What did you watch this week? Including Arrow, 30 Rock, Banshee, Charlie Brooker’s Weekly Wipe and Elementary

It’s “What did you watch this week?”, my chance to tell you what I movies and TV I’ve watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

First, the usual recommendations: Archer, Arrow, Banshee, Being Human (US), The Daily Show, Cougar Town, Elementary, Go On, Modern Family, Mr Selfridge, Shameless, Spartacus, Suits, Top Gear and Vegas. These are all going to be on in either the UK or the US, perhaps even both, but I can’t be sure which.

Don’t forget, UK readers – season 4 of Spiral aka Engrenages will start tomorrow on BBC4 at 9pm. Two episodes, of course. Anyone want episode-by-episode reviews?

I tried to watch Derek, Ricky Gervais’s new ‘comedy’, but after five minutes of offensive, unwatchable, poorly acted cobblers, we switched off. New Yes Prime Minister got given its notice after two episodes, because despite attempts to update it for modern politics, it still feels like an 80s show with 80s characters, yet at the same time isn’t faithful enough to them to work.

Still in the viewing queue: this week’s episode of The Doctor Blake Mysteries as well as most of House of Cards and The Carrie Diaries, which I suspect might never get watched. But that’s about it. Except for Community, which finally returned last night. Normally I’d just recommend it straight off, but without Dan Harmon as show runner, I’m going to watch the ep then decide, since the signs have not been good.

Now, some thoughts on the regulars.

  • 30 Rock: A pretty poor finale, redeemed by about 15 minutes of quality material. But then, that’s pretty much what the first episode was like, so that’s probably appropriate, and it did have some fun things to say about women, work and childcare at the same time. Goodbye Liz Lemon – you were great while you were here.
  • The Americans: A really good second episode that had all the good qualities of the first, but with added spy evilness on the part of the KGB/our heroes, as well as guest impersonations of Casper Weinberger and British defence secretary John Nott. The end part really makes you sympathise with the Soviets. Plus we finally have some actual Russians, speaking Russians, which contrasts well with ‘the Americans’ themselves.  
  • Arrow: On the plus side of Arrow, something I haven’t mentioned is that the producers have absolutely no reverence for the comics: they’ll use what they want and change what doesn’t fit. Case in point: the arrival of (spoiler)Slade Wilson, aka Deathstroke, this week. Now they’ve cast Spartacus‘s Manu Bennett in the role, simply because he’s so cool, and they’ve simply made his character Australian and a member of the Australian SIS as a result. Marvellous.
  • Banshee: Unlike Arrow, Banshee wants everyone to be American. So even though they’ve got a New Zealander in the lead role (he was one of the Wests in Outrageous Fortune) and a Dane as the villain, they’re still making them pretend to be Americans. Last week’s episode was a characteristic mix of the ludicrous and the great, so I encourage you all to give it a try.
  • Being Human (US): They’re starting to hint at an Aidan and Sally relationship, as per the original, I notice, which is intriguing. I’m also curious about what’s happened to Josh’s family, given he has no reason not to see them any more.
  • Charlie Brooker’s Weekly Wipe: Basically, just like all his other Wipes but with less to say, a weird attempt at a collaborative movie review feature and a more inspired “reading out of comments from the Internet”. Not his best, but still watchable.
  • Cougar Town: Ooh! The writers remembered that everyone is supposed to have a job.
  • Elementary: An odd choice for the post-Superbowl episode, with very little to commend it, but last night’s featuring not just John Hannah in full Scottish mode but also an ex member of The Unit was a big improvement. It was also one of the first episodes that felt like a proper Holmes story, too, with a few references here and there to the originals. It also raised the intriguing suggestion that the reason that Holmes doesn’t feel like Holmes is because he needs drugs and now he’s sober, he’s not the man he used to be as a result. Could be a good narrative direction they’re going to go in there.
  • Spartacus: Julius Caesar has arrived! Otherwise, a largely unremarkable episode.
  • Suits: Two fabulous episodes made even more fabulous by Wendell Pierce (Bunk from The Wire) and the return of (spoiler alert)Daniel Hardman. Gives House of Cards a run for its money in terms of manipulations.
  • Vegas: A bit more for Carrie Anne Moss to do this week, but her character is so lifeless, that’s still not much. But a good episode and I wasn’t expecting many of the twists the show turned up this week, either.

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Streaming TV

Review: House of Cards 1×1 (Netflix)

House of Cards

In the UK/US/Canada/most of the world: Available on Netflix. First episode available free.
In some other places: Acquired by HBO Europe

Welcome to the future, everyone. How are you liking it so far?

So until now, Netflix has been the TV equivalent of a library. You want to watch some TV? Okay, sure. Oh wait, actually, Mrs Brown has already got that out so how would you like to watch this instead? It’s not what you wanted to watch, but you might enjoy it anyway.

