US TV

Review: Heroes 4×4 – Acceptance

Tracy and the Governor

In the US: Monday 5th October, 9pm, NBC
In the UK: November? Oh, who knows

Was this episode three in disguise? I’m not convinced, despite all the NBC press releases and publicity shots that said it was. So Ink was basically just a bad move altogether.

But that’s of no consequence. Do you know what is of consequence?

This episode was written by Bryan Fuller. Yes, wonderful Bryan Fuller, saviour of Heroes last season and general all-round good writer.

In the character tag-team that is Volume Five, it’s a Hiro/Ando, Peter/HRG, HRG/Claire, Nathan/Sylar/Peter and Tracy/HRG episode and compared to last week’s episode, it’s a great return to form for Heroes. It’s just a shame it wasn’t quite the knock out that Cold Snap was since this could be our Bryan’s last episode before he leaves to write a sitcom.

For shame, Bryan. For shame.

Still, at least he’s left us with Ali Larter in a towel. God bless him for that.

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The CarusometerA Carusometer rating of 3

Third-episode verdict: Bored to Death

In the US: Sundays, 9.30pm, HBO

As you may recall from my preview of the first two episodes, the title of Bored to Death pretty much summed up the whole show. Milquetoast writer Jonathan Ames tries to become a hard-boiled detective, both to inspire his next novel and to get girls following the break-up of his relationship. But he discovers that being a PI is harder than it looks – although not too hard since everyone else in the world is a wimp, too, apparently.

It was boring. It thought it was a cutting edge slacker indie comedy. It turned out to be a feeble excuse for not having jokes.

However, episode three, which largely dispensed with the detective format in favour of a quest to recover the lost script to a Jim Jarmusch movie, was a whole lot better. While the belly laughs were still in short supply, this episode did conjure a wry titter or two – largely thanks to a therapist who answered more or less every issue Ames came up with using "tough, life sucks" as a reponse, but also because of Jarmusch himself in full-on wooden weirdo mode, cycling around in his studio while chatting to Charlie Kaufman.

It’s still a show that thinks it’s a lot funnier than it is, and assumes that simply by being light and knowing, that’s good enough. But it now has a few worthwhile qualities, most of them Ted Danson’s character, and if it steers clear of detective stories in favour of the merely quirky, it could at least be moderately amusing.

I won’t be sticking with it, but there’s nothing now to say that won’t be my loss in the future, as far as I know. I doubt it, but you can always give it a try to see if it pans out.

Carusometer rating: 3
Rob’s prediction: Won’t be renewed for a second season, but will probably become a cult favourite on DVD

US TV

Review: Stargate Universe 1×1-1×2

Stargate Universe cast

In the US: Fridays, 9pm, SyFy
In the UK: Tuesdays, 9pm, Sky 1/Sky 1 HD. Starts tonight!

It’s odd how genres change. Look at science fiction. For over 10 years, Stargate SG-1 was it as far as sci-fi was concerned, having in turn inherited its mantle and style from Star Trek: The Next Generation: amiable wisecracking soldiers with no personal lives turn up on planets full of primitive people, have fights with bad aliens in silly costumes then kill them all. Everything’s right in the world again. Nothing truly bad happens. The end.

Then Battlestar Galactica came along. Suddenly, all that went out the window, in favour of grittiness, misery, handheld cameras and terrible things happening to everyone. And Stargate started to look silly – well, sillier. Stargate Atlantis suffered even more from that and as a result, only made it to half the run of Stargate SG-1, despite its best efforts.

Now we have Stargate Universe, which while pretty impressive in a lot of ways, is kind of like ‘Battlestar Galactica lite’ – it’s BSG but with half the depth. While it’s light years ahead of Stargate in tone, it’s still not quite the show it wants to be. But you never know.

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Tuesday’s really nice companion pictures news

Doctor Who

Film

British TV

Canadian TV

  • Universal to make mini-series based on Stephen King’s Haven

US TV

Audio and radio play reviews

Review: Doctor Who – 124 – Patient Zero

Patient Zero cover

Look at that. Look at that cover. The best cliffhanger in the whole bloody thing and it’s on the front bloody cover.

Sigh.

Anyway, moving on, this play marks the return of lots of things. It marks the return of the Sixth Doctor and Charley after months of Sylvester McCoy. It’s important to note this is the beginning of the end for Charley since she’ll be off soon which is a bit of a shame.

It’s also the return of the Viyrans. What do you mean you don’t remember the Viyrans? But Big Finish has been promising for simply ages that they were going to be a big series and they were going to tack Viyran stories on the end of all the plays in the run up to the release of this story. Don’t you remember? Well, no, because they didn’t and all we got was that one-parter tacked on the end of Mind’s Eye about two years ago.

It’s also the return of Nick Briggs as the voice of the Daleks, something that again is so important it deserves to be a “with NICHOLAS BRIGGS as THE DALEKS” on the front cover.

More than that, it’s also the return of Nick Briggs as a writer and as a director. So writer/director and voice artiste on this one – anyone want to guess whether it’s going to be a rigorously edited story that’s been revised multiple times to make it the best play possible?

To take a leaf from Big Finish’s book, I’m going to ruin the guessing for you and stick the answer on the front cover: no, it’s rubbish.

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