Audio and radio play reviews

Review: Doctor Who – 130 – A Thousand Tiny Wings

A Thousand Tiny WingsYou know, when Steven Moffat sat down to work out how the next series of Doctor Who was going to work, I’m sure he had many, many things to consider. Not least of these was the kind of companion who was going to accompany the Doctor.

Now Big Finish can be a little off the wall sometimes, but usually they’re quite conventional. However, this time – for three plays only – they’ve done something that I bet Steven Moffat never, ever considered: they’ve given him a racist, fascist, time-travelling Nazi scientist as an assistant. Yeah, beat that Stevie, you no-talent hack.

For those of you who haven’t been listening to the Big Finish plays for the last decade or so, Colditz has probably slipped under your radar, especially since it’s a Seventh Doctor/Ace play, so likely to be languishing at the bottom of any collection/bargain bin. Just to jog your memory, it’s the one with David Tennant doing the bad German accent.

You probably won’t recall the actual plot, however, so let me remind you: the Doctor and Ace land in/near Colditz; they do lots of dumb things; the Nazis capture them and the TARDIS; a Nazi scientist called Klein takes the TARDIS into the future where the Third Reich have won the Second World War; through timey-wimey machinations the alternative future gets undone, Herr David Tennant gets killed off, and Klein is left lurking around somewhere in the world, possessing knowledge of science and the alternative future that she shouldn’t have.

A Thousand Tiny Wings picks up where Colditz left off by plopping the companionless Seventh Doctor down into 1950s Kenya at the time of the Mau Mau uprising. Here he comes across a bunch of posh English people stuck in a house and slowly being killed off by a mysterious poison. And Dr Elizabeth Klein.

Sounding good yet? No? Thought not.

Yet, despite sounding extremely bad on paper, it’s actually a pretty decent play in practice.

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Monday’s “Sandman’s Gaiman’s Smith’s man” news

Doctor Who

  • Big Finish to do The Four Doctors, another Mara story
  • Neil Gaiman writing ep for second Matt Smith season

Film

British TV

  • Mark Gatiss, Matt Horne and Marc Warren to star in Boy George drama for BBC. No filming in Eltham, though! Pah!
  • Persuasionists ratings halve
  • Trevor Eve to star as hostage negotiator in ITV1 thriller

US TV

Audio and radio play reviews

Review: The Companion Chronicles 4×5 – Ringpullworld

RingpullworldTypically, the Big Finish Companion Chronicles try to fit in with the writing style of the Doctor Who era in which they’re set. So the Hartnell stories tend to be (waves hands a bit, since it’s a bit more complicated than this) a bit hardcore sci-fi or historical, the Troughton ones have veered towards daft sci-fi and historicals, the Pertwee ones to monster stories and so on.

Set during the reign of the Fifth Doctor, Ringpullworld in no way attempts to fit in. It doesn’t feel like Doctor Who at all, at times. However, this isn’t necessarily a bad thing, because if you squint a bit, you could actually imagine this was written by Douglas Adams, since it’s probably the cleverest and most entertaining of all the Companion Chronicles so far. It really is that good.

Funny that it’s about Turlough, mind.

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Audio and radio play reviews

Review: The Companion Chronicles 4×4 – The Pyralis Effect

The Pyralis EffectAs promised last review, I’m going to neatly step over the third in the latest series of Big Finish’s Companion Chronicles, The Prisoner of Peladon, on the general grounds that there are no companions in it, which is clearly taking the piss.

Instead, let’s talk aboutThe Pyralis Effect, starring Lalla Ward as Romana II. Now, despite the fact almost everyone loves the Fourth Doctor, most of the Companion Chronicles featuring him and his various assistants have been terrible, whether they feature Leela, Romana I or Romana II.

But, as you might have noticed, over series three of The Companion Chronicles and as we’ve gone through series four, the whole range began to get much, much better. So should it surprise you much to hear that, in contrast to those previous Fourth Doctor Chronicles, The Pyralis Effect is actually pretty good?

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Audio and radio play reviews

Review: The Companion Chronicles 4×2 – The Glorious Revolution

The Glorious RevolutionWhen first we met James Robert McCrimmon, he was fighting the Battle of Culloden in one of Doctor Who‘s last few purely historical stories, The Highlanders. He left at the end of The War Games, his memories of his time with the Doctor wiped by the Time Lords – who then ended up using him and the Second Doctor as time agents during the mythical “season 6a” that the Sixth Doctor story The Two Doctors appears to reveal.

When we last met him in the Big Finish plays, it was for a Companion Chronicle, Helicon Prime, which – to put it bluntly – was absolute rubbish. To be fair, until recently, all the second Doctor Companion Chronicles were rubbish, so Helicon Prime wasn’t on its own for this quality shortfall. But it was rubbish.

Nevertheless, despite this inauspicious return, Jamie’s back in a big way – Big Finish intend to have him in a two-handed Companion Chronicle with Deborah Watling as Victoria in March, and as a companion of the Sixth Doctor in a forthcoming trilogy of plays (one of which will also feature Wendy Padbury as Zoe) and a Companion Chronicle.

So you might have been expecting this play, in which an agent of the Time Lord’s Celestial Intervention Agency gives Jamie back his memories of his time with the Doctor, to be the launch of this Jamie range.

Wrong.

Instead, we have a pretty good historical story – with just a hint of sci-fi – set during England’s Glorious Revolution.

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