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  • NBC green lights: pilots of professor turned high school teacher comedy…
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  • CBS green lights: pilots of James Patterson crime drama Killer Instinct with Alan Cumming and whistleblower legal drama Perfect Citizen
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  • Tony Danza, Jan Levy, Ian Nelson et al join Seeso’s There’s… Johnny!
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What have you been watching? Including The Magnificent Seven, Shooter, Lucifer and The Man in the High Castle

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently and your chance to recommend anything you’ve been watching. 

I know there are a lot of new show coming soon. They really are. They’re just not here yet.

That means that in the past week, I’ve only reviewed Six (US: History) and passed a third-episode verdict on Emerald City (US: NBC; UK: 5*). I’ll be deluged again soon and complaining about it, I know….

Anyway, a few oldies are back in the schedules again, which means that as well as The Great Indoors, Lethal Weapon, Man Seeking Woman and Son of Zorn, I’ll be covering Lucifer and Timeless and the season finale of Shooter. I also managed to squeeze in a few episodes of The Man in the High Castle. And I watched a movie.

The Magnificent Seven (2016)
Antoine Fuqua’s insipid remake of the classic 1960 Western, in which black-clad gunslinger Denzel Washington puts together a group of similarly iconic gunslingers to help protect Haley Bennett’s village from powerful rich guy Peter Sarsgaard.

The film goes through most of the same motions as the original, from the introduction and recruitment of each of the remaining seven (Chris Pratt, Ethan Hawke, Lee Byung-hun, Manuel Garcia-Rulfo, Vincent D’Onofrio and Martin Sensmeier) through the training of the villagers to the eventual battle with the baddies, but without ever really making you care about any of them, beyond the fact they’re Lee Byung-hun, Chris Pratt and Vincent D’Onofrio. Indeed, unlike both the original and the film’s ultimate antecedent, Shichinin no Samurai (The Seven Samurai), the film only really comes alive when it’s an action scene, the characters proving otherwise unendearing or even interesting.

A few lines from the original (“If God had not wanted them shawn, he would not have made them sheep”) manage to sneak in, but they only sure up the rest of the script’s ultimate emptiness, and the frequent clichéd homages to Westerns in general only serve to make the movie look hackneyed.

Continue reading “What have you been watching? Including The Magnificent Seven, Shooter, Lucifer and The Man in the High Castle”

US TV

Amazon tries to make me feel old with The Americans

As we all hopefully know, the rather excellent spy drama The Americans is set in the 1980s. This in and of itself isn’t too remarkable, since practically everything is set in the 1980s these days. 

But to a lot of viewers my age, it’s a bit surprising to remember that’s not five or ten years ago (sounds about right, no?) but more than 30.

Wrong, wrong, wrong. No, how can that possibly be correct?!

But it is. And for people who aren’t my age, that’s a bit hard to deal with, even for the show’s stars

…And even some of the younger PAs on the set who are 18, 19 – I still blink hard when they say, “Well, we’re doing this period drama.”

Yes, that’s right. ‘A period drama.’ Gah!

It’s just got worse, though. Amazon has a slightly different classification for it.

Yes, lumped in under ‘historical TV shows’ with Copper (set in the 1860s) and Turn (setting: 1770s) is The Americans.

Thanks, Amazon. Thanks a bundle.

The BarrometerA Barrometer rating of 4

Third-episode verdict: Shut Eye (US: Hulu)

In the US: All episodes available on Hulu

We should probably be giving Shut Eye a medal, since it’s doing such a public service – revealing all the tricks of the trade used by psychics to fleece their customers. But good thoughts alone aren’t enough to make a good TV programme, so unfortunately for Shut Eye, we have to evaluate it on when it’s watchable or not. 

The first episode set the scene pretty well, with star Jeffrey Donovan playing a former Las Vegas magician now working as a fake psychic in LA under the purview of a bunch of Gypsies, including Isabella Rossellini. Well versed in the arts of cold reading and setting people up, one day he gets a bump on the noggin from a client’s disgruntled boyfriend and winds up having proper psychic visions. Will he use his new powers for good or for evil, we wonder at the end of the episode?

Evil, it turns out. Didn’t see that coming, did you? 

The casting of Donovan as the lead is a genius move, since he’s able to recycle two of his old routines for the role. In episode two, the show becomes full on psychic Burn Notice, with Donovan giving us (and his mark) the rundown on the mystic art of psychically stealing people’s money. By episode three, he’s mining Touching Evil for sympathetic, dazed, brain-damaged and odd, as he starts using his new found powers to tell people the hard truths they probably don’t want to hear.

As you might have deduced from that run-down, Shut Eye is as odd a show as its lead character, since it is by turns comedic and then deeply serious and violent. More problematically, it keeps piling more and more details onto to the plot, almost in an apparent attempt to confuse us while it steals our watches. As well as the Gypsies and their bizarre activities – including poetry recitals and love ceremonies – there’s Dexter‘s David Zayas as a gang boss customer of Donovan, who’s as quick to throw someone in a deep fat fryer as he is to fix Donovan’s floorboards. There’s Donovan’s hard-edged wife, KaDee Strickland, who wants him to regain his former manhood while she’s simultaneously sleeping with another woman. There’s Donovan’s son, his supposed ADHD and his school issues. There’s The Wire‘s Sonja Sohn as a police officer who’s chasing after Donovan. There’s thirtysomething‘s Mel Harris as Donovan’s main mark, who sometimes wakes up with a rooster and a tree branch in her bed. There’s even a kooky doctor – Susan Misner (Billions, The Americans) – trying to help unclog Donovan’s subconsciousness using Mozart and drugs.

And so on.

It makes for a show that says an awful lot without really taking the time to say anything worthwhile, not even about fake psychics because they might be real, it turns out.

I probably won’t be bothering with the rest of Shut Eye, despite its funnier and more psychedelic qualities. Donovan’s worth his enormous salary for this gig, but the gig itself could probably have done with a rethink about exactly what story it wanted to tell.

Barrometer rating: 4
TMINE’s prediction: Unlikely to get a second season

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