Elizabeth Hurley: Tomorrow Person (almost), more modern day Greek gods and the Muppets are Most Wanted

Doctor Who

Film casting

  • Colin Firth to star in Christopher McQuarrie’s adaptation of Three To Kill
  • Giancarlo Esposito to direct and star in Patriotic Treason with Ed Harris

Trailers

UK TV

US TV

US TV casting

New US TV shows

  • Michael Chiklis’ Pantheon being developed as a TV show
  • HBO developing: Always Outnumbered follow-up The Right Mistake, with Laurence Fishburne
  • A new trailer for CBS’s Intelligence
The Weekly Play

The Wednesday Play: Comedians (1979)

One of the finest plays broadcast by the BBC was Comedians by Trevor Griffiths. Griffiths had previously written the BBC’s esteemed 13-part look at the collapse of Europe’s ruling dynasties in the run up to and at the end of the First World War, Fall of Eagles. A socialist playwright dedicated to writing for television, nevertheless, in 1975, he wrote Comedians for the stage. It proved popular enough to transfer to Broadway, after which the BBC asked him to adapt it for TV. 

The play is set in a Manchester evening class for aspiring working-class comedians that’s taught by Bill Fraser and includes Jonathan Pryce among its students, each student representing a different style of comedy. The action switches from classroom to stand-up club and back again, as Fraser gives notes on performances, praising the conventional, damning the unconventional. Except everything’s not quite as it seems and the play deals in serious analysis of the choices made by comedians in their acts.

“…A joke that that feeds on ignorance starves it’s audience. We have the choice. We can say something or we can say nothing. Most comics feed prejudice and fear and blinkered vision, but the best ones, the best ones… illuminate them, make them clearer to see, easier to deal with. We’ve got to make people laugh till they cry. Cry. Till they find their pain and their beauty.” 

Enjoy!

del Toro’s The Strain picked up, Monty Python reunited and a Back to The Future reunion

Doctor Who

Comics

Theatre

UK TV

US TV

US TV casting

New US TV shows

New US TV show casting

  • Bill Murray joins HBO’s Olive Kitteridge
  • Casting on FX’s Braddock & Jackson and a CBS comedy
US TV

Review: Almost Human 1×1-1×2 (Fox)

Almost Human

In the US: Mondays, 8/7c, Fox
In the UK: Not yet acquired
Find it in the schedules where you live

Visions of the future almost by definition have to fit into two camps: things are either going to have to go better or they’re going to have get worse. Whether it’s Robocop, Blade Runner, Minority Report, Logan’s Run, Planet of the Apes or any other piece of sci-fi, authors tend to veer towards either the utopian or the dystopian in their projections.

So to a certain extent you have to give Almost Human a good deal of credit for envisioning a future that is both worse and better. It’s 2048 and science and technology have advanced considerably. Unfortunately, gangs of criminals have access to that technology and the crime rate is increasing at 400%. So the police decide to pair every human detective with a police/combat android, capable of incredible acts of strength and analysis.

Detective John Kennex (Karl Urban from Dredd 3D, Star Trek, The Bourne Supremacy, Xena: Warrior Princess, et al) loses his leg in a police operation that goes badly wrong. When he comes back to duty over a year later, the android he’s paired with annoys him so much he destroys it. So the lab guy (Mackenzie Crook from The Office) gives him one of the older models (Michael Ealy from Common Law, The Good Wife, FlashForward and Sleeper Cell): the ‘crazy ones’ with ‘synthetic souls’, capable of not just emulating but feeling human emotions, in addition to having natural robotic talents. Together, Kennex and ‘Dorian’ have to stop crime and learn to get on with one another, although is that even possible with an android?

And as you might expect from such a rundown, a good deal of imagination has gone into the science-fiction side of things, particularly as it relates to law enforcement, giving us everything from genetically targeted diseases to DNA bombs and robots capable of doing forensic analysis inside their bodies. The show also mines the obvious parallels with racial discrimination that having an underclass/slave population such a set-up gives us.

But as far as the human side of things goes, that’s where the imagination ran out. Here’s a trailer:

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