Before The Newsroom there was The Newsroom, Drop The Dead Donkey and Dead Danes Don’t Count

Aaron Sorkin isn’t the first person to come up with the idea of a television newsroom as a great way to look at politics. Back in the Channel 4 had Drop The Dead Donkey, a topical sitcom written the same week as it aired, that introduced the world to Haydn Gwynne, Stephen Tompkinson and Neil Pearson. Here’s the pilot episode, with its weirdly different theme tune.

Drop The Dead Donkey ran between 1990 and 1998 (go buy it on DVD), inspiring along the way the Swedish show Döda danskar räknas inte (Dead Danes Don’t Count). But over in Canada, Ken Finkleman, the man behind Good Dog, was developing a show that, like Drop The Dead Donkey, featured a TV producer called George. Called The Newsroom, it crossed Drop The Dead Donkey with The Larry Sanders Show.

The Newsroom was a surprisingly successful show by Canadian standards, running from 1996-97… and 2003-4… and 2004-5, as well as having a two-hour TV movie Escape from the Newsroom air in 2002. It featured cameos from famous Canadians, including David Cronenberg, Noam Chomsky and Atom Egoyan, playing versions of themselves in newscasts. The George character also went on to appear in other shows, More Tears, Foolish Heart and Foreign Objects, as well as Good Dog and Good God.

It’s also considered one of the greatest, if not the greatest show Canada has ever produced. So it’s ironic that Sorkin chose the title The Newsroom for his new show, given the stereotype of how little attention the US pays to Canada and Canadian TV.

So it seems while Sorkin may not have created the first TV show set in a newsroom or even the first TV show called The Newsroom, he is, at least, one of the first to have created a semi-serious drama series about the news.

Wednesday’s “Nathan Lane and Kristin Chenoweth to recur on The Good Wife, and Comedy Central picks up The Daily Show” news

Films

  • James Woods and Lesley Ann Warren join Steve Jobs biopic

Trailers

  • Trailer for Here Comes the Boom with Kevin James, Salma Hayek and Henry Winkler
  • Trailer for Hit and Run with Dax Shepard, Kristen Bell, Bradley Cooper, Tom Arnold and Kristin Chenoweth
  • Trailer for Arbitrage with Richard Gere, Susan Sarandon and Tim Roth

Canadian TV

UK TV

US TV

Wednesday’s “Hugh Laurie joins Robocop, Portia De Rossi is a Munster and Yvonne Strahovski joins Dexter” news

Film

Theatre

Canadian TV

  • Space orders clone thriller Orphan Black

UK TV

US TV

New US TV shows

Tuesday’s “new Anne of Green Gables, Showtime picks up Ray Donovan and Masters of Sex, and Last Man Standing changes” news

Film

Canadian TV

UK TV

US TV

New US TV shows

  • Showtime picks up Ray Donovan and Masters of Sex
The CarusometerA Carusometer rating of 3

Third-episode verdict: Continuum (Showcase)

In Canada: Sundays, 9pm ET/PT, Showcase
In the UK: Not yet acquired

Three episodes into Continuum and I think I’m going to recommend it. Despite the somewhat derivative nature of the show – it’s Time Trax with a female protagonist, fighting against the evil version of Blakes 7 – it has a lot going for it.

As mentioned in my review of the first episode, it does a good job of depicting a futuristic future (as opposed to the likes of Terra Nova, which merely show a future, but not one that suggests society has changed), there’s an interesting moral ambivalence with the heroine fighting for the rights of evil corporations, the baddies fighting for the oppressed individual, and there are some really very good action scenes, too.

A little of the lustre has gone, most of the budget having been spent on the first episode by the looks of it, so although we do pleasingly maintain the occasional flash-forward to the future, it’s a future that’s mainly in dark basements that don’t cost a lot. We’ve also lost contact with the future characters, such as Rachel Nichols’ husband and William B Davis (aka The X-Files’ Cigarette-Smoking Man), who presented an opportunity for a more nuanced show, rather than the more police procedural, present-day show that we’re starting to get. And Nichols’ catsuit is becoming something of a sonic screwdriver, as is her Jesse Eisenberg-alike helper monkey, who can crack any IT system, no matter how secure.

All the same, we are also gaining a few things. There are some interesting twists involving the bad guys, who aren’t one block of people but a conflicted bunch who don’t all agree on political methodologies. Supporting hunk Victor Webster is getting some characterisation, fleshing him out into an almost interesting sidekick, which might present some interesting romantic issues for Nichols’ character if she believes she can no longer get back to her family.

On the whole, although it’s not the most original of shows, it’s a pretty intelligent, well-made SF-action series, with well-rounded characters, a decent cast, some original ideas of its own as well as a few surprises. It has an ongoing plot to keep you interested and you never know exactly where it’s going. Give it a try if you can.

Carusometer rating: 3
Rob’s prediction: Should last at least two seasons, maybe more