Australian and New Zealand TV

Review: Anno 1790 (season 1)

Anno 1790 DVD coverStarring: Peter Eggers, Joel Spira and Linda Zilliacus
Amazon price: £16.92
Released: October 28th 2013
Original network: SVT

‘Nordic noir’ is a fairly flexible concept, but largely, most people think of it as dark crimes being solved by the police in Scandinavian countries: think of The Killing, The Bridge, Those Who Kill et al. That’s certainly what you’ll be able to see on BBC4.

But as with any genre, there’s more to nordic noir than the acquisitions staff at TV networks decide to spend their money on. Anno 1790, a 2011 Swedish show, demonstrates this pretty clearly. As the name suggests, it’s set in Sweden in AD1790. It’s just after the French Revolution and anti-monarchy sentiment is catching like wildfire across in Europe. In Sweden, the king is making himself even less popular with a war against the Russians that’s killing many for little purpose but is thankfully coming to an end.

A doctor in the Swedish army, Johan Gustav Dåådh (Peter Eggers), finds his life changed forever when his compatriot Simon Freund (Joel Spira) is nearly killed in the war and asks Dåådh to take him home. Freund is the tutor of the children of Carl Fredrik Wahlstedt, the commissioner of Stockholm’s constabulary, and it’s not long before Dåådh is using his keen deductive skills, scientific knowledge and sense of justice to investigate crimes at Wahlstedt’s behest.

The only trouble? Not only is Dåådh a republican, a friend to some really quite violent anti-monarchists, and Wahlstedt nobility employed directly by the king, but Dåådh is falling in love with Wahlstedt’s wife, Magdalena (Linda Zilliacus) – and she with him.

It’s like CSI crossed with Whitechapel and Barry Lyndon, but all in Swedish. Here’s a trailer and an exclusive video to give you a taster. I’ll talk more about the show after the jump.

Continue reading “Review: Anno 1790 (season 1)”

The BarrometerA Barrometer rating of 3

Third-episode verdict: The Tomorrow People (The CW/E4)

In the US: Wednesdays, 9pm/8c, The CW
In the UK: Acquired by E4 to air in 2014

Three episodes into The CW’s The Tomorrow People – a blander but still mightily improved version of ITV’s 1970s sci-fi kids show – and we’ve just had our first genuinely decent episode.

Now, all things are relative, of course. The first episode, which saw the teleporting, telekinetic, telepathic next step in human evolution get given the American ‘family’ treatment, was a decent cross between the original show, Smallville and Arrow, with thankfully no aliens, robots or anything that would ping Operation Yewtree’s radar. It suffered the usual flaws of such shows, with minimal attempts to give anyone except the two central white male characters much to do and a reliance on CGI and efficient but hollow martial arts scenes, but it was decently done for what it was.

Episode two was… episode one again. Same plot, pretty much the same conclusion, just with a smaller budget. 

But episode three was a much improved affair, developing the show in new directions, giving the female TP a combination of the interesting (pre-break out deafness) and the boringly typical (someone tried to rape her) for a backstory. We also got some of the show’s almost unique traits: a willingness to discuss human evolution and how it works, with signs that the TP’s powers are variable in quality, not entirely perfect and vulnerable to other factors. It’s a near-original touch for a show that could simply have been Mutant X all over again. 

Yet, it’s still not a strong sell. John, Stephen and Jedikiah are just not that interesting as characters, none of the cast apart from Mark Pellegrino has an ounce of charisma, the action is only above average, and there’s nothing truly compelling about the story that sets it out from any other shows in which a group of goodies have to escape baddies in black suits.

And, it has to be said, compared to the original’s title sequence, the new title sequence is just a bit limp (despite the head nod here and there):

Barrometer rating: 3
Rob’s prediction: Unless it does something to lift itself out of ordinary – please not aliens though – it’s going to be dead by the end of its first season

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