The BarrometerA Barrometer rating of 3

Third-episode verdict: The Beautiful Lie (Australia: ABC)

In Australia: Sundays, 8.30pm, ABC
In the UK: Not yet acquired

There’s a certain responsibility that comes with writing these reviews, you know. Leaving aside that lots of people have puts lots of effort into making TV programmes, even the bad ones, when I recommend a show, I have to a remember there’s always a chance you might end up watching it – and wasting a lot of your time.

So imagine my concern, after having given a hearty thumbs up to ABC Australia’s The Beautiful Lie, a remake of Tolstoy’s Anna Karenina set in modern day Sydney with famous tennis players taking the place of Russian aristrocracy, when episode two turned out to be a bit of a pup. Imagine the stereotype of a classic aristocratic romance – annoying, privileged people whining about the depth of their love and their #FirstWorldProblems and then not doing anything about them ‘because of society’ – and you have episode two.

“Oh dear. What have I sold them on?” I worried to myself.

Fortunately, episode three brought back some fun and some insight, and made a sizeable number of the characters Not Hateable again. Unfortunately, the show is still centred on Anna, the tennis player, and Skeet, the hipster musician, and their unstoppable, intense but utterly vapid love for each other – they are not in the Not Hateable group.

Whether by design or misfortune, The Beautiful Lie‘s biggest problem is that it has a romance between two people who are intensely annoying and stupid. Particularly Skeet, who is ‘pretty but stupid’ incarnate. Anna’s got Terribly, Terribly Important Things to deal with and talks about how when she’s with Skeet, “she’s like a starving woman given food.” Again, I reiterate, Anna and Skeet are not in the Not Hateable group.

Where it is working a lot better is with Peter and Kitty, Skeet’s former fiancée, who are very tolerable, even when assembling love poems to each other with fridge magnets; Dolly, Anna’s sister-in-law, is also fun, as are her dealings with spiders and electricity; and her cheating husband may be a dick, but at least he’s fun, too. They’re all relatively decent people, whose stories are engaging.

So I’m not going to be watching The Beautiful Lie to see how Skeet and Anna’s romance turns out, since unless it’s a fiery death, probably caused by too much friction in Skeet’s luxurious hair, I don’t want to know. Instead, I’m going to carry on with it, since it’s that rare thing – a TV show about love that doesn’t settle for clichés, that knows how to have fun and to handle complexity, and which is willing to give us supporting characters every bit as interesting as the central lovers.

Rating: 3
TMINE’s prediction: Unless they discover a sequel to Anna Karenina, I imagine one season should be all it gets. But it’s TV and if the ratings hold up, who knows? 

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Ash vs Evil Dead
US TV

Review: Ash vs Evil Dead 1×1 (US: Starz)


In the US: Saturdays, 9pm EST, Starz
In the UK: Not yet acquired

To many people, Bruce Campbell is a man-god. He is a man. He is a god. He is a god of men. He is a man-god. 

What’s He (man-)god of? He is the living incarnation of straight white American male irony. Anyone claiming that (straight) (white) American (men) don’t get irony need only point at Bruce Campbell and say “May He have mercy on your soul”.

When you discover that Bruce is such an avatar is more about when you are born than the nature of Bruce Himself. For some, it’s relatively recently with his Old Spice adverts.

Going back slightly further, it’s as grizzled lothario and former Navy SEAL Sam Ax in Burn Notice.

Many will remember him as Autolycus, King of Thieves, helping another god on the New Zealand-filmed Hercules: The Legendary Journeys before joining Xena: Warrior Princess on the occasional quest. 

(Park that thought for a moment – it’s important).

My introduction to the Church of Bruce was in the early 90s with The Adventures of Brisco County Jr, where he got to play a cowboy very plausibly in love with Kelly Rutherford, while chasing all manner of sci-fi devices in the Old West.

But even that was a relatively late arrival to the party. Because the Coming of the great god Bruce Campbell first began with The Evil Dead, a 1980s horror movie a few people might have heard of, and which spawned more than a few sequels, including Army of Darkness.

It made a star of Bruce, who shot it with his childhood buddies Sam Raimi and Rob Tapert. Tapert went on to run a couple of shows, Hercules: The Legendary Journeys and Xena: Warrior Princess, where he ended up marrying the star, Lucy Lawless. Meanwhile, Raimi went to make plenty more movies, including Spider-Man, and with Tapert, created a New Zealand-filmed TV show on Starz called Spartacus, which also occasionally starred Lucy Lawless.

And now everything’s converging again, with Raimi, Tapert, Campbell and Lawless all together on another New Zealand-filmed show, this one a sequel to that very first epiphany, Evil Dead. It sees Campbell reprising his role of Ash, the ironic, semi-idiot hero of the original movies, who’s now 30 years older, 30 years wider, but not 30 years wiser. Trying to impress a girl while high on weed, he accidentally reads out passages from his big book of evil, causing the once-dismissed ‘Deadites’ to once again return to the world. Now Ash must quit his job in the local hardware store, quit his trailer and head out into the world to either face the evil or run away from it. Thank heavens he’s still got that chainsaw he can mount where his wooden hand should go, so he can carve them up with maximum gore.

Yes, the god of irony walks the Earth once again, and he’s NSFW.

Continue reading “Review: Ash vs Evil Dead 1×1 (US: Starz)”

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