News

Tuesday’s “The Walking Dead breaks records, why House was cancelled, Whit Stillman returns and Kevin Sorbo as Hermes” news

Eva Green and Johnny Depp in Dark Shadows

Film

  • Gina Carano to star in In the Blood
  • Trailer for Whit Stillman’s Damsels in Distress
  • Guillermo del Toro to direct Emma Watson in Beauty and the Beast, Andrew Davies writing the script
  • Jennifer Aniston to star in London-based Miss You Already, co-written by Morwenna Banks
  • Game of ThronesNikolaj Coster-Waldau joins Oblivion
  • Michael Mann developing The Big Stone Grid
  • Tom Hiddleston and Anna Paquin join Elijah Wood in Black Wings Has My Angel
  • Michael Bay to direct Transformers 4 and Pain and Gain, with Mark Wahlberg and The Rock
  • Matthew Perry, Dean Cain and Kristy Swanson join Kevin Sorbo as Hermes in The Whole Banana
  • The Killing‘s showrunner Veena Sud to write remake of Alfred Hitchock’s Suspicion
  • Trailer for Abraham Lincoln: Vampire Hunter

US TV

What did you watch this week (w/e February 10)?

(Yet again), belated time for “What did you watch this week?”, my chance to tell you what I watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

First, the usual recommendations: Archer, Being Human (US), The Daily Show, House, Modern Family, Happy Endings, Portlandia, Ringer, Royal Pains, Shameless (US), Southland, Spartacus, Suburgatory and 30 Rock. Do watch them (if you can and they happen to be on TV this week).

And here are a few thoughts on the regulars and other shows:

  • Shameless (US): Great to see (spoiler)Steve back, since he’d left something of a narrative gap.
  • House: The first decent episode of the season so far
  • Happy Endings: The One With All The Friends References In It
  • Spartacus: Episode two was a definite improvement over episode one, but it’s still not yet firing on all cylinders.
  • 30 Rock: The best season since the second one, I reckon.
  • Ringer: Nice to see Ioan Gruffudd given something to do apart from simper all episode. And the trouble with Juliet(te?) is that the actress is so terrible, it’s hard to tell if the character is a bad actress, too.
  • The Almighty Johnsons: Not quite as fun or as action-packed as the first episode, but still promising and most of the brothers get a little depth in episode two. Not sure what’s happening with the women or even if they’re goddesses now.

But has anyone been watching Being Human (UK) and Bomb Girls over in Canada, by any chance?

And in movies:

  • Red Balloon: Surprisingly effective and affecting French movie about a boy who makes friends with a balloon. Is the balloon a metaphor for Jesus? A pet? Does it matter? It’s just lovely:

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Question of the week: should people use CGI to improve effects in old films and TV shows?

It can’t have escaped your notice that computer graphics have improved a lot over the last few decades. Not only are they better than the graphics that computers could create in the 80s and 90s, they’re also better than some of the physical effects that people used to use. Not always (cf The Thing), but sometimes.

Now, some companies – particularly the BBC with its Doctor Who range, but also George Lucas with Star Wars – instead of releasing the original films and TV episodes as they were when they were first made, have been releasing DVDs and Blu-rays with improved versions of the original special effects.

Sometimes, this has been for a good reason: in the case of Star Trek: The Next Generation, the effects needed to be redone for Blu-Ray since they were mastered on video and so were too low quality for Blu-Ray:

But in some cases, it’s purely because the producers of the DVD or Blu-Ray think the effects look bad, need improving, or will improve sales:

To be fair, there’s usually an option to watch a version with the new effects or one with the old. But not always. So this week’s question is:

Would you like to see old films and TV shows improved with modern effects when they’re released or do you want to see something that’s as close to the original as possible?

Monday’s “Who/Trek crossover, not quite a West Wing reunion, and Legion and Lawrence of Arabia: the TV series” news

Film

Comics

  • Doctor Who and Star Trek: The Next Generation to cross over

Theatre

British TV

US TV

Friday’s “Paradise Lost lost, Quatermass back?, more Stella and The Café, and Space:2099” news

Film

Comics

British TV

US TV