Between Two Ferns
Weekly Wonder Woman

Orange Thursday: Between Two Ferns: The Movie (2019) and Wonder Woman: Bloodlines (2019)

Looks like we made it. Or I thought so till today.

No, hang on. We really did. Look, it’s Thursday and here’s Orange Thursday.

A couple of odd ones this week. First up, we have a movie version of Zach Galifianakis celebrity chat show, Between Two Ferns. That’s the one where he sits with a guest between two ferns and insults them. How are they going to do a movie of that, hey?

And then, rolling like it’s 2018, it’s the return for one week – and one week only – of TMINE’s old feature, Weekly Wonder Woman, as we look at the release of new animated movie, Wonder Woman: Bloodlines, which tells the story of how Diana, princess of the Amazons, rescues a wounded pilot, Steve Trevor…

What do you mean you’ve already seen that like half a dozen times already? You have a point. Yet surprisingly, Wonder Woman: Bloodlines, is an origin story that should still be watched.

Both of those after the jump.

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Phase IV
Film

The alternative ending of Saul Bass’s Phase IV is now available

A long time ago, I nominated Saul Bass’s Phase IV (1974) as one of the scariest movies ever made. Sure, it’s about little tiny ants, but you only have to watch the first nine minutes of it to be totally creeped out by Bass’s micro-photography, and real-life teeny tiny ants (and wasps pretending to be ants) setting their mind to destroying and/or enslaving the human race.

The movie’s ending is reasonably bizarre as it stands.

However, that wasn’t Bass’s original ending. As you might expect of the graphic designer who worked most with Stanley Kubrick, that was a completely different beast.

In the book Future Tense by John Brosnan, an alternate ending to the film was described: “Bass originally filmed a spectacular, surreal montage lasting four minutes, showing what life would be like in the ‘new’ Earth, but this was cut by the distributor.”

A preview version with this ending intact was shown to some audiences in 1973-4, and clips of it showed up in the film’s theatrical trailer, and in Saul Bass’ title sequence to Martin Scorsese’s Cape Fear (1991).

Unfortunately, though, it was lost to the mists of time until 2012, when the alternate ending and preview version resurfaced. The 35mm original footage of the ending was then scanned and colour-corrected (it had faded to magenta) by the Academy Film Archive.

Until now, Paramount has refused to license the additional footage, so releases of the movie since 2012 have failed to include it. But guess what. The movie’s 45 years old this year and has been released in 4K on Apple’s iTunes service – and the alternative ending is available as an iTunes Extra.

You can view a nice polished clip of this here, but if you don’t mind blurry vision, here’s the full thing, in all its oddness.

Why Are You Like This
News

New Arrow spin-off; a new Lee Child adaptation; C5 finds its James Herriot; + more

Every weekday, TMINE brings you the latest TV news from around the world

Internet TV

Australian TV

UK TV

  • Nicholas Ralph, Samuel West, Anna Madeley et al to star in Channel 5’s All Creatures Great and Small
  • BBC developing: adaptation of Kazuo Ishiguro’s When We Were Orphans

US TV show casting

New US TV shows

  • New trailer for HBO’s Watchmen
  • CBS developing: flawed cops drama Wet House and adaptation of Lee Child’s The Terminal
  • The CW developing: female-led Arrow spin-off, with Katherine McNamara, Katie Cassidy and Juliana Harkavy
  • FX developing: adaptation of Sam Greenlee’s The Spook Who Sat By The Door

New US TV show casting

Film reviews

Orange Thursday: Stan & Ollie (2018)

Just the one movie this week, thanks to… stuff. But it’s a movie about movies, so maybe that counts as two movies?

Stan & Ollie (2018), as the title suggests, is about Stan Laurel and Oliver Hardy. But it’s set during their farewell tour of the UK in the 1950s, after they’d both retired from movies – or had they? There’s that Robin Hood movie they’ve both been working on. Will that revive their career or be their swansong? To some extent, it’s going to depend on the success of their tour… and it’s not looking good.

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Long Shot
Film reviews

Orange Thursday: Long Shot (2019) and Mary Poppins Returns (2018)

It’s a slightly eclectic mix of movies this week. First up is Long Shot (2019), in which Seth Rogen plays a journalist who gets hired by his former babysitter to write her speeches – said babysitter now being Secretary of State Charlize Theron. In the process, can he remind her of her youthful ideals?

Then we have Mary Poppins Returns (2018), in which Mary Poppins returns. Isn’t that obvious?

Reviews after the jump.

Continue reading “Orange Thursday: Long Shot (2019) and Mary Poppins Returns (2018)”