But now things are changing. Just like Amazon and other companies that used to just sell you things other people had made, Netflix has decided that it’s going to make some of its own products to get round all those thorny rights issues, broadcast networks and everything else that means they’ve never got what you wanted, when you wanted it.

Now before you mock, we’re not talking about a situation like Dave or UK Gold, in which the budget is thruppence ha’penny, the script was written by someone past their prime and who couldn’t get work anywhere else, and the best actor the producers can hire was 15th on their list of preferences.

No, for Netflix’s first production (and there’s a new series of Arrested Development coming our way, too, among other delights), they’ve got a near A-list cast (Kevin Spacey, Robin Wright, Kate Mara), an exceptional director (David Fincher) and an Oscar-nominated writer (Beau Willimon), together with a budget of $120m to put together a top-notch 13-part series: a remake of Andrew Davies’ adaption of House of Cards for the BBC, but relocated to the US, with US congressman Frank Underwood turning his Machiavellian talents to betraying everyone in his party when his promised position of Secretary of State is denied him.

And Netflix is releasing all 13 episodes around the world at the same time. If this is the future, it’s not only exciting, it’s going to make my job a lot harder. Here’s a trailer:

Continue reading “Review: House of Cards 1×1 (Netflix)”

Monday Mornings
TV reviews

Review: Monday Mornings 1×1 (US: TNT; UK: Fox)

In the US: Mondays, 10/9c, TNT
In the UK: Acquired by Fox

David E Kelley used to be a lawyer. I don’t know exactly where he practised law and what kind but it must have been a very weird kind. Look back at his track record and you’ll see the likes of The Practice, sure, which was just about realistic, but he moved on to the likes of Ally McBeal, Boston Legal and most recently, Harry’s Law.

If you could sum up the general themes of Kelley’s shows, they’d be something like this:

  1. Women find this whole working thing a bit difficult, are a bit insecure and prefer to talk about relationships and stuff. Unless they’re old.
  2. It’s not so much the legal niceties of an argument that matter so much as what everyone feels should be the right one – and by everyone, I mean extremely liberal Democrats who all feel exactly the same way as David E Kelley.
  3. Gee, aren’t those non-black ethnic minorities amusing?
  4. Gee, aren’t those black ethnic minorities sassy?

That shtick (apart from options 3 and 4) can just about work with lawyers or crazy lawyers, but it starts to fall apart when you start to transfer the same principles to genres with which Kelley is unfamiliar. In fact, it can be extremely dreadful, as anyone who’s watched his pilot for Wonder Woman can attest.

Now Kelley has turned his attention to doctors and surgeons, using CNN chief medical correspondent Sanjay Gupta’s book Monday Mornings as his inspiration. The name isn’t a reference to how a surgeon is likely to start shooting people on a Monday (that would be the Boomtown Rats song ‘I Hate Mondays’); it isn’t a reference to how we all hate Monday mornings and are more than likely still hung over from the weekend. In fact, it’s a reference to a practice at certain hospitals: the ‘M&M’ conference or morbidity and mortality conference, in which doctors and surgeons all get together to look over their past week’s work, see who’s died, see what mistakes have been made and then try to learn from those mistakes.

All entirely estimable, but since Kelley can only write about lawyers and somehow turns even shows that aren’t about lawyers into shows that are – cf, again, Wonder Woman – Kelley uses the M&M as a surrogate court room in which the doctors and surgeons like Ving Rhames and Jamie Bamber are the jury, lawyers, prosecutors and defendants, and Alfred Molina – still dressed like Doctor Octopus from Spider-Man 2 – is the judge, ready to pass verdict on the guilty. Should they have done that procedure? Should they have prescribed that medicine that might have saved little Timmy’s life? His parents are outside crying, dammit.

Does it matter? Because the Kelley guide to medicine is pretty much the same as the Kelley guide to law: ignore what’s practical, contra-indicated, clinically proven, probable and everything else, and focus instead on what feels right.

Here’s a trailer – it’s not even one-tenth as annoying as the show itself.

Continue reading “Review: Monday Mornings 1×1 (US: TNT; UK: Fox)”

Friday’s “Being Human to end, The Americans plummets and a Justice League movie rewrite” news

Film

Film casting

UK TV

US TV

New US TV shows

New US TV show casting

Thursday’s “Doctor Who’s new Susan, John Corbett in NCIS:LA spin-off, Smash tanks and more HD Freeview” news

Doctor Who

  • Claudia Grant to play Carole Ann Ford in 50th anniversary special

Film

Film casting

Canadian TV

  • Ratings for the week ending January 27th

UK TV

US TV

US TV casting

New US TV shows

New US TV show casting