Thursday’s “Andie MacDowell gets a Hallmark TV series, Robert Patrick is promoted and Neil Cross to write Doctor Who episode” news

Doctor Who

Film

Trailers

  • Trailer for Branded, with Max von Sydow and Jeffrey Tambor
  • Trailer for Les Miserables with Hugh Jackman, Anne Hathaway et al

Canadian TV

UK TV

US TV

New US shows

Arrow
US TV

The CW’s upfronts 2012-3 – a rundown and clips from the new shows

Green Arrow

Time for the last of the upfronts. Okay, USA did its first upfronts yesterday, but didn’t really announce anything new, so let’s end with the traditional way to end the upfronts: following on from the main broadcast networks NBC, Fox, ABC and CBS, today we’re going to be looking at the ‘young female adult’-skewed The CW and what it has lined up for us for the 2012 to 2013 season.

The CW didn’t have much success last year with its new scripted shows: only Hart of Dixie survived, while Ringer and The Secret Circle both got cancelled. Meanwhile, some of its older shows are now limping alone, with Gossip Girl nearing the end, Supernatural‘s end date being eyed and Nikita looking as poor as it always did. The experiment of The LA Complex fell apart, leaving just 90210 to keep the network’s scripted dreams alive.

But CW president Mark Pedowitz promised more original programming when he joined the network, so this year, The CW is trying to give itself a shot in the arm with… more of the same. Yes, time to cash in on some past glories as well as emulate some other networks. Lined up for 2012-13 are:

  • Beauty and The Beast: based on the 1980s CBS show with Linda Hamilton, but starring The CW’s Smallville‘s Kristen Kreuk as the beauty in question
  • Arrow: Bourne-esque adaptation of DC’s superhero the Green Arrow, but not starring Justin Hartley who was the Green Arrow in Smallville. But that’s because of…
  • Emily Owen MD: …in which a new doctor discovers that hospital is no different from high school. Co-stars… Justin Hartley
  • Carrie Diaries: HBO’s Sex and the City‘s Carrie, when she was a teenager. Notably features Freema Agyeman from Doctor Who, though.
  • Cult: starring one of the guys from The CW’s Vampire Diaries and one of the girls from The CW’s Melrose Place, and sees the fans of a TV show recreating the on-screen crimes.

After the jump, the run-down, trailers for the Fall shows (Carrie Diaries and Cult are mid-season – sorry) and a schedule.

Continue reading “The CW’s upfronts 2012-3 – a rundown and clips from the new shows”

Events

Tickets to The Resistance, a Radio 4 pilot with Katherine Parkinson, Peter Davison and Alison Steadman

Katherine Parkinson in The IT Crowd

Looks interesting – good pedigree. Do you think it’ll make series?

The Resistance (pilot)
The Resistance is a sitcom about Katrina Lyons, who pops back to her parents’ for the weekend to borrow some money and finds herself in the middle of an alien invasion.

The Geonin are not your typical alien invaders. Instead of the usual all-at-once approach to global domination (which usually fails, they’ve noticed) they’ve decided to start small. They’ve encircled a small English village with an impenetrable heat wave, preventing anything coming in or out. With Cresdon Green as their base, they will learn about humankind, using their knowledge to effectively and efficiently spread their domination over the rest of the world, bit by bit.

Katrina just wanted to borrow the money for a deposit on a flat. And, having been turned down, she’s really in no mood to stick around but the Geonin are not letting anyone in or out, and she has tickets to the theatre in London. So what choice does she have but to start The Resistance?

The Resistance is written by Eddie Robson (That Mitchell and Webb Sound), and stars Katherine Parkinson (The IT Crowd, The Bleak Old Shop of Stuff), Alison Steadman (Gavin and Stacey, Hamish and Dougal) and Peter Davison (A Very Peculiar Practice, The Complete Guide to Parenting).

Date: Wednesday 13 June
Venue: BBC Radio Theatre, London
Doors open: 7.15pm

To apply for tickets, visit the BBC Tickets Website.

Funny it doesn’t have Doctor Who in Peter Davison’s list of credits, isn’t it?