The CarusometerA Carusometer rating of 2

Third-episode verdict: Boss (Starz)

In the US: Fridays, 10pm ET/PT, Starz

Not much to add on the subject of Boss since the first episode. Boss has been very consistent in being very well-made and in being hard to watch. I don’t mean hard to watch in just the metaphorical sense that it deals with tough issues and is quite unrelenting. I mean literally it’s hard to watch thanks to the shaky cam and general direction, which made the first episode in particular hard to follow.

It has settled down now and while Gus van Sant was the director de jour for the first episode (and executive producer for the whole series), Mario van Peebles himself turned up to do the duties for episode three, producing something that while still riddled with shaky cam and visual metaphor, still managed to have a coherent narrative and a sense that there was a story that needed to be serviced.

I think there are a few things things that need mentioning here:

  1. Kelsey Grammer is absolutely phenomenal in this. It now fills me with rage that he’s been slumming on shows like Hank and Back To You for the last few years, when he could have been acting his socks off in proper drama. What a waste.
  2. The show has now largely settled down on two storylines: Grammer’s dementia and its effects on his job, his relationships and, well, almost everyone in fact; and Jeff Hephner’s bid for governorship. The two intermingle as well, which is a good thing, given how bitty the first episode was.
  3. Women apparently don’t need foreplay any more. And about a minute’s enough for y’all. Homeland appears to have come to the same conclusion as well. One more and it’s official. At least in America.

Episode three has definitely been the best of the episodes, despite The Carusometer’s suggestions to the contrary, and that might well be because Farhad Safinia didn’t write it. However, despite the slight uptick, it’s still not enough to qualify it for a "1" rating for the simple reason that there aren’t any characters you can really root for. Everyone is just a vile and nasty politician or the kind of person who hangs out with vile and nasty politicians, and while there might some enjoyment in watching their downfall say, the show really isn’t focused on that angle. It just wants us to know that law-making is a dirty business and politicians can be pretty dirty, too. Well, duh.

So while this is a well-made, quality product with Grammer doing some of the best acting on TV at the moment, can I really tell you all to run off an watch this immediately, you going off with the expectation you’ll be having an enjoyable hour of TV viewing? No. But if you don’t mind something that’s quality, that’s about something a bit more real than air hostess fantasies and fairy tales, and both metaphorically and literally hard to watch, then go off and watch Boss.

Carusometer rating: 2
Rob’s prediction: Already picked up for a second season, but I’m not predicting a third.

US TV

What did you watch last week (w/e November 4)?

Time for "What did you watch last week?", my chance to tell you what I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

My recommendations for maximum viewing pleasure this week: Dexter, Modern Family, Happy Endings, Homeland, Suburgatory and Community.

Things you might enjoy but that I’m not necessarily recommending: Being Erica, House, Chuck and Ringer.

In the backlog: Friday’s Boss, last night’s Walking Dead, Braquo, Homeland, Once Upon A Time and Dexter, as well as new series Hell on Wheels.

A few thoughts on what I’ve seen though:

  • Boss: Episode 2, while powerful, was also dull – strange huh? It’s definitely acquiring that "worthy but dull" veneer, but episode 3 – directed by Mario van Peebles – is proving a whole lot better.
  • Suburgatory: written by a man, so not very good. My theory continues to hold up.
  • The Walking Dead: good ending and it feels like the show is actually going places now.
  • The Ash Tree: An old MR James Ghost Story for Christmas. Mostly embellishment from the original tale, it’s more scary by mood for about the first 20 minutes until it kicks into James’s story properly and then gets very nightmarish.

And in the movies section: nothing new, but I re-watched Shooter, which is okay as a b-movie action film. Could be better if Mark Wahlberg hadn’t mumbled his way through the entire script, but not that much better.

"What did you watch last week?" is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Wednesday’s “deep casting” news

Film

Theater

Canadian TV

US TV

US TV

What did you watch last week (w/e October 28)?

Batman Year One

Time for “What did you watch last week?”, my chance to tell you what I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

My recommendations for maximum viewing pleasure this week: Dexter, Modern Family, Happy Endings, Homeland, Suburgatory and Community.

