What did you watch last week? Including Magic City, Best Friends Forever, Tower Heist and Arrested Development

It’s “What did you watch last week?”, my chance to tell you what I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case e’ve missed them.

First, the usual recommendations from the first-run shows: The Almighty Johnsons, The Apprentice, Awake, Being Human (US), BeTipul, Community, The Daily Show, Happy Endings, Mad Men, Ringer, Shameless (US) and 30 Rock. Hunt them down.

You’ll notice that after last week’s episode and this week’s mindbender, Awake has now been promoted to the A-Team – go and watch it.

So first a few shows I’ve tried over the past week but didn’t have the time to review separately:

  • Arrested Development: Miracle of miracles, Netflix actually has something to watch (even if its new releases section hasn’t changed in two months) so I thought I’d catch up with my list of shows that everyone loves that I’ve never found the time to watch (next up: The Sopranos). I’m now up to episode eight of AD and I’m not laughing much, but it’s promising at least. When does it get good? I’ll probably keep watching for Portia De Rossi for a while at least – she’s a lot hotter than I remember.
  • Best Friends Forever: NBC’s latest attempt to do a female-oriented comedy show does at least not insult your intelligence unlike Whitney and Are You There, Chelsea? It has a quirky line in dialogue and the central characters are fun and idiosyncratic. But it’s another of those shows that seem to have been written by women who have never met any men before, only seen them on TV, and which assumes that women want to watch shows in which other women want to talk about waxing, relationships, divorces, etc, and nothing else. Not funny enough to keep watching unfortunately.
  • Magic City: Not even a knock-off of Mad Men, this is a terrible Starz knock-off of The Playboy Club of all things. Basic set-up: mobster hotel boss in 1950s Miami. And that’s it. No other distinguishable characters and although it looks fantastic, it’s only real appeals are lots of nudity, that Ukranian woman who was in the second Daniel Craig Bond movie (I think it’s her anyway) and Christian Cooke from ITV’s Demons, putting on his Sontaran Stragem accent. Utterly forgettable.
  • The Syndicate: Well, I did try to watch some more of it, but the only scenes I could get through were the ones with Joanna Page that didn’t involve any stereotypical, overacting northerners. So not much of it.

And a few thoughts on the regulars:

  • The Almighty Johnsons – A really, really good episode, with some actual swordfighting in it. The goddesses got to do something for a change, although they’re still being treated badly by gods and scriptwriters alike, and Loki got to do more than just posture.
  • Being Human (US) – I haven’t finished yesterday’s episode yet, which has been really good so far. But last week’s was a bit wishy washy although the writing out of a certain character was unexpected and well handled.
  • Community – A decent pastiche of civil war documentaries, and the Britta photography was fabulous, as was the reference to The Cape , but not as funny as last week’s.
  • Happy Endings – Overall, a disappointing second season, lacking the bite of the first. Disappointing was the increasing flamboyance of Max, the gay character, who had been refreshing unstereotypical last season. Plenty of fun to be had, though, although the finale had a little bit of a forced cliffhanger.
  • Mad Men – More interesting than the first episode, Betty getting some intriguing nuances, likewise Don.
  • Missing – a big improvement: the fights were decent, Sean Bean, John Carradine and Gina McKee were back. The predictions I made in my first review are coming true, it seems, which means that it’s all a double-bluff, since my predictions can never be true.
  • Ringer – Even Ioan is finding it hard to keep a straight face at times, but it’s still gripping me.
  • Shameless – which I should have written about last week, but didn’t. All in all, an odd season that consisted mainly of writing out characters and returning everything to the status quo after going in several directions for the first half of the season. But the journey was still very much worth taking.
  • 30 Rock – better than the previous episode.
  • Touch – it seems like all the guest characters might actually start getting linked together, which hints at a greater story arc that should make the show that much more interesting to watch. But I showed my wife the episodes and as predicted, blood nearly came out of her ears whenever they showed a supposed health or social worker interacting with special needs boy.
  • Two and a Half Men – Sophie Winkleman’s still in it and is making it watchable, but otherwise a horrible, horrible show.

