The BarrometerA Barrometer rating of 4

Third-episode verdict: The Muppets (US: ABC; UK: Sky1)

In the US: Tuesdays, 8/7c, ABC
In the UK: Mondays, 8pm, Sky1. Starts October 19th

I think it’s fair to say the universal reaction to the first episode of The Muppets was “Oh my God, what have you done?” An attempt to update The Muppet Show as a mockumentary set behind the scenes of Miss Piggy’s supposed late night chat show, it tried to give us adult, cringe comedy and depth of relationships.

It was horrible. It was wrong.

In common with a number of other new US shows this autumn, subsequent episodes have been an attempt to correct the pilot and put the programme on a stronger footing. Here, episode two seemed to show the right direction, effectively ditching most of the adult-oriented content in favour of what was basically a single-camera version of The Muppet Show, complete with a plethora of celebrity cameos, only with less slapstick and fewer laughs. It wasn’t great, but at least it didn’t make you want to a hug a toy Kermit and cry out “What have they done to you, old friend?”

Unfortunately, episode three started edging back towards the adult. Not hugely, but the joke count plummeted again, despite Christina Applegate’s best efforts.

It might well be that given time, The Muppets would end up being the comedic delight it should have been. But it’s not right now, so I guess it’s time to lower the curtain on this one.

Barrometer rating: 4
TMINE’s prediction: Will probably last a season thanks to the name value of the show, but will be lucky to be renewed

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The BarrometerA Barrometer rating of 3

Third-episode verdict: Blindspot (US: NBC; UK: Sky Living)

In the US: Mondays, 10/9c, NBC. Starts September 21st
in the UK: Acquired by Sky Living

As I remarked on Friday, in common with many of this autumn’s new US shows, Blindspot is gradually getting better after having a crappy pilot. Whether or not the networks rushed into production with shows that had not been given enough development time, I don’t know, but whatever the reason, a number of new shows have slowly been fixing their problems in the subsequent episodes.

Blindspot‘s pilot had all sorts of problems, not the least a startling lack of originality, despite its ‘high concept’ idea: a naked, amnesiac woman is found in a bag in Times Square and the tattoos that cover her body turn out to be clues to crimes that are going to be committed. Who is she? Who left her this way? Why tattoos?

Who cares? We’ve seen better in Prison Break, John Doe, Kyle XY et al.

Certainly, given the lack of chemistry between the two leads (Jaimie Alexander and Sullivan Stapleton), as well as the lack of humour and the general dark moody fightiness of show, by the end of the first episode it would have been hard to come up with a good answer to that last question at least.

However, despite my prediction that the show would drip feed over many episodes the few answers to the other questions, Blindspot has managed in the past two episodes to quickly drop all mannner of hints and even answers that help both to flesh out Alexander and also Stapleton, pulling off the near impossible trick of creating a shared background for the two characters that’s not romantic (yet) but which nevertheless gives them a bond.

Hopefully, the show will then lighten up a bit, since Sullivan’s guilty, growly, haunted FBI agent isn’t really an enjoyable presence and Alexander is naturally a traumatised blank slate. A few smiles wouldn’t go amiss.

Now the show’s biggest problems are its plots and action scenes. For a high concept show, it has a certain mundanity, with special forces soldiers turned bad and aggrieved suicide bombers being the show’s stock in trade. Where are the Carlos the Jackal and the Treadstone of this Bourne Identity

Even if they did show up, the programme needs some improvements in direction. Again, dark and moody can set an atmosphere, but if you can’t see what’s going on, what’s the point? There’s no tension, no excitement, in blurs and shadows.

To be honest, on this score, Blindspot could learn a few things from NBC’s other new action show starring a former Strike Back lead, The Player, despite the latter getting worse ratings than this. But then Blindspot does have Jaimie Alexander quite naked, quite a lot.

While Blindspot is still largely an average US action TV show, it does at least show some promise now, as well as an ability to adapt and change and a welcome desire not to keep its cards too close to its chest. So while I’m not recommending yet, I will be sticking with it for the forseeable future. 

Baromer rating: 3
TMINE’s prediction: Will certainly last a full season, but it ever faces any decent competition in the schedules, it’s likely to get cancelled

What TV’s on at the BFI in October/November? Including Diana Rigg and The Avengers

Around August, things get a bit weird with the BFI’s scheduling and it starts putting out brochures for a month and a half at a time. As I was away on holiday in August, I missed out on September/October, but now we have October/November, which gives us a fair few events from the tail end of October together with a copious number from November.

The highlight of the list is an afternoon with Dame Diana Rigg to celebrate 50 years of Emma Peel and air a couple of episodes of The Avengers, including the superb The House That Jack Built. However, there’s also a preview of ITV’s Jekyll and Hyde, talks on romance and race and disability on TV, Celia Johnson and Trevor Howard’s reunion in Staying On, showings of all seven episodes of Bouquet of Barbed Wire, and a season on the evolution of the TV documentary. 

All that and more after the jump. But first, do yourself a favour and if you haven’t watched it already, watch The House That Jack Built. It’s aces.



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