Things you might enjoy but that I’m not necessarily recommending: Being Erica, House, Chuck and Ringer.

In the backlog: Friday’s Boss, Sunday’s Walking Dead, Braquo and Dexter, and last night’s House. I’ll be reviewing Grimm later today.

A few thoughts on the regulars:

  • Dexter: most seasons of Dexter don’t really get interesting until episode seven, which is probably why I’m feeling very bored watching it at the moment, despite the presence of Edward James Olmos in a show set in Miami. I’m hoping it’ll kick off soon.
  • Chuck: boring. Sorry, I’m still not sure why this show is still limping on. It’s vaguely amusing, has a couple of fun pop culture references each episodes, but I’m struggling to work out why I’m still watching it, beyond “because it’s on its final season and you’ve been watching it for four years”. Except there’s talk of possibly another season after this, so messed up are NBC’s ratings at the moment.
  • Happy Endings: has entered the “season 2 of Friends” paradigm in which the characters get a little broader and a little more stereotypical, while the plots get sillier. But it was good to have an episode in which Alex got to shine – imagine that: a show in which Elisha Cuthbert is actually good.
  • Homeland: after nothing but brilliance since the first episode, this week’s was the first episode that felt a little disappointing, just because it didn’t feel like anything had actually been achieved by the narrative that wasn’t obvious and predictable. It’s still the best drama on TV though.
  • American Horror Story: a simple formula – no Alex Breckenridge, no watch. She wasn’t in it this week so I didn’t feel compelled to watch it, which should tell you something about the show.
  • Community: loved Abed’s Halloween story – you can tell Dan Harmon is almost as Asperger’s as Abed is – and it’s great to see the show on form again.
  • Suburgatory: still great, so clearly I’m going to have to revise my rule from “only great when Emily Kapnek writes it” to “only great when women write it”
  • The Walking Dead: more engrossing and scary than previous episodes, but has a treading water feel to it.
  • Strike Back: Project Dawn: the final episode managed to ditch its trademark female nudity in favour of ludicrous plot revelations. If you were expecting an explosive conclusion, you’d have been surprised, since there were few set pieces. On the whole, a largely ridiculous season in terms of plot and very misogynistic, but absolutely far and away the best action show on British TV: no other show, not even Spooks, comes close to being able to shootouts, car chases, et al as well Strike Back.
  • Once Upon A Time: Largely the same as the first episode except more boring. A few nuggets of interesting ideas in there, but the show still has the big problem that the baddies are the only interesting characters in the whole thing and most of the show is dedicated to them and explaining their motivations. Also, when your idea of an action sequence is chopping down a tree, you really need to up the ante on the excitement levels.

And in the movies section was Batman: Year One (available on DVD/Blu-Ray from Amazon as well as from the iTunes Store), which was based on Frank Miller’s legendary graphic novel (parts of which were used for Batman Begins), this was a surprisingly faithful adaptation, not just in terms of plot and text, but also in terms of art. Some of the darker edges were removed – the insanity of “Yes, father, I will become a bat” got expunged – as well as some of Miller’s more misogynistic tendencies – the Bruce Wayne/Selina Kyle fight is a draw in this rather than an easy knockout for Bruce. The animation was also a little cheap at times, at least with things like moving cars, which looked very CGI. But really good, if a little inconclusive (for obvious reasons) and a surprising but effective choice of vocal cast (Ben McKenzie from Southland as Bruce Wayne, Bryan Cranston from Breaking Bad as Jim Gordon, Katee Sackhoff from BSG as Sarah Essen and Eliza Dushku from Dollhouse as Selina Kyle).

It came with a Catwoman short movie that’s not only exploitative but boring and with Dushkua clearly as bored as we are, so best ignore that. Makes you wonder, though, given the quality of the main feature, why the cocked up so badly with the Wonder Woman animated movie they did a few years ago, which managed to mangle not just the characters and WW’s origin, but also managed to make WW a largely unpowered, unlikeable misandrist. If they can be this faithful to essentially a non-canon 20-year old graphic novel, why not do a better job with Perez’s WW origin series?

“What did you watch last week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Thursday’s “another Cougar Town/Scrubs reunion” news

Films

US TV