The Prince Charles Cinema off Leicester Square is a nice little place for watching cult movies. TV? Not so much… until now, since as well as a showing of The Likely Lads movie, it’s showing two newly recovered episodes of the TV series and will be running a Q&A with the show’s creators, Dick Clement and Ian La Frenais.
Tuesday 12 March
MORE THAN LIKELY : A CELEBRATION OF THE LIKELY LADS
The Likely Lads (1976)
Directed by Michael Tuchner
Starring James Bolam, Rodney Bewes
feat. Q&A with writers Dick Clement & Ian La Frenais
1976 / 1965 | 138mins | UK | rated (15)
Doors at 18:30 / Event Finishes approx 22:20
Spinning off from the BAFTA-winning 1970s sequel to the incredibly popular 1960s sitcom, James Bolam and Rodney Bewes star in this 1976 movie as Terry Collier and Bob Ferris, two life-long friends with vastly different outlooks on life. This feature presentation has been beautifully restored from original film elements.
And the night just gets better – for the very first time since they last aired over 50 years ago, we present two recently recovered episodes from the original BBC TV series:
A Star is Born: With one eye on a £25 prize and the other on Rhona the barmaid, Terry enters himself and Bob as a singing duo in a talent night at the local: but the lads can’t agree on the choice of song, or who gets first billing in the group name…
Far Away Places: The lads are contemplating their summer holiday, but lack of money is a problem: as is the choice of destination. Bob favours the continent, while Terry is all for tradition and can’t be persuaded to go abroad…
Then, to round off the evening, Likely Lads creators Dick Clement and Ian La Frenais will join us for a very special Q&A session.
Every week or so, TMINE flags up what new TV events BAFTA is holding around the UK
February’s BAFTA bounty never seems to end. Still nothing for March, but after our previous five separate announcements for February, here’s a sixth. Amazing stuff.
TV Preview: Derry Girls
Thursday, 21 February 2019 – 6:45pm
Princess Anne Theatre, 195 Piccadilly, London, W1J 9LN
A preview of the second series of the hit Channel 4 comedy by a Q+A with the creative team.
Derry Girls is the creation of acclaimed writer Lisa McGee and follows Erin (Saoirse Monica Jackson), Orla (Louisa Harland), Clare (Nicola Coughlan), Michelle (Jamie-Lee O’Donnell) and James (Dylan Llewellyn) as they navigate their teens in Derry in the early 1990s.
It’s a time of armed police in armoured Land Rovers and British Army checkpoints. But it’s also the time of Murder She Wrote, The Cranberries, MJ and Lisa Marie, Doc Martens, bomber jackets, The X Files, Nirvana and Wayne’s World.
Commissioned for Channel 4 by Head of Comedy Fiona McDermott and Commissioning Editor Jack Bayles, Derry Girls is a commission for Hat Trick Productions and is a showcase of creative talent from Northern Ireland, entirely set and made locally.
We will be screening the first two episodes followed by a Q+A with writer Lisa McGee, cast Saoirse Monica Jackson, Louisa Harland, Nicola Coughlan and Dylan Llewellyn, and director Michael Lennox.
With thanks to Channel 4.
Tickets will be available to collect from reception.
In Germany: Aired on Sky Deutschland in 2018
In the UK: Wednesdays, 9pm, Sky Atlantic
Das Boot isn’t the sequel you’ve been expecting. Okay, you probably weren’t expecting a sequel to the 1981 German cinema classic Das Boot at all, let alone one to original author Lothar-Günther Buchheim’s sequel Die Festung as well.
But picking up the action a mere nine months after the end of the original movie, Das Boot is oddly enough also a sequel (of sorts) to Babylon Berlin.
It doesn’t look like it at first. Indeed, watching the new Das Boot, you can’t help but notice how similar it looks at times to the original movie, with shots and scenes clearly designed not just to homage but also mirror its progenitor. There are the same shots in dock, there are similar attack scenes as in the movie and there are similar drills and instruments – at least at first.
True, it’s all in high gloss Ultra 4K, but if Wolfgang Petersen had access to high gloss Ultra 4K, this is the look that Das Boot (1981) would have had.
But that gloss is very familiar if you’ve seen Babylon Berlin and the similarities don’t end there. Because if Babylon Berlin is the story of how a country collectively went mad, Das Boot is the story of how it began to regain its senses.
August Wittgenstein, Rick Okon and Franz Dinda in Das Boot
Resistance
Set in 1942 in occupied France, Das Boot has two real narrative strands. As you might expect, the first takes place on board a German U-Boat, a new, more advanced class of submarine than that shown in the movie. But while the film’s U-Boat was populated by old and experienced hands, this submarine is suffering from the same problem as the rest of Germany – too many of the old hands have been killed in action. Now, only the young and inexperienced are available.
Captaining this boat is Rick Okon, the son of a famous pre-war submarine commander who’s only just out of naval college yet already in charge of his own vessel. This causes his first officer, August Wittgenstein, no end of annoyance – Wittgenstein is one of the few old hands left, a season warrior of the ‘wolf pack’, but without the connections that his new boss has.
Things start to become difficult almost immediately, once Okon starts obeying his orders – even if that means leaving battle and abandoning the other members of the wolf pack. Soon, life on board is getting pretty mutinous, thanks to a campaign of whispers.
The other narrative strand takes place on dry land in La Rochelle, France. Vicky Krieps (the real-life granddaughter of wartime Luxembourg Resistance member Robert Krieps) is a trilingual German from Alsace and member of the German navy – just like her brother, who’s on board our U-boat. Being German, she never fit in in Alsace, after the Treaty of Versailles handed the area over to France, but is now glad that it’s part of the Greater Germany again.
However, it’s still not an easy life being German. There’s the pesky French resistance, going around blowing things up, and who seem to want to recruit her. Krieps’ brother turns out to have been passing black market morphine to a member of the resistance. There’s a gestapo police officer who seems a little bit too interested in her. There’s a bit too much brutality, rape and covering up going on for her starry-eyed ideals about Germany to survive, either. Will she join the fighting free French or will she stay a loyal German citizen?
