In Norway: TV2. Aired from October 2015 In the UK: Wednesdays, 9pm, Sky Arts
What is science-fiction? It’s a harder question than you might think. As soon as you think you know what it is – it’s set in outer space, it involves some non-existent technology or science, it involves aliens – you can think of some counter-example, such as The Man In The High Castle that doesn’t fit your rules. Often, it boils down to a definition like that of pornography: you know it when you see it.
Even then, there are disagreements. Think back to 1987 and you’ll remember the BBC’s Star Cops. Set in the then far-off year of 2027, it simply tried to imagine what life would be like in that year, particularly when it comes to investigating crime. No aliens, yet clearly science-fiction, with its imagined new technologies (computer viruses! Personal digital assistants!), moon bases and space stations.
Star Cops, for all its ambitions at future reality, suffered from the fact that like most future-set science-fiction, it was an extrapolation of the then present. Like 2010, The Terminator and other 80s sci-fi shows, it assumed that the USSR and an aggressive Russia would be intact in the future and antagonistic to the West. My, how we laughed at their naivety when the Berlin Wall fell, and even Terminator 2 had to revise the franchise’s predicted 1997 to take account of the fact the “Russians are our friends now”.
My, how we laugh at our naivety now. Who predicted the rise of Valdimir Putin and the return of an antagonistic Russia? Who foresaw the return of Russian jets probing Norway‘s airspace? Apparently, Chris Boucher did in Star Cops. Sorry for laughing at you in the 90s, Chris.
All of which takes us to Occupied (Okkupert), a thriller based on an idea by noted Scandi author Jo Nesbø that could be described as science-fiction or political thriller, depending where you sit in the whole ‘what is science fiction?’ debate. Set in the ‘near future’, it predicts the US achieving energy self-sufficiency and withdrawing from NATO, leaving the EU and other nations in the West to try to get by on dwindling oil reserves, largely produced by Norway.
Then in the wake of a climate change-induced hurricane that devastates Norway, along comes a new Norwegian prime minister (Henrik Mestad) with a strong green agenda. He shuts down oil production and instead offers the world nuclear-generated electricity powered by Norway’s Thorium reserves. Except the EU and other neighbouring countries aren’t too impressed by the instant move to green power – how exactly do you run existing petrol-powered cars on nuclear energy? – and in a somewhat radical move, team up with the Russians to force Norway to start up oil production.
The Russians kidnap Mestad, make it clear what’s going to happen next, and before you know it, Russia’s doing a ‘US in Vietnam’ and sending in teams of ‘advisors’ (with Mil Mi-24 helicopter gunships) to help Norway crank up oil production again. Yes, Russia has invaded Norway – although Mestad tries to convince everyone that it’s all very peaceful – and there’s seemingly nothing anyone can or will do about repelling the former superpower.
Or is there? Because Norway has its own Jack Bauer – security service guard Hans Martin Djupvik (Eldar Skar) – and he’s going to do his upmost to deal with the Russians, in his own way.
Here’s the original Norwegian trailer for the show or you can watch the unembeddable English-language one over on Sky Arts.
In the US: Tuesdays, 9/8c, Freeform (ABC Family) In the UK: Wednesdays, Netflix
When The Shannara Chronicles hit our screens less than a week ago, it would have been tempting to assume that ‘peak fantasy bobbins’ for the year had already been achieved. Surely, nothing so weighed down by expositional dialogue, overly intricate world-building and general teenage angsting could be beaten. Yet here we are facing Shadowhunters, which makes The Shannara Chronicles look as uncomplicated as an episode of Pingu.
The success of Twilight and The Hunger Games in recent years at the cinema opened the flood gates for a whole bunch of dystopian young adult (YA) novels to be adapted. Some, such as The Maze Runner, fared well and continue to spawn sequels; The Mortal Instruments, on the other hand, didn’t do quite so well and the intended franchise never materialised. Yet, in an age where TV networks are hungry for more scripted drama – particularly one formerly family-oriented network that still carries evangelistic church services but that would like to go a bit darker by rebranding itself (cough, cough, ABC Family) – death at the movies for yet another (YA) YA franchise doesn’t mean the end of all adaptations.
And so we have Shadowhunters, YA2 TV series in which a teenager discovers she is the most important person in the entire world and so consequently is fought over by both all manner of forces, both good and evil – and boys. You’d think that that would be a relatively simple concept to put forth (again), but Shadowhunters is for today’s generation of wired kids, whose brains have been so sped up by constant digital communication that Buffy the Vampire Slayer is comparatively as mythos-lite as The Andy Griffiths Show.
So stick with me, grandpa/grandma, as I spell it out for you. Try to keep up.
Clary Fray is a perfectly ordinary teenager who wants to be an artist. Art college isn’t so impressed by her work, but they do like her creepy demon doodles for a graphic novel she has planned.
However, on her 18th birthday, she comes into her powers as a Shadowhunter, a human-angel hybrid that hunts demons. Yes, demons. And warlocks, vampires and in fact every other legendary beastie that likes to prey on humans, because all the stories are true. You just can’t see them unless you’re a Shadowhunter – or they let you.
So far so simple. Thing is, Clary never knew that she the daughter of a rogue Shadowhunter who used to work for a group of other rogue Shadowhunters based out of Chernobyl, the boss of whom fancied her and may even be her real dad. Her mum (Annie Wesching from 24) hid her, with the help of a warlock who wiped her memories, along with the Mortal Cup.
I don’t know what the cup is. Sorry. But everyone seems to want it, particularly Chenobyl people.
Meanwhile, Wesching is marrying the Old Spice Guy (Isaiah Mustafa), who may be a traitor Shadowhunter and in league with ‘the Circle’. But fortunately, there’s a group of regular Shadowhunters, including hotty Jace (Dominic Sherwood), female underclad hotty Isobelle (Emeraude Toubia) and her broody brother Alec (Matthew Daddario), and they’re going to help Clary find out about her true calling. Which is going to involve rune tattooing (because of the demon venom – duh!) and stabbing people with glowy swords in reasonably competent but unconvincing martial arts fights.
But what will Clary’s best friend Simon (Alberto Rosende) make of this new life and the usually invisible Shadowhunters, particularly Jace, who finds Clary ‘interesting’? And will you be on team Jace or team Simon?