What TV’s on at the BFI in February? Including Nuts In May, Penda’s Fen, Artemis 81 and Leap In The Dark

Time to look at what the BFI is showing in February. Yes, February. I never got my January guide, and since it’s now January and the February guide turned up yesterday, let’s just do February. I’ll be ahead of schedule for a change then.

February’s actually not got a huge amount of TV, but what there is is largely TV plays – and good ‘uns, too. As well as Dexter Press Gang Fletcher introducing Nuts In May, we also have a season of David Rudkin’s TV plays. Who’s Rudkin? Well, he wrote about 90% of the pagan dramas in TMINE’s guide to religion, including Penda’s Fen and Artemis 81, both of which get an airing in the season (although since the BFI describes the latter as ‘one of the medium’s greatest productions’, I’m not entirely sure they’ve actually watched it yet). 

But as well as those, Rudkin’s The Living Grave is also being shown. This was part of a somewhat odd, supernatural anthology series that aired on BBC Two called Leap In The Dark. This ran for 20 episodes in four series, over a period of eight years from 1973 to 1980, and featured work from Rudkin, as well as Fay Weldon and Alan Garner among others. Each episode featured a different incident of the paranormal, some in the modern day, but most set in other time periods.

So far, so ordinary, you might think. What’s odd about Leap In the Dark is that all these incidents were real events – indeed, the first series consisted only of documentaries, while the later series are technically docudramas, rather than dramas. Rushkin’s The Living Grave is about a young woman who regresses under hypnosis to the 1700s, with Rushkin’s play recreating both the hypnosis sessions and the 1700s. And it’s this week’s Wednesday’s Play.

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The Weekly Play

Nostalgia corner: Ace of Wands (1970-72)/The Wednesday Plays: Dutch Schlitz’s Shoes/Mr Stabs (1984)

There can’t be many TV characters that have managed to endure for 15 years, on and off. There must be even fewer still who were villains and played by different actors. Even fewer of them must have appeared in children’s TV shows and been set up for their own spin-off series. And even fewer have had children imitating them in playgrounds.

But to do all of that and to appear in no fewer than three unrelated TV shows? That surely must be unique.

So spare a thought for Estabse, an immortal member of ‘the Brotherhood’, servant of Beelzebub and prodigious user of ‘hand magic’, for his journey is indeed both unique and fascinating.

It begins in Ace of Wands, in itself a fascinating and unique show warranting an entry in Nostalgia Corner, before moving over into The Wednesday Play and two different anthology series: Shadows and Dramarama. Are you prepared to meet Mr Stabs?

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The Wednesday Play: Leeds United (1974)

It’s quite easy to dismiss a lot of the late 60s/early 70s Play For Today strands as agitprop. I’ve done it myself, plenty of times. But it’s worth remembering that even when it was agitprop, that didn’t mean that everyone in the left wing was happy with the results.

Leeds United is one play that garnered considerable backlash… from trade unions. It was written in 1974 by actor Colin Welland (Kes, Z Cars, Straw Dogs, Sweeney!) who’s now best known as the writer of Chariots of Fire, for which he won the Best Screenplay Oscar and notoriety for his “The British are coming!” acceptance speech:

Directed by Roy Battersby and starring Lynne Perrie, Elizabeth Spriggs, Lori Wells, Josie Lane and Bert Gaunt, the play was based on the true story of a 1970 strike in Leeds by female textile-factory workers. What did they want? To be paid the same as their male colleagues. When did they want it? Now. Their biggest obstacle? Their own trade union.

While Welland, of course, survived the furore from the trade unions, Battersby didn’t fare as well. Despite being a Trotskyist and full-time organiser for the Workers Revolutionary Party, his career was considerably damaged. His third Play For Today, Leeds United would be the last of his contributions and he never worked on the series again. He worked very little on TV for the rest of the 1970s, but his career revived in the 80s. He eventually won the Alan Clarke BAFTA for ‘outstanding creative contribution to television’ in 1996.

Leeds United is this week’s Wednesday Play. Try not to blacklist anyone after you’ve watched it.

The Weekly Play

The Wednesday Play: Vampires (1979)

Given the sad passing of Sir Christopher Lee this week, it seems appropriate that this week’s The Wednesday Play should be Vampires, a 1979 BBC Play For Today, about the power of horror movies to affect the imagination. One of the slot’s best remembered plays, it nevertheless features mainly untrained, child actors and was written by an unknown, Liverpool writer Dixie Williams. 

One of only two film productions BBC Pebble Mill could afford to make that year, Vampires tells the story of three boys who stay up late to watch Lee’s career-launching role – Hammer classic Dracula: Prince of Darkness. Suitably entranced, they soon end up playing at being vampires, but down the local cemetery, they become convinced that a lone man dressed in black is a real-life vampire. As the play progresses, increasingly spookier and macabre events transpire and the play continues to suggest that maybe they’re not wrong and that vampires are the least of their worries…

Directed by John Goldschmidt, who was best known for his documentaries at the time and who gives the play a distinctly matter-of-fact approach to its supernatural subject, Vampires also includes moments of great fun, including a schoolboy discussion of the difference between horror and science-fiction that invokes The Quatermass Experiment, as well as more traditional Play For Today themes, including the difficulty of bringing up kids when you’re a poor, working class mother living in Liverpool in the late 70s.

And it’s your Wednesday Play. Enjoy!

What TV’s on at the BFI in July 2015? Including The Wednesday Play Where Adam Stood (1976)

It’s time for our regular look at the TV that the BFI is showing, this time in June 2015. This month’s output is devoted purely to the fourth part of the ongoing Dennis Potter season, this time focusing on the themes of sex and death. If that doesn’t sound much, you should probably see how many showings that amounts to, given it includes showings of all of Casanova, Blackeyes, Karaoke, Cold Lazarus, and The Singing Detective, as well as Blue Remembered Hills and Double Dare.

There’s also Where Adam Stood, Potter’s 1976 free adaptation of the autobiography of naturalist and fundamental Christian Edmond Gosse, whose father had trouble reconciling the Bible with the latest works of Charles Darwin, causing Gosse all manner of difficulties. Don’t want to wait to see it? Well, you don’t have to as it’s this week’s Wednesday Play (on Thursday):

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