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Homeland is racist, says Homeland

It’s a problem that affects anyone who wants something written in a foreign language but doesn’t speak the language himself or herself: how do you know what the translator has written is correct? You can get someone else to double-check it of course, if you have the time and budget, but most people just take the first translation and hope for the best.

But, of course, people make mistakes all the time. Or are just untrustworthy.

This sign in Swansea, for example, is a famous illustration of the problem:

Someone who didn’t speak Welsh needed a Welsh translation so emailed the English wording to the council translation department. They got an email back, assumed it was the translation and used that. Unfortunately, what the Welsh wording actually says is: “I am not in the office at the moment. Send any work to be translated.”

The latest season of Homeland suffers from a similar but differently motivated problem. The series has earned itself a reputation in some quarters as being racist to Arabs. Unfortunately, despite being set in Berlin for the latest season, one scene needed to show a Syrian refugee camp. And the producers thought that meant there would be pro-Assad graffiti on the walls of the camp, so they commissioned some Arabic-speaking artists to write some suitable graffiti for them.

Unfortunately, the artists in question weren’t impressed by Homeland so took a few liberties.

Homeland is racist

For those of you who don’t read Arabic, that one says: “Homeland is racist.”

Homeland is not a series

Homeland is not a series”, “The situation is not to be trusted”, “This show does not represent the views of the artists”.

One of the artists explained to The Guardian: “We think the show perpetuates dangerous stereotypes by diminishing an entire region into a farce through the gross misrepresentations that feed into a narrative of political propaganda.

“It is clear they don’t know the region they are attempting to represent. And yet, we suffer the consequences of such shallow and misguided representation.”

So remember: always get your translations double-checked. Translators get paid little enough as it is, so if you double the amount of work available for them, maybe they’ll all be a bit better off. As will your TV shows.

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The Last Kingdom
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Review: The Last Kingdom 1×1 (US: BBC America; UK: BBC Two)


In the US: Saturdays, 10/9c, BBC America
In the UK: Thursdays, 9pm, BBC2

A long time ago, I came up with ‘Buckley’s Crime Show Hypothesis‘. Also known as Buckley’s ‘All producers live in Islington’ Hypothesis, this hypothesises that all TV producers live in Islington, because only people who live in Islington say things like “Of course, we don’t actually watch television. In fact, we don’t even own a television set. Ha, ha, ha!” and it’s very obvious that a lot of TV producers don’t watch TV. Or at least not TV that other people have made – I bet they all watch their own stuff.

The change in name came about because it was clear that this was true of TV producers working in genres other than crime. And with BBC America/BBC Two’s The Last Kingdom, which details how the plucky King of Wessex, Alfred the Great, defended England against the invasion of Vikings, we have proof that it’s true of those working in historical drama, too, because watching it, you can’t help but think “You guys haven’t seen Vikings, have you?”

Continue reading “Review: The Last Kingdom 1×1 (US: BBC America; UK: BBC Two)”

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