US TV

Review: Tyrant 1×1-1×2 (FX)


In the US: Tuesdays, 10pm, FX

Sometimes, before criticising fiction, it’s worth looking at reality and noting just how much weirder it can be. 

Take Bashar al-Assad. He’s the ruler of a little country called Syria that you might have heard of recently. He’s very much A Bad Man, having amongst other things deployed chemical weapons against his own population in a very bloody civil war that’s claimed the lives of over 100,000 people.

Guess what? He never wanted to be ruler of Syria. He wanted to be a doctor. In fact, he went to Western Eye Hospital, part of the St Mary’s group of teaching hospitals in London, so that he could become an opthamologist. 

In fact, it was his brother Bassel who was being groomed for power by their father, Hafez al-Assad. However, Bassel was killed in a car accident, which meant that Bashar was recalled back to Syria and his father decided to prepare him to become president instead.

Reality is strange: had that car accident not happened, one of the bloodiest dictators of modern history would be off treating eye disorders somewhere.

Thus, going into FX’s new show Tyrant, it’s worth remembering that despite all the seemingly preposterous conceits of the show, reality is almost certainly serving up something stranger somewhere in the world. Set in a thinly veiled version of Syria that’s separated by a mere star on its flag from the real thing, it sees an Arab-American paediatrician return back to his home country for his nephew’s wedding. While there, his father has a stroke and his brother has a car accident, which would be merely tragic were it not for the fact that his father is the ruler of the country and he in turn is now its new de facto ruler – at least until his brother gets better. Will he prove to be a better, kinder ruler, or will power turn him into the thing that he’s tried to so hard to avoid?

Written by Gideon Raff, the Israeli writer/director who created the original HomelandPrisoners of War/Hatufilm, the show is a hard but rewarding watch, albeit one that knows it. But it’s not without its problems. 

Here’s a trailer. 

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31 actors and actresses who were in Law & Order and Orange is the New Black, too

Law & Order in all its various guises has been going on for decades. By now, pretty much every actor and actress in the US must have worked in it or Criminal Intent or Special Victims Unit at some point.

In fact, despite Orange Is The New Black only having run on Netflix for two seasons, all 31 of the core cast members have appeared in Law & Order at some point. And here’s a video to prove it.

That should give Toby something to think about…

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The Weekly Play

The Wednesday Play: The Cherry Orchard (1962/1981)

Chekov’s last play was The Cherry Orchard, a typically cheery little number in which an aristocratic Russian woman (Madame Lyubov Andreievna Ranevskaya) and her family return to their family estate – which includes a large cherry orchard – just before it is auctioned to pay the mortgage. The family is given several options to save the estate, but essentially does nothing, resulting in it sale to a serf and the demise of the orchard, in an allegory for the futility of the Russian aristocracy’s early 20th century attempts to preserve its status.

The great thing about plays, of course, is not only can they be re-staged time after time, the same actors can come back to them at later stages of their lives, offering different interpretations, perhaps even of different characters. For example, in a televised version of the Royal Shakespeare Company’s 1962 production, Dame Judi Dench played Anya, Madame Ranevskaya’s daughter, alongside John Gielgud, Peggy Ashcroft and Dorothy Tutin. And in 1981 BBC production, she played Madame Ranevskaya herself, alongside Bill Paterson and Timothy Spall. And you can watch them both below to compare and contrast. As always, if you like them, buy them on DVD.

Iranian Modern Family turns out not to be very modern

Believe it or not, there is an Iranian version of Modern Family. No, really, it’s true. It’s not official – in fact, it’s decidely unlicensed, but you can do the math on the relationship between copyright, Iran and the US – yet Haft Sang/Seven Stones, which airs on the state-run Islamic Republic of Iran Broadcasting, not only has a very similar set-up also borrows a lot of the original’s scripts, although some have been changed so that men and women aren’t alone together unless they’re married.

For your delectation, here’s a video that compares them, side by side. However, before you watch, do you want to have a guess which big change has been made so that two of the characters aren’t identikit copies of the originals? Shouldn’t take you long…

[via]