Tuesday’s “Odyssey in space, Abi Morgan’s Taming of the Shrew and Paul Abbott’s French zombie remake” news

Film

  • Warner to make The Odyssey in space

Film casting

International TV

UK TV

US TV

New US TV shows

New US TV show casting

A diatribe on the scheduling of BBC shows

The iPlayer is, of course, one of the BBC’s biggest success stories of recent years. Easily the best catch-up player, it’s available on numerous devices (e.g. computers, set-top boxes, tablets, phones) and even allows you to download a lot of programmes so you can watch them when you don’t have Internet access.

But I’m starting to wonder if the BBC hasn’t got so accustomed to people using the iPlayer that they’ve forgotten not only that most people have lives but that the iPlayer isn’t a panacea to all-known viewing problems.

My problems with the BBC’s scheduling started with BBC4’s imported shows. Once upon a time, the BBC would import a show and air it one episode at a time on a Saturday night, with a repeat during the week. Spiral/Engrenages went out at a decent clip for eight weeks, an hour a week, and everyone was happy.

Then along came The Killing, which at 20 episodes, was apparently too much for the BBC to air at the rate of one episode a week. Assuming presumably that people weened on the “box set weekend” wouldn’t watch one TV show for 20 weeks – ignoring the fact Americans do it all the time, as do soap opera fans – BBC4 starting airing two episodes of the show a week. Yes, two hours of TV every week for 10 weeks.

Now some people can do that, and if you watch your TV live, that’s great. But that’s not what my Saturday nights are about. But with the iPlayer, I can in theory watch those two episodes over the course of the week, wherever and whenever I want.

Yet, that’s not how it ever turned out for me. As soon as I saw The Killing in my play list, I thought to myself: “Christ, I’ve got two hours of this to watch.” Maybe it would have helped if it hadn’t been subtitled, which meant I couldn’t iron or do anything else while watching it. Either way, by the time I’d got to episode eight, the show was up to episode 14 and I gave up.

But soon this became the set pattern. Even Spiral/Engrenages started being belted out at two episodes of a week – you wait a year for it to arrive and then it’s gone in less than a month: where’s the justice in that?

Then the BBC started to forget altogether that people have lives. The Killing 3 turned up and not only was there no download option due to rights issues, the iPlayer would only carry each episode for a week. So you had to watch those two episodes within a week, attached to something with Internet access, or that was that. No more The Killing 3 for you. That meant, even trying my absolutely best, I still missed an episode and a half out of its 10 episodes.

Watching TV shouldn’t be this much hard work, should it?

What’s the consequence of this ‘stripping’ policy? Borgen‘s on BBC4’s on Saturday now. Two more episodes have just aired. The show’s up to episode four but I’m midway through episode one. I’m thinking of dropping it as a result.

Yes, the consequence is this: people stop watching your show. And in case the thought of DVDs is floating through BBC Worldwide or some other distributor’s mind right now, I haven’t gone back to watch The Killing, even though it’s both on DVD and available for free on Netflix. I’ve given up and I’m not going back.

Now this mild petulance of mine has been brought to the forefront of my mind by a bit of scheduling by BBC1. BBC1, of course, doesn’t do the “two episodes on a Saturday” thing. It does cross-week scheduling. It stuck Torchwood: Miracle Day on for five nights in a row. Case Histories and other shows have all had the “one episode a night for x nights” treatment, too. I didn’t watch them as a result, even though I’d wanted to.

But right now on BBC Daytime, no less, BBC1 is airing the new Father Brown stories with Mark Williams as Father Brown. I’d like to show you a video, but no bright spark at the BBC has actually put together a trailer. So here’s a picture instead.

Mark Williams

There are 10 episodes of Father Brown and BBC1 is airing them daily. That’s right, in two weeks, it’ll all be over.

Now, in a sense, this is the right forum for it. Spool back to the 80s and you could watch an episode of Crown Court every day on ITV. People at home during the day have as much right to decent TV as everyone else. And let’s face it, a lot of people at home during the day will often have an hour or so free every day to watch TV in.

But in another sense, this is yet another bit of scheduling seemingly designed to stop people watching a TV show. This might be the best Father Brown in the world, but it’s unlikely I’m ever going to watch the episodes. One episode a week and I’d probably have lapped it up. But one a day? Not a chance.

So, please, BBC. Please stop burning off shows so that people actually have a chance to watch them, to tell their friends about them and let others discover them. Please?

This looks interesting: The Alternative Comedy Experience Curated By Stewart Lee

Alternative Comedy Experience with Stewart Lee

12 x 30 minute Live Comedy Series.
TX on Comedy Central UK @ 11.00pm from Tuesday 5th Feb 2013

Over thirty years ago, a new wave of stand-ups spearheaded the Alternative Comedy movement, marking themselves out as different from the safe television turns, the Oxbridge satirists, and the racist and sexist Working Men’s Club comics of the time.

The Alternative Comedy Experience captures that same schism happening again. An advance raiding party of modern day Alternative Comedians offering material too clever, thoughtful, radical, satirical, strange, or downright stupid to make it onto the stand-up outlets of contemporary television.

These are the stand-ups other comedians slouch at the back of the room and cry with laughter at. Hand picked by Stewart Lee (BAFTA and British Comedy Award winner for his own original comedy style), we can all now taste the comedy ambrosia previously only available to adepts and initiates, in a line-up including…

Simon Munnery, Isy Suttie, Boothby Graffoe, Phil Nichol, Andy Zaltzman, Henning Wehn, Josie Long, Paul Foot, Tony Law, Eleanor Tiernan, David Kay, David O Doherty, Bridget Christie, Stephen Carlin, Paul Sinha, Alun Cochrane, Sam Simmons, Robin Ince, Glenn Wool, And Maeve Higgins.

These are the kids that got thrown into the urinals at school. They are not fashion victims, presenters, broadsheet buzzwords, or industry players. They are the people who just had to be stand-ups.

The Alternative Comedy Experience was filmed in front of a real comedy club audience during a full week of packed houses at The Stand Comedy Club, Edinburgh, faithfully capturing the unique atmosphere at one of the UK’s favourite and longest established live comedy clubs. Sadly, there’s no reaction shot cutaways to laughing celebrities. Instead, a crowd comprised of four-eyed pseudo-intellectuals and unforgiving drunks, is close enough for the viewer at home to experience the sense of danger, and thrilling triumph that pervades real stand-up shows.

The Alternative Comedy Experience showcases each act stripped across the series, appearing in a number of different episodes – with the live footage intercut with backstage clips that eavesdrop on Stewart Lee and the respective performers enjoying the kind of conversations about comedy stand-ups really have off stage.

With its fast-moving distinctive visual style and unique cast The Alternative Comedy Experience is original, unpredictable, and unlike any other live stand-up show on our screens.

The Alternative Comedy Experience celebrates the past, the present and the future of the UK comedy circuit and the craft of stand up comedy at its most original.

Renew your faith in this vital live artform.