US TV

Preview: Elementary 1×1 (CBS/Sky Living)

Elementary

In the US: Thursdays, 10/9c, CBS. Starts September 27
In the UK: Acquired by Sky Living for October broadcast

You will recall that not so long ago, Steven Moffat was extremely dischuffed. “Pourquoi?” you might ask if you were French. Well, my francophone friend, because as well as being the showrunner for Doctor Who, Stevie is also the showrunner and indeed co-creator of a little known show called Sherlock, an updating of Conan Doyle’s famous consulting detective. After pitching an updated version to the American TV network CBS, he became seriously dischuffed when he heard that CBS was going to do their own version without the benefit of his wisdom.

And here it comes: Elementary, starring Jonny Lee Miller as Sherlock Holmes, a former consultant to Scotland Yard, who moves to New York to get away from his father and to help US cop Captain Gregson (Aidan Quinn) with his enquiries. Of course, since he doesn’t get paid for his work, he needs his father’s money to keep him in little things like food and lodgings, and since our Sherlock also had a bit of a drug habit, as a condition of continued support, daddy dearest gives him a live-in ‘sober companion’, a therapist who stays with Sherlock night and day to make sure he doesn’t revert to old habits. That would be one Dr Joan Watson (Lucy Liu).

Sound much like Sherlock? No.

Stevie need not have worried.

In fact, Elementary, even putting aside the change in location of the stories, gender of Dr Watson and promotion of Inspector Gregson, is possibly the loosest adaptation of Conan Doyle’s classics there’s ever been. Well, apart from that manga one and that one set in space. And while it’s a perfectly functional procedural, efficiently told and competently made, with an intriguingly quirky performance from Miller, it’s also the blandest adaptation of Conan Doyle’s classics there’s even been. Yes, even including Young SherlockThe Mystery of the Manor House.

Here’s a trailer. It’s basically a four-minute precis of the pilot.

Continue reading “Preview: Elementary 1×1 (CBS/Sky Living)”

The BarrometerA Barrometer rating of 3

Third-episode verdict: Go On (NBC)

In the US: Tuesdays, 9pm Eastern/8pm Central, NBC. Starts September 11
In the UK: Not yet acquired

So far, if there’s one new comedy acquitting itself on NBC, it’s Go On. Although the idea of a support group for the traumatised – in particular, Matthew Perry channelling Joel McHale in Community as a talk radio sports commentator who lose his wife in a car accident – sounds like a sad idea for a sitcom (and you’d be right), the show is just about managing to find some laughs.

Just about.

Trouble is, we’re still talking about a guy who has lost his wife. And as the first episode demonstrated, that’s not that funny. Even if you can somehow turn adjustment to bereavement into something wacky – Perry not wanting to return home at night so he keeps making his assistant work late and gatecrashing her social occasions, as per episode two, or his gardener erecting a tribute fountain to his dead wife in episode three – we’re still talking about a show that makes you want to cry more than laugh.

And partly, that’s because the writers aren’t writing many jokes, partly because the supporting characters are woefully underdeveloped and partly because 90% of the cast are rubbish. Of the good portion of the cast, John Cho now has something to do but isn’t being given great material, Laura Benanti now has less to do and is getting less material, leaving Perry to get most of the good material and resultingly having to shoulder virtually the entire burden of the show, something that’s seeping into his performance.

Nevertheless, the show is just about treading the right side of the funny-unfunny/watchable-unwatchable line. I’m not recommending it, but I’m going to stick with it for a while, since there is some promise in it, and Perry, Cho and Benanti all deserve a successful TV show after all their previous flops. And given NBC’s ratings, I think it’s likely to get picked up for a full season very soon so it might actually have a chance to find its feet.

And lo and behold, look! Here’s The Carusometer’s replacement The Barrometer to pass verdict on it!

Barrometer rating: 3
Rob predicts: Will get a full season, maybe even 2

 

Thursday’s “Hobbit trailer, Royal Pains TV movie and James Gandolfini in HBO Criminal Justice remake” news

Film

Trailers

Theatre

French TV

  • Canal+ gets the go-ahead to acquire Direct 8 and Direct Star

US TV

New US TV shows

  • Ghost Whisperer producers sell dramas to ABC and CBS
  • NBC developing drama based on Midnight, Mass. comics
  • NBC picks up Jerry Bruckheimer comedy At Ease

US TV casting

New US TV show casting

  • James Gandolfini to star in HBO’s adaptation of BBC1’s Criminal Justice
  • Olivia Cooke joins Bates Motel, Rachel Boston joins Witches of East End, Dorian Missick to recur on Paging Dr Freed
  • Harrison Thomas joins Banshee

UK TV

Not review: Doctor Who – 7×3 – A Town Called Mercy

  

In the UK: It was on Saturday. It’s on the iPlayer now
In the US: It was also on Saturday.

Erm, I haven’t watched it yet. Busy, busy, busy. Frank has and so has Stuart, so I’d suggest you read their reviews, which undoubtedly will be better than what I would have thrown together.

But cowboys, filmed in the US, Toby Whithouse, Ben Browder – sounds like it could have been good. Was it? Better than a poke in the eye with a sharp stick – or two Chris Chibnall scripts in a row? What did you think?

The Wednesday Plays: Oedipus the King/Oedipus at Colonus/Antigone (1986)

As you might expect, the US isn’t the only country to adapt classic plays for television. The BBC, ITV and Channel 4 have obviously been putting on adaptions of classic plays almost for as long as they’ve been in existence.

However, unlike Shakespeare, for example, Greek tragedy is one genre that hasn’t seen many adaptations for British television. In June, the BFI gave a good sample of some of those adaptations, including one stage production of Electra for ITV that was broadcast entirely in Greek without subtitles.

However, one of the main catalysts for getting Greek tragedy onto the small screen and also radio was the writer/director Don Taylor. Taylor, whose career in theatre and television spanned decades, was responsible for numerous adaptations, sometimes of his own translations, including Euripides’ Helen for radio and Iphigenia at Aulis for the BBC. However, in 1986, he managed to adapt all three of Sophocles’ Theban plays – Oedipus the King, Oedipus at Colonus and Antigone – for the small screen as (surprisingly enough) The Theban Plays by Sophocles.

Starring the likes of Michael Pennington, Juliet Stevenson, John Gielgud, Anthony Quayle, John Shrapnel and Claire Bloom, all three productions are very theatrical and the translations are somewhat loose, but you’d be hard-pressed to find any better productions on TV anywhere.

Enjoy!

Continue reading “The Wednesday Plays: Oedipus the King/Oedipus at Colonus/Antigone (1986)”