A quick question of Doctor Who philosophy

The Doctor and the Master

Slightly geeky this, I know, but I was a-pondering because I was just marvelling to myself at how much I liked the last three episodes of the last series of Doctor Who.

As we all know, Time Lords can regenerate. The Doctor, who is a Time Lord, has regenerated many times. Each time he regenerates, his personality changes, yet there is some intrinsic “Doctor-ness” that remains the same from incarnation to incarnation. And as viewers, we accept each different incarnation, even if we prefer some (David Tennant) to others (Sylvester McCoy).

The Master is/was a Time Lord, too. He, too, regenerates and has changed personality with each regeneration.

But, he recently regenerated into John Simm, as you all know. But many people thought he did not have enough “Master-ness”. Problems ranged from the trivial (he didn’t have a beard) to the not so trivial (he lip-synced to Scissor Sisters).

So, the question is either (depending on your point of view):

  1. Why is it that viewers are more able to accept the changing character of the Doctor with each regeneration than they are with the Master? Is it because we have more time to get to know him?
  2. Or, how much does a Time Lord have to have in common with his previous incarnations for us to recognise him as being the same person? Why do some regard Simm’s Master as being sufficiently different from Delgado, Ainley, Roberts and co that they can’t accept him as the Master?

Alternatively, what is “Doctor-ness” and what is “Master-ness” – that is, what characteristics does someone have to have to be recognisably the Doctor or The Master (assuming they have the same memories as well)?

And just for luck, I throw in the Valeyard to really complicate things. Answers on a postcard or below.

Author

  • Rob Buckley

    I’m Rob Buckley, a journalist who writes for UK media magazines that most people have never heard of although you might have heard me on the podcast Lockdown Land or Radio 5 Live’s Saturday Edition or Afternoon Edition. I’ve edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for TV producers magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it “web site for urban hedonists” The Tribe. Since going freelance, I've contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network, TV Scoop and The Custard TV.

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