The Wire

I’m still on holiday, so I’m going to be a bit slack on this one. So this is by no means full coverage of all the forthcoming HBO shows, since there’s a comedy or two on the way.

Plus there’s not much out of HBO about its forthcoming shows, other than a slightly old promo vid.

We’ve got the creators of The Wire looking at the Iraq war. We’ve got Alan Ball of Six Feet Under fame looking at vampires in the American South for True Blood. Deadwood‘s David Milch tries again after the flopparoo that was John from Cincinnati with 70s police corruption in The Last of the Ninth. 

And of course, thanks to that musical promo vid, we have clips from the new series of Entourage and Flight of the Conchords.

Continue reading “HBO’s Fall 2008 shows”

It’s one of those age-old dilemmas: gritty crime drama depicting something few, if any of us, have experienced – is it realistic? The Wire has a deserved reputation as being one of the most realistic shows on TV, primarily because its creators, David Simon and Ed Burns, have been there and done that. Simon was a crime reporter for the Baltimore Sun while Burns was a cop and a teacher in Baltimore.

But as we learnt from the last series, times change. Both of The Wire‘s creators’ experience was gleaned during the 80s and 90s and times move on. As a result, even the depiction of The Baltimore Sun was slightly archaic compared to where it is now. A modern newspaper without rolling Internet deadlines? Really? And indeed, the whole of the first series, in which the drug dealers used pagers, was a throwback to an investigation from the 80s that Simon had covered.

Anyway, it turns out Baltimore isn’t as much of a hellhole as it’s depicted – at least, not any more. Does that reduce the value and impact of The Wire? Or is it still as valid and powerful as ever?

What if The Wire were a Simpsons episode?