What have you been watching? Including Workin’ Moms, Sherlock and The Great Indoors

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently and your chance to recommend anything you’ve been watching. 

Although Amazon’s finally got round to releasing the first season of Sneaky Pete, there’s not been a whole lot that’s new new in the past week, which means I’ve only had Pure (Canada: CBC) and Emerald City (US: NBC; UK: 5*) to review since the last WHYBW. Sorry about that. I’ll try to watch some boxsets when I have the chance.

All the same, for sures, later this week, I’ll be passing a third-episode verdict on Emerald City, which means that after the jump, I’ll be looking at Lethal Weapon, Man Seeking Woman, Sherlock and Shooter, as well as the return of The Great Indoors

But there has been one another new show that I watched this week:

Workin’ Moms (Canada: CBC)
Three Canadian mums who have just had babies are ready to start working again. And that’s about it really for plot, although given one’s a high-flying career woman and first-time mother (the show’s creator, writer and director Catherine “daughter of Ivan” Reitman), one’s a no-nonsense psychiatrist mother-of-two (Dani Kind), and the third is a slightly unstable lesbian realtor who carried her partner’s child (Juno Rinaldi)*, you can see there’s a certain variety of experiences being catered for the show. 

And indeed that’s really what the show is: a comedy-drama very specifically about the experience of returning to work after having had babies. And when you think about it, while there are shows that have had single mums as heroines and there have been shows that have had mums as characters in the backgrounds, they’ve mostly either got families already or it’s all about the babies and what it’s like to have a baby. It’s almost never been focused on what work is like once you have a baby.

And to be honest, it’s that interestingly specific viewpoint that’s the show’s main and in fact only selling point. The show thinks it’s quite exciting and innovative, such as when it has topless, normal-looking older women in the first five minutes of the episode, which is punningly titled Bare (which works on lots of levels – eg there’s a bear later, there’s a grizzly mum and, of course, they’re laid bare by the experience of being a mum). But it’s not quite the treasure trove of anecdotes and insight that it thinks it is, and frequently it just bubbles along, not doing much. All the same, it was insightful and offered some nuggets that I’d not seen elsewhere on TV. The characters were well drawn and avoided stereotyping, even the men. Plus it had a bear.

Not bad. Not great. Not to be confused with CBC’s Newborn Moms, either. 

* There’s a fourth mum (Jessalyn Wanlim) but she wasn’t in the first episode, as far as I noticed.

Continue reading “What have you been watching? Including Workin’ Moms, Sherlock and The Great Indoors”

Question of the week: do you miss water cooler moments?

As usual, since I’m a man bereft of inspiration 95% of the time, this week’s question has been prompted by someone else’s thoughts: in this case, JustStark’s. Elsewhere, we’ve been discussing the demise of ‘the water cooler moment’:

…my point, and it’s something I’ve been thinking about for a while, is that one of the great things about TV used to be that it was a type of shared culture, something you could talk to other people about, like we British talk about the weather.

Nowadays, though, that’s no longer the case. The last programme I can remember actually having an ‘I wonder where it’s going’ conversation about with someone in the pub was State of Play — since then, discovering someone else watches what you watch is such an unusual experience it is actually remarkable when it happens.

So yes, I understand that the [TV business] model now is different: it’s about getting fewer people to pay more, rather than making a little money out of many millions. But I can’t help thinking something has been lost in the process.

So this week’s question is: do you miss water cooler moments? Have they gone altogether or have they evolved? And have we lost something along the way?

As always, leave your answer below or on your own blog

News: The Spy Who Came In From The Cold adaptation; StartUp, Good Behavior renewed; Snatch trailer; + more

New UK TV shows

US TV

New US TV shows

New US TV show casting

  • Kellie Martin, Garret Dillahunt, Laura Bell Bundy et al to recur, Danny Pudi, Jenna Fischer, Mary Lynn Rajskub et al to guest on TBS’s The Guest Book
  • Dakota Fanning to star in TNT’s The Alienist

First footage of Marvel’s The Defenders. With actual words

You’ve already seen the photo today. Now there’s a video with all of Netflix’s Marvel’s The Defenders. It’s quite fun to see them all together, even Iron Fist whose show hasn’t even aired yet. Also, I realised that Charlie Cox was English but I hadn’t realised that Finn Jones was. Because the show hasn’t aired yet.

What few things they reveal about the show sound interesting at least. Although Krysten Ritter doesn’t sound interested.

When’s that show you mentioned starting again, TMINE? Including Twin Peaks and Le Bureau Des Légendes (The Bureau)

Every Friday, I let you know the latest announcements about when new, imported TV shows will finally be arriving on your screens – assuming anyone’s bought any, of course.

It’s another quiet week for acquisitions, so I can offer you but one new show premiere time and date:

  • Twin Peaks (US: Showtime)
    Sky Atlantic: May 22, 2am (regular time: Tuesdays, 9pm, starting May 23)
    Episode reviews: simulcast, so I ain’t seen nothing yet

However, I’ll just point out that in case you don’t have Amazon Prime, the truly marvellous Le Bureau Des Légendes (The Bureau) (France: Canal+) will be available to own on DVD from Monday (you can already get it on iTunes, if you prefer digital).