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The Wednesday Play: In Two Minds (1967)

We’ve had a couple of weeks of fun plays, courtesy of Noël Coward, so it’s about time we had a bit of misery. And when we want to turn to misery, naturally we turn to Ken Loach. Angry, realism-loving Ken Loach.

A frequent contributor to the BBC The Wednesday Play series, Loach offers us many choices, so since we’re feeling indecisive, let’s go with In Two Minds, written by David Mercer, who won the Writers’ Guild Award for the best television play of 1967 for this.

The first of Loach’s television plays to be shot entirely on location, bar five brief sequence shot electronically, the play owes a lot to the ideas of RD Laing, which are set out in Laing’s Sanity and Madness in the Family. Laing argued that schizophrenia* lacks an organic basis and therefore it was the family that had the potential to make people mentally ill. Oddly enough, it was famed theatre critic Kenneth Tynan who introduced Mercer and producer Tony Garnett to Laing, who was eventually retained as a consultant for the play.

Kate Winter (Anna Cropper), a young girl under psychiatric examination and receiving electroconvulsive theory, suffers from a lack of confidence, self-esteem and self-control – telling of the “bad Kate” who commits immoral acts. Could the hypocrisy, selfishness and weakness of those around her have led to this state of mind or can Kate simply be diagnosed and dismissed as a schizophrenic*?

As well as the award garnered by the play, In Two Minds would go on to be remade as the feature film, Family Life, which Loach also directed. But you can watch the original below. Enjoy**!

* Kate more properly would have had something called dissociate identity disorder, rather than schizophrenia, assuming she had what would then have been classified as schizophrenia anyway. But even at the time, psychiatrists argued that Kate would be more properly diagnosed as depressed and ‘hysterical’. But, you know, the 60s.

** If that’s the right word.

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The BarrometerA Barrometer rating of 2

Third-episode verdict: American Odyssey (US: NBC; UK: BBC Two)

In the US: Sundays, 9/8c, NBC
In the UK: Acquired by BBC Two. Will air in May

Three episodes into American Odyssey, a sort of Crash meets State of Affairs meets Zero Dark Thirty that sees three separate characters investigating a single conspiracy in countries over the world, and we’ve not seen a single Cyclops. No pirates. No witches. Not even a helpful princess doing her washing. In short, there ain’t much Odyssey in American Odyssey.

There’s a lot of special forces soldier Anna Friel talking Arabic and wondering where she can find a PC with a USB port for her flash drive full of incriminating documents, while being passed parcel-like between different groups of kidnappers in Mali.

There’s a lot of corporate investigator Peter Facinelli looking pained as he discovers that it’s really not that easy to investigate incredibly powerful multinational companies in cahoots with the US military and trying to cover up the fact they’re co-funding al Qaeda.

There’s even a lot of trustfunder-turned-Occupy Wall Streeter Jake Robinson running around trying to find an email from Friel while the very obvious fake journalist he’s with comes up with really poor excuses for why people keep dying/going missing/changing their story et al as soon as Robinson mentions them to her.

But despite its supposed inspiration from Homer, there’s not a single whirlpool or monster, goddess or dead hero to be spotted for miles, let alone a spouse at home weaving a tapestry every night to hold off the suitors.

What. A. Swizz*.

On the plus side, though, as I mentioned in my review of the first episode, it does all feel a step up from the usual military-industrial complex conspiracy theories that we’ve had up until now. There are some Greeks – or should I say ‘Greeks’ given the Alexis Tsipras-alike Greek ambassador is played by Orla Brady. There’s lots of Arabs in various shades of grey (well, mostly shades of black, but there are shades) and they get to speak Arabic… and French, because lo-and-behold, just turned up in episode three as a drug dealer, ready to parle français, is Spiral/Engrenage’s own Grégory Fitoussi – I do hope he didn’t quit to be in this.

Nevertheless, a step up is not the same as ascending to the top of Mount Olympus. Despite narrowly evading a “look around the room to guess the inspiration for the Leet Hacker’s password” scene, episode two saw a silly amount of moments where anyone who’s ever even received an email will know the show is being technically illiterate. There’s a heinous amount of coincidences going on, including one boy’s uncle whom he’s never met turning out to be the exact person on TV he was looking at unsuspectingly (and judgementally) earlier in the same episode. And there are so many suspicious deaths and implausible official denials happening that the baddies might as well put up signposts saying “This way to the government cover-up!”

So while it’s definitely in the upper end of the genre, with some lovely location work, a decent cast and a proper attempt to tie what could be very generic into real world events, American Odyssey is unfortunately a bit more of a miss than a hit.

* Oh, there is one obvious reference to Greek myth, BTW – there’s a character called Kharon scheduled to pop off in later episodes, Kharon/Charon being the ferryman who took travellers across the Styx to the underworld. Not to be pedantic, though, but Kharon isn’t actually mentioned in The Odyssey, as he only appears much later as a figure in Greek religion. Oh well. Still. A. Swizz.

Barrometer rating: 2
TMINE prediction: Given its ratings, it’s unlikely to get a second season, and to be honest, it probably doesn’t deserve one