, with knowing references to other things thrown in and some sort of Important Obvious Metaphor thrown in for good luck.

By now, it shouldn’t surprise you when I tell you it was Gatiss who suggested to bestest Sherlock pal and Doctor Who show runner Steven Moffat that they should do a story feature the Ice Warriors, just about the only popular old Who monster that the new series hadn’t featured. Nor should it surprise you that our Stevie was a bit dismissive of the idea, thinking they were a bit rubbish looking.

But Gatiss has brought them back, with an Important Obvious Metaphor about the Cold War (hence, the title) thrown in for good luck. It’s a little bit The Ice Warriors, a little bit Dalek… okay, a lot Dalek, with a big chunk of Alien and just a soupçon of Hunt For Red October on a low budget thrown in. And while it never hit the ‘totally excellent’ mark, by sticking with what he’s best at, Gatiss turned in what’s probably his best Doctor Who yet.

Here’s a trailer.

Continue reading “Review: Doctor Who – 7×9 – Cold War”

UK TV

I am not a number, I am a holiday-maker: a field-trip to Portmeirion

Portmeirion road-sign

So, I went off to Snowdonia (that’s in North Wales, non-UK readers. You know where Wales is, right?) for the weekend – hence my absence on Friday. Bit of a trek, what with the traffic and all, so seven hours drive each way. Argh.

Anyway, we’re just coming up to our hotel when to my surprise, I see a sign to Portmeirion. Honestly, I had no idea it was there – I thought it was further north. It’s not.

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But the TV gods had clearly spoken to Dealcloud, which is how we ended up at this particular hotel (which also turned out to have been visited by Jackie O and Ted Kennedy at some point) only 15 minutes away from where The Prisoner was filmed. Remember The Prisoner – the original Patrick McGoohan version, not the remake? Here, at least, is the iconic title sequence, which also explains the plot (secret agent resigns so is kidnapped and imprisoned in a seemingly loving prison called The Village):

Anyway, having made it out that far, how could we not go and have a wander round? Okay, it’s £10 per adult, but we’ll live. So, after the jump, lots of pictures of Portmeirion: how much will you recognise, discerning Prisoner fans?

Continue reading “I am not a number, I am a holiday-maker: a field-trip to Portmeirion”

US TV

Battle of the Planets returns as a live-action movie

Battle of the Planets

If you grew up in the UK in the 70s and 80s, there’s about a 95% chance you’ll have watched Battle of the Planets, an American cartoon series about G-Force, five orphans who get given incredible powers and machinery in order to fight terrors from outer space including Galactor and its representative Zoltar. To remind yourself of the show (as if you need any reminding), watch this video:

Yes, you lucky people, you can buy it on DVD.

Well, what you might not know (but probably could have guessed) is that it was originally a Japanese cartoon series called (Science Ninja Team) Gatchaman. Catchy, huh? Now, to see it was a loose adaptation would be an understatement. Suffice it to say, unless you want to watch the video below – which includes a more faithful re-dubbing of the original – that not only were there big changes in characters, set-up and more to avoid the inevitable freaking out that UK and US parents would have had in the 70s when exposed to raw Japanese anime mentalness, everything involving 7 Zark 7 and 1 Rover 1 was added by US animators – hence the difference in animation quality.

Well, guess what. In August, a live-action version of Gatchaman is out in Japan. Here’s a trailer. It’s in Japanese obviously, but you can see both the differences and the similarities. If your Japanese is good, there’s an official web site.

[via]