Question of the week: is Sky evil?

Another question mainly for UK viewers but if you’re overseas still feel free to join in.

It’s quite simple:

Is Sky – aka BSkyB – evil? Does the fact its marketing budget exceeds ITV’s programming budget make you hate it? Do you hate having to have a satellite dish to watch it? Do you hate their buggy set top boxes and the fact you can’t export stuff from it onto your iPod to watch elsewhere? Do you hate that they’re a DVB broadcaster that doesn’t stick to standards so you can’t record it on your PC, even with a decoder box and card? Do you wish they’d actually make programmes occasionally, other than just Terry Pratchett adaptations and three-part specials designed to get more HD subscribers? Do you hate that they’ve bought HBO’s entire future and back catalogue so you’ll have to watch Sky to see the best US shows? Do you hate that they won’t put anything of their on iTunes or that their Sky Player only has about five programmes on it and won’t work on an iPhone anyway? Do you hate that essentially everything is on their terms, everything costs too much and essentially you feel like they’re abusing their dominant market status to give you an inferior service in exchange for being colossally ripped off?

Or is it just me?

As always, leave a comment with your answer or a link to your answer on your own blog

BFI events

November (and some October) 2010 at the BFI

Sean Connery in the recently recovered Colombe

It’s something of a bumper session in November for TV at the BFI. There’s a preview of the second series of Misfits and David Suchet on the Orient Express, a celebration of 50 years of Coronation Street, a showing of the Doctor Who episode The Unicorn and the Wasp, a showing of the Poirot story Evil Under the Sun and a Halloween Psychoville special.

But best of all is a double-sesssion Missing Believed Wiped special, featuring highlights of this year’s TV recoveries, including a long lost At Last the 1948 Show and the Galton and Simpson-scripted The Frankie Howerd Show.

Continue reading “November (and some October) 2010 at the BFI”

BFI events

November (and some October) 2010 at the BFI

Sean Connery in the recently recovered Colombe

It’s something of a bumper session in November for TV at the BFI. There’s a preview of the second series of Misfits and David Suchet on the Orient Express, a celebration of 50 years of Coronation Street, a showing of the Doctor Who episode The Unicorn and the Wasp, a showing of the Poirot story Evil Under the Sun and a Halloween Psychoville special.

But best of all is a double-sesssion Missing Believed Wiped special, featuring highlights of this year’s TV recoveries, including a long lost At Last the 1948 Show and the Galton and Simpson-scripted The Frankie Howerd Show.

Continue reading “November (and some October) 2010 at the BFI”

Wednesday’s “Single Father” news

Film

British TV

US TV

BFI acquires lost early British television dramas from the US

Leonard Rossiter in Dr Knock

Ooh, would you look at that.

MAJOR REDISCOVERY: BFI ACQUIRES LOST EARLY BRITISH TELEVISION DRAMAS FOUND IN USA

Rare footage of Sean Connery, Derek Jacobi, Maggie Smith, Leonard Rossiter and many more discovered after over 40 years

The BFI has acquired the biggest and best ever single haul of missing British television footage and featuring some of the nation’s biggest and best loved names in film, TV and theatre. A chance find by a US television researcher at the Library of Congress (LOC) in Washington DC resulted in the discovery of this extraordinary collection of previously lost British television – not seen by the public since their original transmission.

This unprecedented collaboration between the LOC and the BFI National Archive, the two largest archives of film and television in the world, will return to the UK over 65 unique recordings of British television drama from 1957 to 1969, a key period of British television history. The find will support the BFI’s ongoing Long Live Film campaign, in which 75 of the world’s top missing films have been identified for recovery. The bulk of the programmes are adaptations of existing literary works (Shakespeare, Ibsen, Chekhov, Cocteau, Anouilh) and include some legendary names. Rudolph Cartier’s ambitious drama of the painter (Rembrandt, 1969) is a key find and other highlights include an adaptation from 1965 by Nigel Kneale, a re-imagining of his previous adaptation of 1984 and an outstanding collection of plays based on Georges Simeon (non-Maigret) short stories entitled Thirteen Against Fate (only one episode was previously known to have survived) from 1966. The haul also includes two missing Wednesday Plays. The tapes belonged originally to Public Broadcasting Service WNET New York and were broadcast on that network following UK transmission on BBC or ITV.

Steve Bryant, Senior Curator (Television), BFI National Archive said, “The BFI’s “Missing, Believed Wiped” campaign to recover the lost treasures of British television history has been going for 17 years now, but this is by far the largest and most significant collection of programmes we have found, both in terms of the quality and the vintage of the titles concerned. We are very grateful to WNET for having the foresight to donate them to the Library of Congress, to the Library for preserving them and now making them available, and to Kaleidoscope for providing the on-line forum which led to their discovery.”

Mike Mashon, Head, Moving Image Section, Motion Picture, Broadcasting and Recorded Sound Division, Library of Congress said, “In the archival world, television repatriations are exceedingly rare. We’re delighted to make high quality preservation copies of these programs at the Library of Congress Packard Campus for Audio Visual Conservation and share them with the BFI and the British public. In the meanwhile, we’ll keep looking for more lost shows.”

Among other tantalising details to have surfaced from cast lists are Jane Asher in a 1962 version of Romeo and Juliet; Sean Connery and Dorothy Tutin in Colombe (1960) by Jean Anouilh; Derek Jacobi, Robert Stephens and Maggie Smith in Much Ado About Nothing (1967); Leonard Rossiter and John Le Mesurier in Dr. Knock (1966) (Harley Granville-Barker’s translation of Jules Romains’ satire); and Betty Marsden as Mrs Malaprop in a 1962 version of Sheridan’s The Rivals.

Other famous actors include Mai Zetterling, Patricia Routledge, Peggy Ashcroft, Michael Hordern, Jill Bennett, Leo McKern, Wilfrid Brambell, Patrick Troughton, Peter Sallis, Donald Wolfitt, Bernard Cribbins, Viven Merchant, Jeremy Brett, David Hemmings, Susannah York, Charles Grey, Patrick Macnee, Robert Shaw, Ron Moody, David McCallum, Robert Hardy, and Geoffrey Bayldon. Producers and directors are of equally high standing.

As the BFI National Archive celebrates its 75th anniversary this year this news could not have come at a more appropriate time. Special thanks are due to the BFI’s partner organisation Kaleidoscope: The Classic Television Organisation who first alerted us to the possibility of this haul.

The BFI will show selected highlights of the collection during its annual Missing Believed Wiped festival of recovered television programmes on Sunday 7th November at BFI Southbank.

There’ll be more on that tomorrow.