US TV

Third-episode verdict: The Sarah Silverman Program

The Carusometer for The Sarah Silverman ProgramPartial Caruso

Bottoms. Ha, ha!

Flaps. Hee, hee!

Repeat for 20 minutes and you’ve pretty much got The Sarah Silverman Program. That’s maybe a little unfair — but only a little.

The show’s one of those programmes you want to like. The idea of a successful and talented comedienne not getting a cookie cutter sitcom in which she’s just the regular girl next day looking for love (cf Jenny McCarthy and Jenny, et al) is one that I applaud.

Instead, Silverman’s put together something that’s a third It’s Garry Shandling’s Show, a third Beavis and Butthead and a third concentrated Ricky Gervais. At times, it’s pretty funny.

But most of the time it’s something that, if I were 18, I would love but since I’m getting on for twice that age now, I can’t help but think is a little childish.

So for being uniformly not awful, not boring but still not that great, The Medium is Not Enough declares The Sarah Silverman Program to be a two or ‘Partial Caruso’ on The Carusometer quality scale. A Partial Caruso corresponds to a show with two walk-on cameos by David Caruso. Despite not being given one-liners by the script writer, he will attempt to ad lib his own. Fortunately, network censors delete them on quality and taste grounds, leaving behind just a vague rictus grin by Caruso before each commercial break.

Things I learned from watching television last week

24: Even shows that hinge on being unpredictable can become predictable in their unpredictability.

The Class: You can make a character gay, but you must never show his boyfriend more than a couple of times. Even when you’re written a character out, the weakest part of her storyline can carry on.

CSI: Is miles better than any other procedural show out there. Why does anyone watch anything else on Thursdays?

CSI: Miami: A bullet shot to the neck will give you brain damage. But it will only leave you mildly forgetful.

Heroes: Be careful not to turn mildly comedic characters into comic reliefs.

House: Sometimes, real-life events can cause the most random things to happen on-screen that are completely contrary to previous character development.

Lewis: It’s relatively easy to rip off Donna Tartt’s The Secret History. Also, any story that involves a character’s wife dying is enough to turn me into a blubbering wreck.

Lost: Flashbacks shouldn’t always be trusted.

Numb3rs: All black professionals come from the hood originally and have untrustworthy old friends.

Psych: No matter what happens, a “Psych-out” moment will never be funny or entertaining. Even the worst episode of any show can be improved by the mention of Airwolf and Jan-Michael Vincent.

Smallville: The producers must be killing themselves for not casting Allison Mack as Lana Lang in the first place. Michael Rosenbaum can direct his fellow actors well.

Studio 60: Watching Aaron Sorkin exorcise his personal demons is dull.

Supernatural: Sometimes, even stupid episodes can be smart. Also, every X-Files-like drama now needs to have a Jose Chung’s ‘From Outer Space’ episode.

The Unit: Lynn Mamet must write all episodes of this show from now on. She’s a far better writer than David.

News

Monday

Lighting Flame

Sorry, fell asleep during the headline. Must get more sleep.

Doctor Who

Film

British TV

US TV

News

End the week with news

The Carusobot



Film

British TV

US TV

  • You can view the blooper reels for Lost, seasons one and two, on YouTube
  • Talking of Lost bloopers, its ratings dropped again on Wednesday to a new low.
  • Friday Night Lights as good as The Wire?
  • Keith Olbermann gets his contract renewed by MSNBC.
  • Fed up with the liberal Daily Show? Now Fox has its own show for conservatives. Clips on YouTube already.
  • There’s going to be less torture on 24, because it’s becoming a cliché.
  • More behind-the-scenes fun at 24: among other things, there’s a log of all the characters from previous seasons who aren’t dead and could return to the show. Yes, even Behrooz.
  • Big Pierce Brosnan fan? You’d have to be to buy Remington Steele on DVD, out in the UK on the 12th of March.
  • Zooey Deschanel will be Dorothy in Tin Man.
  • Matthew Lillard (Shaggy in the Scooby Doo films) joins the cast of the pilot Area 52
  • The Carusobot makes fun of CSI: Miami one-liners and sunglasses. Spoilers for the last two episodes. He seems… animated.
  • Jim from Neighbours – aka Alan Dale – explains why he’s just so popular in Hollywood. Why didn’t they pick up that pilot with Dale as a gay English butler to rapper Bow Wow, I wonder?