Monday’s poisonous Italians news

Film

  • Judy Greer, Robert Forster and Beau Bridges join George Clooney on The Descendants

Radio

British TV

Canadian TV

US TV

Friday’s Midland cowboy news

Doctor Who

Film

Radio

British TV

US TV

Thursday’s news for (criminal) dummys

Film

  • Gary Oldman, Malin Akerman, Harvey Keitel and Milo Ventimiglia to star in Criminal Empires for Dummys (sic)
  • Guy Ritchie working on King Arthur film

British TV

US TV

  • 24‘s Elisha Cuthbert joins Happy Endings
  • Pilot casting, including The Wire‘s Sonja Sohn on Body of Evidence
  • Amy Acker to guest on Human Target

Question of the week: what is the significance of Kathryn Bigelow’s Oscar win?

So I’ve been a fan of Kathryn Bigelow for a long time – in fact, ever since she was on Howard Schuman’s Moving Pictures back in the early 90s, giving a breakdown of that famous chase scene in Point Break. I’m delighted that she’s won the Oscar for Best Director this week for Hurt Locker, making her the first female director ever to win that award.

But this week’s question is:

Is Kathryn Bigelow’s win significant?

Obviously, it’s a significant first. But is Hollywood going to change as a result? Are more female directors going to be given breaks? Is it merely just a sign that the industry has already changed? Could it even have a bad effect, letting producers and studios think progress is being made now, so not putting so much effort in in future? Or is it simply that the best director won the award this year and there’s no greater significance to it than that?

As always, leave a comment with your answer or a link to your answer on your own blog.

Wednesday’s ticking clock news

Happy seventh wedding anniversary to me!

Film

British TV

US TV