Following on from NBC and Fox, today we get to have a look at the shiny new shows that ABC has lined up for us for the 2012 to 2013 season.
Like NBC, there have been a fair few cancellations at ABC this year, so we’ve got a few new dramas and comedies to look at. Unlike NBC, we have a lot of remakes of foreign shows to look forward to, unless we happen to have seen those foreign shows in question already.
So after the jump, we have rundowns, trailers and the 2012-13 schedules for:
Last Resort from Shawn Ryan and starring Andre Braugher and Dichen Lachman
666 Park Ave. with (ooh) Robert Buckley and Terry O’Quinn
A remake of BBC1’s Mistresses with Charmed‘s Alyssa Milano
A remake of BBC3’s White Van Man retitled The Family Tools with Kyle Bornheimer. JK Simmons and Leah Remini from King of Queens
How to Live With Your Parents For The Rest of Your Life with Scrubs‘ Sarah Chalke, Brad Garrett, Orlando Jones and Elizabeth Perkins
Malibu Country with Lily Tomlin, Rbea and Jai Rodriguez (yes, him from Queer Eye for the Straight Guy)
Nashville with Connie Britton, Powers Boothe, The Wire‘s Robert Wisdom and Heroes‘ Hayden Panettiere
The Neighbors with Jami Gerz
A remake of Dutch TV’s Penoza, Red Widow, starring Radha Mitchell and
It’s “What did you watch last week?”, my chance to tell you what I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.
The usual recommendations from the first-run shows are: The Almighty Johnsons, The Apprentice, Awake, The Bridge, Community, Cougar Town, The Daily Show,House, Mad Men, Modern Family, Prisoners of War and 30 Rock. Hunt them down.
Being promoted to the recommendations list this week are Don’t Trust the B—- in Apt 23 – which while not the best show ever made, is sufficiently, consistently amusing, evil and full of James Van Der Beek that I’m ready to add to the list – and Prisoners of War, which I’ve just reviewed,
It was a weekend of catch-ups and random viewings last week, so I actually managed to watch a few movies and try a few random new shows.
Common Law:USA Network’s trailer for this buddy-buddy cop show made it look awful. Guess what? It was awful. I couldn’t watch more than 10 minutes of this derivative, unfunny cobblers before I had to switch off. Not even Sonya Walger could save it.
Playhouse Presents: Sky Arts’ series of one-off plays, this one starring Olivia Williams, Martin Shaw, Lucy Punch and Rhashan Stone from Strike Back: Project Dawn (he also wrote it). A nice idea – woman who stands up to rioters beats a Boris Johnson-alike to become Mayor of London – but there was apparently nothing new to say here, judging by the inconclusive script, Williams’ Northern accent was rubbish, Shaw and Punch hammed it up, and Stone gave himself all the best lines. But you’ve got to love that Sky Arts (or someone) is doing plays.
Still playing catch-up with Sunday’s viewing though, with Veep and Mad Men still to watch.
It’s also finally time to dump Touch, which looks like it might be going somewhere but is being so boring about it, has the terrible Mohinder-esque voiceovers at the beginning and end, and is just so incredibly insulting about how it thinks special needs children are treated that blood boils whenever it broaches the subject. They’ve also introduced Kabbalah to the equation, which means they need beating.
Now here’s a few thoughts on the regulars:
Missing – thankfully, they’ve written out the rubbish Italian guy in favour of a better English character (although, naturally, they had to make her a Lady). Sean Bean also got to do a decent fight scene. Otherwise, it’s just plodding along really, with supposedly shock moments arriving with inevitability rather than, erm, shock.
Cougar Town – so they didn’t bite the bullet on Lori/Travis, but a decent episode nevertheless and funny, too.
Awake – A shame it’s been cancelled because that was an absolutely fabulous episode and Jason Isaacs should be nominated for an Emmy at least for his performance. Loving the suggestion now that he is genuinely off his rocker.
Community – Is there a word for a meta episode that’s meta about its metaness? Still not exactly funny, but had some superb twists and turns of plot.
The Bridge – now this is how to be a surprising show. Can’t wait for the last two episodes!
House – was that Peter Robocop Weller as the surgeon? Notable only as a way to move Chase’s storyline along, really.
