News

News: Philip Glenister is an Outcast, NBC makes a Faustian pact, extra Royal Pains and Marry Me + more

Entertainment Weekly reunions

Film casting

UK TV

US TV

US TV show casting

New US TV shows

New US TV show casting

  • Richard Coyle, Joanne Whalley, Greta Scacchi et al join NBC’s A.D.
  • Patrick Fugit and Philip Glenister to star in Cinemax’s Outcast
  • Adam Brody to star in DirecTV incest drama Billy and Billie
  • Costa Ronin to play Anton Vanko in ABC’s Agent Carter

The Wednesday Play: William Wycherley’s The Country Wife (1976)

It has to be said that as a rule, even when broadcasters had regular TV slots dedicated to plays, they had their biases: modern plays, often by ‘angry young men’ or left-wing progressives; Shakespeare; the occasional bit of Ibsen or Greek tragedy – these were all grist to the mill. Anything else? Somewhere between nothing and ‘once in a blue moon’. 

Restoration comedy falls into the last category. Although it did pop up once in a while – as a recent season at the BFI showed – the most people usually saw of it on TV was whenever John Sessions got asked to do it on Whose Line Is It Anyway? 

All the same, if you look hard enough, you’ll find the occasional example. In 1976, the BBC Play of the Month slot aired a production of William Wycherley’s The Country Wife. As you can probably guess from the slightly dodgy title – it’s a pun… – the original play was quite a lewd affair based on several plays by Molière, but adapted for London audiences. So outrageous did later generations find it that other than a later, 18th century sanitised version, it was kept off stage and out of print between 1753 and 1924.

The story has two main plot strands: a rake, who pretends to be impotent so he can have clandestine affairs with married women; and the arrival in London of an inexperienced young ‘country wife’, who discovers the joys of town life, especially the fascinating London men. The 1976 version starred Helen Mirren, Anthony Andrews, Bernard Cribbins, Amanda Barrie, Ciaran Madden, Michael Cochrane, Jeremy Clyde, John Nettleton, Ann Beach and Sarah Porter – quite a cast for quite a play, and you can watch it below. Trivia fans might like to know that the play was also the inspiration for the movie Shampoo – bet you never knew that.

 

News: Witches of East End and The Mentalist to end, a Librarians trailer, another Phantom of the Opera + more

Film

  • Laura Dern and Judd Apatow developing female American football comedy

Film casting

Trailers

  • Teaser for Neill Blomkamp’s Chappie, with Dev Patel, Hugh Jackman, Sigourney Weaver et al
  • Trailer for Annie with Jamie Foxx, Cameron Diaz, Rose Byrne et al

UK TV

US TV

US TV show casting

New US TV shows

Weekly Wonder Woman

Weekly Wonder Woman: Wonder Woman #35, Sensation Comics #12, Smallville Continuity #10

Wonder Woman #35

It’s the end? Can you believe it? For three years, Brian Azzarello and Cliff Chiang have been the creative forces behind the nu52 reboot of both the character of Wonder Woman and the Wonder Woman comic itself. And now they’re leaving – issue #35 is their last one.

It’s been a controversial ride, with Diana undergoing perhaps the most changes of anyone in the nu52 universe:

  • Her origin was completely changed so that she became Zeus’s daughter when her mother Hippolyta had had an affair with him (her previous ‘clay’ origin was revealed to be a ruse to keep Hera in the dark)
  • The Amazons were changed from a society of women living isolated from the world in a superior civilisation to one that went out seducing then murdering men for procreation before giving away their male babies in return for weapons
  • The gods were transformed from largely benevolent anthropomorphic beings, fit to be worshipped, to various zoomorphic creatures, personifications of office, and generally unpleasant individuals
  • Diana was eventually apotheosed to goddess of war
  • Most of the supporting characters from pre-nu52 times were removed, killed or ignored, to be replaced with male characters.

The controversy also continued in the manner of the storytelling, ranging from Chiang’s drawing style to the fact that the past three years have more or less been the same story, with minimal superheroics or even any real strength from Wonder Woman, and you can see why a lot of old school fans are happy that the ‘terrible nightmare’ is all over. Indeed, new writer Meredith Finch appears to be focusing on doing everything that Azzarello didn’t do, from including Wonder Woman’s new boyfriend Superman to having Amazon-centric stories.

But after the jump we’ll have a look at the final issue, to see what foundation Azzarello and Chiang have left Finch, whether it’s been all bad, and whether it concludes the story well and/or in the way I predicted.

Also after the jump, we’ll be looking at the latest Sensation Comics Featuring Wonder Woman, the first of a two-parter in which Diana goes egg-hunting and Cheetah goes Diana hunting, and Smallville Continuity, which effectively founds the Smallville universe’s Justice League.

All go, innit?

Continue reading “Weekly Wonder Woman: Wonder Woman #35, Sensation Comics #12, Smallville Continuity #10”

What TV’s on at the BFI in December 2014?

It’s time for our regular look at the TV that the BFI is showing, this time in December 2014. And it’s Christmas, everyone, because we have the continuing science-fiction season, which will give us a Blake’s 7 evening and several Quatermass evenings, there’s a Doctor Who movie, a Maggie Smith season, The Boy From Space complete with appearance by the BBC Radiophonic Workshop, some recently recovered missing episodes of At Last The 1948 Show, introduced by John Cleese no less, and previews of the forthcoming Mapp and Lucia and The Boy In the Dress. How can you turn all that down?

Continue reading “What TV’s on at the BFI in December 2014?”