Theatre

The Shawshank Redemption comes to Bromley

Passing by the Churchill Theatre today, I couldn’t help but notice that there’s an upcoming production of The Shawshank Redemption. Or is it of The Shawshank Remption? The poster says it’s based on the short story, the casting suggests the movie.

For those who don’t know, Stephen King’s short story, Rita Heyworth and The Shawshank Redemption, features a character called Red who is a red-haired Irish-American, but who in the movie The Shawshank Redemption is played by Morgan Freeman (a discrepancy acknowledged in a joke line by Freeman). Here, the character is played by Ben Onwukwe. Make up your own mind about what copyright-avoiding trick is going on here…

All the same, not exactly the all-American cast you’d be expecting of either the short story or the movie, with the main cast being the Shakespearean-trained Onwukwe, Paul “EastEnders” Nicholls in the Tim Robbins role and Jack “Prime Suspect Ellis playing the warden. To be fair, Ellis does have form, as I saw him in the West End production of A Few Good Men in the Jack Nicholson role about a decade ago. That featured Rob Lowe as Tom Cruise and a certain ‘John Barrowman’ playing Kevin Bacon, so I guess if it’s good enough for the West End, I guess it’s good enough for Bromley…

Kim's Convenience
Canadian TV

Review: Kim’s Convenience 1×1-1×2 (Canada: CBC)

In Canada: Tuesdays, 9/9.30NT, Canada

It’s not often that stage shows get turned into TV shows, but Canada works a little different to the US. Kim’s Convenience was a gentle comedy about a Korean-Canada convenience store owner and his family that won Best New Play at the Toronto Fringe Festival back in 2011. Now adapted by the play’s writer and starring most of the same cast, it’s become a 13-part CBC series.

Stereotypes abound, not just about Koreans but also about convenience store owners, and most of the show’s humour involves playing with those stereotypes. The first episode sees a Gay Pride parade going past Appo Kim (Paul Sun-Hyung Lee)’s shop and how he deals not only with gay customers but also accusations of homophobia. While Appo is indeed as you might expect ‘not quite sure about the gays’ (“where have they all come from? And what’s the difference between transgender and transsexual”), his response is not prejudice but to offer a 15% gay discount and to quiz transvestites about whether they simply like wearing women’s clothes or are sexually attracted to men – so he can decide whether they deserve the 15% discount.

Similarly, the photography-centric episode two, in which you expect him to be conservative about some art students’ naked shots instead reveals he’s a failed photographer himself and is more critical over the choice of model in the shots than the choice of subject matter. And then he gets into a competition with his arts school daughter Andrea Bang over who’s a better photographer.

That subversion of stereotypes continues with his wife (Jean Yoon)’s ongoing efforts to marry off Bang to a good, ‘cool, Christian Korean boy’, with Bang protesting that no such thing exists:

Meanwhile, Appo’s happy with anyone his daughter’s happy with, provided they know the date of Korean independence.

While most of the action takes place in the Kims’ shop, there’s also a couple of side stories. The first involves estranged son (Simu Liu), who works at a car rental shop where the manager (Nicole Power) has the hots for him.

The other involves Yoon’s volunteer work down the church, where she gets into the traditional passive-aggressive competition with other mothers over whose kids/lives are better. Except the show again tries to subvert stereotypes and everything works out far nicer than you’d expect.

It took about 15 minutes or so for the first actual laughs to turn up, I found, but after that, Kim’s Convenience because a lot better. It’s never riotously funny and often is at its best when it’s more of a sketch show, with brief scenes involved new customers to the shop, rather than when it’s dealing with its series arcs. But compared to the horrors of say Four In the Morning, it’s head and shoulders above the crowd.

Give it a try if you enjoy good-hearted shows and that rare thing indeed – a funny Canadian sitcom.

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The BarrometerA Barrometer rating of 2

Third-episode verdict: This Is Us (US: NBC; UK: Channel 4)

In the US: Tuesdays, 10/9c, NBC
In the UK: Acquired by Channel 4

People aren’t perfect. But deep down, we’re all the same. We try our best. We love. We laugh. We make mistakes. But ultimately we’re all good and want the best for each other and ourselves.

If that statement sets your teeth on edge, or seems annoyingly liberal and/or rose-tinted then This Is Us is not for you. A show that’s not as smart as it clearly thinks it is, it sees four people – Chrissy Metz, Justin Hartley, Sterling K Brown and Milo Ventimiglia – all sharing the same birthday, all with their own different story to tell, but ultimately linked in the way that we all are, aren’t we?

Episode one was especially smug, with a twist at the end you could see coming from pretty far off, while episode two dialed the smug down a little yet still tried to pull off an end twist that was barely a twist at all it was so obvious.

For a little variety, episode three put its twist right at the beginning so you had almost no time to suspect there was even going to be a twist, which was novel. It was also almost tolerable in its smugness, despite all manner of quite cynical heart-jerking moves and no less a character than a poetry-reading, bus-hopping heroin addict who just means well, don’t you know? And, to be fair, it did pick up on aspects of the pilot that were perhaps glossed over in the rush to that first twist to make sure they weren’t ignored.

It also had a big reach out to uber-nerds like me, with Hartley name-dropping Jason Momoa – most would thrill simply to the mention of Game of Thrones, but it was the fact it was TV Aquaman shouting out to film Aquaman that made it for me.

Overall, This Is Us is consistent in being pretty good – not great, not bad, not average – but also pretty annoying TV. It’s smart but not as smart as it thinks it is (is there genuinely an American family who would name their triplets Kate, Kyle and Kevin? Really? KKK?). The people-centred plots are improbable and entirely geared up to trying to get the audience to cry with the loveliness of everyone in the face of life’s challenges. Brown is funny, Metz is talented and Hartley amusingly self-centred, so overall there are no real weak links, although oddly, of all the cast, it’s former singer and voice of Tangled‘s Rapunzel Mandy Moore – Ventimiglia’s wife in the show – who’s the real standout, able to do happy and sad, (spoiler alert)young and old, with aplomb.

If you can watch an episode without wanting to punch everyone, you’re doing well; if you like having tears milked out of you with the efficiency of the average large dair, you should find This Is Us rewarding and perhaps even a must-see. Everyone with a dark mind or an ice chip for a heart should steer clear like a vampire away from the love of our Lord Jesus Christ.

Barrometer rating: 2
Would it be better with a female lead? N/A
TMINE’s prediction: Will probably run for as long as Parenthood

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