And in movies:

  • Tower Heist: Ben Stiller and Eddie Murphy – with associated extras – get their own back on the 1%. Has its moments, but directed by Brett Ratner so as entirely average as you’d expect.

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Question of the week: why does ITV make so many crime dramas?

Have a look through the ITV schedules. Now I won’t make this easy for you by suggesting you look at ITV3’s schedules, where just tonight you can find Heartbeat, Murder She Wrote, Wycliffe, Taggart, Inspector Wexford, Numb3rs and The Blackheath Poisonings.

But take a look at ITV1’s schedules and see how many crime programmes you can spot. Possibly not many at the moment, with just Scott and Bailey on Mondays, but have a look at the number of dramas that ITV is currently airing in primetime and you’ll find that roughly 50% are crime dramas. Then have a think back at all the recent ITV1 dramas – Above Suspicion, Marple, Poirot, DCI Banks, Endeavour, Eternal Law, The Jury, Kidnap and Ransom, Law & Order: UK, Marchlands, Midsomer Murders, Vera, Whitechapel – and you’ll notice that pretty much all of ITV’s drama output, with a few Julian Fellowes-scripted exceptions, are crime dramas.

This week’s question is therefore:

Why?

Are ITV crime dramas really so good? Do ITV viewers want to watch nothing else but crime dramas? Do you watch ITV crime dramas? And can ITV really not make any other kind of drama?

Answers below or on your own blog, please

Sitting Tennant

Tuesday’s Sitting Tennant (week 15, 2012)

Sister Chastity's Sitting Tennant

What would drive a man to smoke that many cigarettes? Why, the knowledge that I’m not going to be around on Thursday or Friday so the next Sitting Tennant will be next Tuesday, of course. But 10 points to Sister Chastity for capturing the moment, anyway.

  1. Hebbie, Shilohforever, Sister Chastity: 15

Sitting Board of Winners 2012
January
Hebbie, Sister Chastity

February
Sister Chastity

March
Sister Chastity

Got a picture of David Tennant sitting, lying down or in some indeterminate state in between? Then leave a link to it below or email me and if it’s judged suitable and doesn’t obviously infringe copyright, it will appear in the Sitting Tennant gallery. Don’t forget to include your name in the filename so I don’t get mixed up about who sent it to me.

The best pic in the stash each week will appear on Tuesday and get ten points; the runners up will appear on Friday (one per person who sends one in) and get five points.

Each month, I’ll name the best picture provider and then at the end of the year, the overall champion will be announced for 2012!

Tuesday’s “Glee, New Girl and Raising Hope renewed, a Frasier reunion and Community hits low” news

Film

Trailers

  • Trailer for A Fantastic Fear of Everything with Simon Pegg
  • Trailer for Oliver Stone’s Savages

UK TV

US TV

US TV pilots

  • Bent‘s David Walton joins Bryan Greenberg comedy
  • John Amos and My Name is Earl‘s Ethan Suplee join Martin Lawrence pilot

Weird old title sequences: ITC shows (1950s)

ITC – Lew Grade’s production company – dominated ITV schedules for the best part of two decades. Starting out in the 1950s, it wasn’t until the late 70s that ITC eventually closed its production business.

To list every single ITC show would take forever (or a quick link to Wikipedia and even that’s incomplete), so instead, I thought I’d give you a few of the best title sequences from the best shows that ITC came up with in the 1950s, including the iconic The Adventures of Robin Hood, The Adventures of Sir Lancelot (with William Russell from Doctor Who), The Buccaneers with Robert Shaw, Ivanhoe with Sir Roger Moore and The Invisible Man with… well, they never gave his name…

Now, in a lot of cases, ‘best’ ain’t saying much. They’re all of a muchness, quite brief and don’t have proper themes (since in most cases those used to run over the end credits). You’ll have to wait until I hit the 1960s before they start to get good. But they’re a little bit of history and just watching a sponsors logo will give you an idea of how much TV has changed in 60 years.