And in movies:
Avatar: Yes, I know I slightly missed the boat on that one, but I thought I’d give it a try. Probably looks incredible on the big screen and might even be good in 3D, but that’s really its only saving grace. The plot is such a mish-mash of Dances With Wolves,The Word For World is Forest and Dragonriders of Pern that any originality got lost somewhere on the way to Pandora; the characters are either almost non-existent or cliches, despite all of Cameron’s attempts to inject them with personalities; the acting’s terrible, particularly Sam “Could I be any more Australian?” Worthington’s; and the whole thing goes on forever, never-ending, never stopping, never willing to give the audience release from its terrible tedium.
Firefox: The Clint Eastwood movie, not the browser. A really dull first half that does at least show how terrible life in the Soviet Union was, but a really cracking second-half ruined only by not having the technology to do proper aircraft effects in those days, it still is flawed, partly because of Eastwood’s direction choices: if you’re going to have thought-controlled weaponry, make it look very fast, not like you have to press two buttons and then say everything in very slow Russian to make it work. But the strange thing is that in retrospect, it just looks like a bigger budget first pilot that got recast and turned into Airwolf. Basically the same plots. The music sounds the same in places. I’m surprised there weren’t lawsuits. I mean look at the names, for heaven’s sake! It’s even got blueprints in the trailer!
Justice League: Crisis on Two Earths: The Justice League travel to an alternate universe where Lex Luthor is the only superhero left alive to fight the terrible tyranny of Ultraman, Superwoman and Owlman, as well as cohorts like Johnny Quick. It’s something of a curiosity since it doesn’t involve the usual voiceover artists, instead favouring mostly famous actors like William Baldwin, James Woods and Chris Noth (Vanessa Martin does Wonder Woman’s voice for a change – she also does Black Widow’s voice in the Marvel Avengers series). It also tries to do a bit of aetiology (such as “This is how Wonder Woman got her invisible plane”), since it was also intended to link the Justice League and Justice League Unlimited TV series. Although the obvious thing would be for DC to show how the parallel Earth’s superheroes illustrate something about the normal Earth’s, only Owlman really works as both a parallel and a character in his own right; Ultraman is really a thug and Superwoman isn’t even Wonder Woman’s mirror, there being another Wonder Woman-esque character for her to beat. So not one of the best efforts, although there are some surprisingly well drawn fight sequences, with Wonder Woman getting a very nifty martial arts fight at one point, and we don’t have to endure much Green Lantern for a change, thankfully.
“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?
“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?
Secret swearing has a long and honourable TV and movie tradition. Usually intended to outwit the censors, it can vary in execution but ultimately has the same aim. Star Trek: The Next Generation allowed Jean-Luc Picard to say merde, because it was assumed that no US viewers would understand it meant sh*t in French. Star Trek itself managed to sneak Uhura denying that she was a ‘fair maiden’ past the censor, while Battlestar Galactica pioneered new forms of swearing altogether with copious use of the word ‘frack’ as a replacement for the f-word.
The Avengers/Avengers Assemble recently took a leaf out of Worzel Gummidge‘s book – a show in which Jon Pertwee used to delight himself by using as many Elizabethan swearwords, including the likes of ‘swive’ as he possibly could – by having Loki describe Black Widow as a ‘mewling q**m’ – that would be a word that rhymes with ‘whim’ and is a Chaucerian synonym for the c-word. Now, if you look at the BBFC’s web site [spoilers], it gives an explanation in its extended classification information as to why it gave the film a 12A certificate:
The film also contains some mild bad language, such as uses of ‘hell’, ‘damn’, ‘ass’, ‘son of a bitch’, ‘pissed off’ and ‘bastards’
No mention of the use of the q-word. Whether that’s because no one at the BBFC knows what it means or because they figured that no one in the audience is likely to know or care, I can’t say. But it does lead to this week’s question:
Should the BBFC take into account swearing that only a portion of the audience will understand when it classifies movies? Should TV shows and movies forego fake swearing that has the same intent as swearing? Or is this all linguistic silliness?
We’ve already had a look at some of the cast photos, but now we have a full rundown of what NBC is ordering up for its Fall schedule. Unlike last year, where there seemed to be a few shows that I’d like to watch – NBC now having cancelled them all – NBC appears to have chosen to fill the airwaves this year and next year almost exclusively with pure awfulness, probably figuring based on this year’s ratings that if it produces anything decent, no one will watch it, so why bother with half-decent, which takes some effort, when you can have river effluent instead.
After the jump, we’ll take a look – yes, there are clips – at NBC’s new shows, to see if there’s anything at all that looks good out of Revolution, Go On, The New Normal, Animal Practice, Guys With Kids, Chicago Fire and Do No Harm.
