UK TV

Review: The Outsiders

The Outsiders

In the UK: Tuesday, ITV1, 9pm or something. Ask my PVR.

In the US: For the sake of our national pride, no other country must be allowed to see this programme.

Ah if only all comedies were as funny as The Outsiders. What a shame The Outsiders, starring former EastEnder Nigel Harman, was supposed to be serious: an exciting escapist action drama in the same vein as The Avengers, Mission: Impossible, and Spooks. The kind of show where the Vatican has a secret police force.

Problematically though, everything about The Outsiders seemed calculated to insult the intelligence of everything larger than a single-celled organism, much like the majority of ITV1 shows.

It wasn’t so much the plot that was the problem – I’ve seen far, far worse, although this really had some choice scrapings from the bottom of the cliché barrel. The story, in fact, was very much a rip-off of Alias‘s Rambaldi plotline, which also featured shadowy organisations trying to find the secret of eternal youth by locating the work of Renaissance artists; there were even frequent trips to continental European nightclubs to avoid the authorities, a trick much beloved of Sidney Bristow. But like all British attempts to do US-style dramas, it was embarrassing in the exact same way as watching someone’s dad trying out a particularly tight pair of leather trousers at a local disco.

No, the biggest crime against humanity committed by The Outsiders was the dialogue.

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US TV

Third-episode verdict: Studio 60 on the Sunset Strip

Studio 60In contrast to some of the other series that premiered last month in the US, Studio 60 has been slowly improving rather than losing its shine. While ratings haven’t been good, quality has gone up and the show is now recognisably the work of Aaron Sorkin, the man behind The West Wing.

It wasn’t looking quite so rosy last week, when the big opening sketch that was supposed to relaunch “Studio 60” turned out to be a Sorkin favourite, a Gilbert and Sullivan set piece. Oh, oh. Impressive, but lacking the vital ingredient of all comedy sketches: humour. Nonetheless, you could see how it might have worked in the context of the rest of the show – which of course we never got to see.

This week, however, things perked up.

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Third-episode verdict: The Class

It had a promising start and it’s continued to be promising. Only a few minor changes since the preview, with one character having been recast – it’s for the better, since the original actor gave one particular relationship a touch of the “Ew!”, so makes the possible adultery intended not quite as inevitable as it was in the pilot.

It’s not quite as clever as when it started – not saying much – but its characters are all reasonably entertaining, people are already starting to pair up and there’s steady plot progression rather than “situation of the week”. It’s like Friends, circa seasons two and three. Not quite as good as Friends season one, but what is? I’m going to carry on watching anyway.

UK TV

Review: Cracker – Nine Eleven

Cracker

In the UK: Sunday, ITV1, 1st October 2006

In the US: Airing as “Cracker: A New Terror”, October 30th, BBC America

Yes, I know it was on Sunday, but I only watched it last night.

I wasn’t much of a fan of Cracker. It all seemed a bit too forced and unlikely. But I was actually really impressed by Sunday’s one-off special. Maybe that’s because Fitz didn’t have much to do and other characters got more of a look-in.

Read no further Americans, unless you want to spoil yourself.

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